Category: Movie Dramas (Page 15 of 188)

Directors Guild and Visual Effects Society Nominations

Historically, the Directors Guild nominations, and even the actual awards, have tended to correlate with the Oscars both for Best Picture and Best Director to some degree. Now that the Oscars have ten nominations, that might dilute things a bit. Even so, I think it’s fair to say that the this year’s five nominees have excellent shots at getting a Best Director nomination and are close to a lock for Best Picture nominations.

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The nominees are: Darren Aronofsky for “Black Swan,” David Fincher for “The Social Network,” Tom Hooper for “The King’s Speech,” Christopher Nolan for “Inception,” and David O. Russell for “The Fighter.” Among the directors excluded who made films a lot of people are pulling for are two women: Lisa Cholodenko of “The Kids Are All Right” and Debra Ganik of “Winter’s Bone.” As Anne Thompson points out, the Guild has been slightly more open to nominating women than the Academy in the past. On the other hand, after last year’s big win for Kathryn Bigelow, it’s possible some of the pressure is off, or not.

Though it’s not as earth shaking, we movie fans like our movie special effects and the Visual Effects Society has made their nominations. No big surprises here either as the nominees for the movie with best effects are “Inception,” “Iron Man 2 ,” “Tron: Legacy,” “Alice in Wonderland,” and “Harry Potter and the Deathly Hallows, Part 1.” I think it’s fair to say that visually stunning “Inception” should have the lead here, but we’ll see. In animation the nominees are: “How to Train Your Dragon,” “Toy Story 3,” “Tangled,” “Shrek Forever After,” and “Legend of the Guardians: The Owls of Ga’Hoole.”

The complete lists of award nominations, including a huge list from the VSA, are after the jump.

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RIP Peter Yates

A fine British director who worked both here and in the UK, Peter Yates’ films varied between smart, sensitive comedy-dramas like “Breaking Away” and “The Dresser” and hard edged crime and action films like “Bullit,” “The Friends of Eddie Coyle,” as well as the TV series “Secret Agent.” To mark his passing, we’ll salute him with a couple of key scenes from his best known movies. Starting with an endlessly copied scene that made for a lot of new gigs for movie stunt drivers.

Bonus clips are after the flip.

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Weekend box office: “True Grit” tops slow weekend

There’s really not all that much to say about the box office this weekend other than that it was down a worrisome 29% over last year, so I’ll keep things brief as we peruse the Box Office Mojo weekend chart together. No huge surprises, though fans of westerns have a reason to celebrate.

Jeff Bridges and Matt Damon in

As seemed likely back on Thursday night, the Coen Brothers “True Grit” edged out the star-laden filmed deal, “Little Fockers,” earning an estimate $15 million for Paramount as opposed to $13.7 for the Universal comedy. That makes for a total of roughly $110 million in three weeks for the western as opposed to $123 for “Fockers.” However, considering that the budget for “True Grit” was more than 60% lower and with a probable buoyant life on DVD, I think it may be the likely profitability winner over the long haul. In any case, this is good news for the Coen’s fans, which includes myself, as it means that they’ll have greater latitude to do something really weird next time, if that’s what they feel like doing.

Nicolas Cage contemplates the eternal box office void in This week’s unloved new releases managed to avoid complete disaster. The lackluster and horribly reviewed action-horror flick, “Season of the Witch,” underperformed even modest expectations that it might hit $12 million. However, it managed to earn double-digits for Relativity Media, newcomers to the releasing game, and didn’t come in too shy of the lowered mark. The Nicolas Cage/Ron Perlman swash-chiller earned what may be approximately $10.7 million in third place.

Released in only 1,400 theaters or so, the musical drama for country fans, “Country Strong,” managed to earn a reasonable per-screen average of $5,126 for an estimated total of $7.3 million in 7th place. It follows “Tron: Legacy” and the sleeper-esque “Black Swan.”

Oscar contenders “The Fighter” from Paramount and “The King’s Speech” from the Weinstein Company remain strong several weeks into their release. The two films, about very different personal battles, made estimates of $7 million and $6.8 million in 7th and 8th place, respectively.

Colin Firth & Helana Bonham Carter contemplate a sticky wicket in

Box office preview: “Season of the Witch” to lose to “True Grit” or “Little Fockers”

January is traditionally the month when the studios release their weakest films and the first weekend after New Years is traditionally one of the softest of the year. So, if ever an adult western from with a slightly dark and offbeat cast to it could be the #1 movie in modern America, this would be the time. Still, it might be a game of inches as Paramount’s “True Grit” will be up against the declining but still popular “Little Fockers” from Universal and one major new wide release with limited prospects.

Nicolas Cage and Ron Perlman in

As per Box Office Mojo, “Season of the Witch” will be opening in over 2,800 theaters this weekend. It’s a blend of action and dark fantasy starring a downcast Nicolas Cage and the very cool Ron Perlman, who I had the pleasure of interviewing this week. If anyone reading my review thinks I’m being a bit hard on it, they should be aware that this film is probably one the worst reviewed films in some time, getting a terrible 3% “Fresh” from Rotten Tomatoes. However, a closer look shows that it’s not so much a film that everyone hates as a film that no one cares to recommend.

The creepy actioner is the maiden voyage as a distributor for Ryan Kavenaugh’s very busy mini-studio, Relativity Media, and it is expected to make as much $12 million or so according to THR’s Pamela McClintock (where are you jolly Carl DiOrio?) and Ben Fritz of the L.A. Times, though somewhat less seems entirely possible. What the film has going for it is a very low budget for an action flick these days, just $40 million.

Another entry, “Country Strong” is expanding to about 1,400 theaters this weekend, but hopes for this musical drama are modest indeed, though fans of country singer Tim McGraw and actress Gwenyth Paltrow should account for something. It’s going to be that kind of a weekend.

RIP Pete Postlewaite and Anne Francis

We lost two outstanding, though very different, movie performers today both, coincidentally, from cancer. Both also appear to have been people you might actually want to know in real life.

The extremely well-regarded actor and environmental and antiwar activist Pete Postlewaite was only 64 and leaves us much too soon. His distinctive face was familiar to anyone who went to many movies from the early nineties on and is maybe best known for his outstanding work in movies like “In the Name of the Father” and “The Usual Suspects.”  He was in a number of films directed by Steven Spielberg, who essentially called him the best living actor in the world.

Below is his famous speech from the end of “Brassed Off.” I have yet to see this one myself, but check out the many slightly unusual choices here. He’s not afraid to show the combination of nervousness and righteous indignation that might fuel a moment like this.

The gang at Popdose has more, as does David Hudson at MUBI, Ed Copeland, and Anne Thompson.

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The beautiful and unabashedly sexy Anne Francis, who has left us at age 80, never became a huge movie star, though she did become a TV icon of sorts as “Honey West,” a private eye with a pet ocelot billed as a sort of female James Bond. To movie fans, she has nevertheless achieved immortality for a few key roles. As all “Rocky Horror Picture Show” viewers know, she starred in “Forbidden Planet” in which, as the extremely innocent daughter of a semi-mad (more like deeply neurotic) scientist played by Walter Pidgeon, she had to pull off asking Leslie Nielsen‘s space-ship captain the immortal question, “What is kiss?” (It wasn’t a band featuring Gene Simmons.) She also had crucial roles in two of the more memorable Hollywood “message” films of the 1950s, Richard Brooks’ “Blackboard Jungle” and John Sturges’ “Bad Day at Black Rock.”

In person, she seems to have no shortage of what movie and TV characters used to call “spunk.” You can see what I mean in this TCM interview clip about how she vehicularly resolved a spat with screen legend Spencer Tracy on “Black Rock.” She also displays no shortage of spirit and personality in this interesting combination of promotional and educational film shot at the Santa Monica Airport and featuring the late columnist, Army Archerd.

No word on whether she ever got her license, but I can certainly imagine her flying solo.

Much more at MUBI, as usual.

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