Category: Movie Dramas (Page 108 of 188)

RIP Brittany Murphy (updated)

Reports are circulating that actress and singer Brittany Murphy, best known for roles in films like “Clueless,” “8 Mile,” and “Sin City,” died early this morning from cardiac arrest at Cedars Sinai Hospital in Los Angeles. She was 32 years old.

Of course, the item is already fomenting speculation in the more gossipy realms of the Internet. Danny Groner of the Huffington Post points out that she was recently left the cast of “The Caller” under what definitely appears to be a real cloud and was the subject of an unfunny SNL parody.  The Chicago Tribune report I linked to above also mentions “reports” that she might have been fired by her agent. On the other hand, as Nikki Finke points out, she has several other films completed that are currently in post-production.

When someone that young dies of a heart attack, people are naturally going to wonder about possible drug issues, and I’m sure those who follow the gossip sites will be getting their fill of the details in coming days. Quite honestly, this is the kind of post I hate to write. It’s just terribly sad and there’s probably not that much more to be said about it. I hope more comes out of her to-be-released film work than fuel for schadenfreude mongers.

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UPDATE: Nathaniel R. has some thoughts on Brittany Murphy that are worth your time.

Celluloid Heroes: Best British Imports of the Decade

Foreign films made a big splash at the turn of the century, with many moviegoers finally realizing that subtitles weren’t so bad after all. Though a language barrier was never the reason the British film scene failed to take off, it really came into its own in the aughts with the introduction of new talent like Guy Ritchie, Edgar Wright, and Danny Boyle. As part of our look back at the movies of the 2000s, here’s a list of the best British imports of the decade. You’ll probably notice some similarities among many of the entries, but that’s just because when it came to delivering great genre films, the U.K. was king.

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10. “Son of Rambow”

Movies like “Son of Rambow” don’t get nearly as big of an audience as they deserve, which is a shame, since it’s one of the most wildy inventive family films I’ve seen in a long time. And who better to make a movie that incorporates animated doodles into its character’s imagination than the director-producer duo that created the wacky, stop-motion music video for Blur’s “Coffee and TV”? It’s a match made in heaven, though much of the film’s success is thanks to newcomers Bill Milner and Will Poulter, who give child actors a good name.

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9. “Billy Elliot”

Jamie Bell may be all grown up, but “Billy Elliot” remains the best thing he’s done. A classic feel-good movie featuring a great soundtrack, a funny and heartfelt script, and a memorable performance from Julie Walters as the title character’s chain-smoking ballet teacher, “Billy Elliot” was nominated for three Oscars and was eventually adapted for the stage (with music by Elton John, no less) where it went on to win ten Tony Awards. Still, for as much love as the Broadway musical has received during its five-year run, the movie version is still one of the most entertaining British films I’ve ever had the pleasure to see.

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8. “Sexy Beast”

Though it’s best remembered for Ben Kingsley’s riveting turn as Don Logan, a venomous, high-strung gangster who doesn’t take “no” for an answer, “Sexy Beast” is a smart and energetic crime drama that also happens to be pretty damn funny. Of course, most of that humor comes from Kingsley’s expletive-laced performance, and it’s a crime that he wasn’t rewarded with a nice, shiny Oscar. Still, even though the movie is essentially the Ben Kingsley Show, “Sexy Beast” served as a nice introduction to Ray Winstone and Ian McShane, and will likely go down as one of the better crime dramas of the decade.

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7. “RocknRolla”

Say what you will about Guy Ritchie, but his movies are an absolute blast to watch, and “RocknRolla” is easily his most mature film to date. Though he still seems to favor style over substance, the movie still succeeds thanks to an amusing story and lively ensemble cast led by Gerard Butler and Tom Wilkinson. Plus, that bizarre dance scene between Butler and Thandie Newton is one of the funniest WTF moments of the decade (not to mention their subsequent sex scene). Ritchie’s films may never receive the credit they deserve (he’ll forever be remembered as a Tarantino wannabe, even though QT himself has been accused of stealing several times over), but “RocknRolla” is what going to the movies is all about.

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Friday night movie news dump

Regulars might have noticed a bit less movie news this week. Don’t worry, I won’t try to cover everything that happened in movieland this week tonight. Unfortunately, I have to start with three notable deaths.

* The saddest for me personally, and perhaps for some of you horror fans out there, is the most recent. Dan O’Bannon has died from Crohn’s Disease at age 63. Best known for the horror-comedy hit, “The Return of the Living Dead,” and for writing the screenplay for “Alien,” O’Bannon emerged out of U.S.C.’s film school with his friend, John Carpenter and together they collaborated on an odd science fiction comedy called “Dark Star.” While few remember that film, it set them both on a pretty interesting path.

When I was in the middle of high school and at the height of my geekness  (three terms as president of the Venice High science fiction club!), I actually met O’Bannon in some odd circumstances at a crisis point in his career. Buy me a drink and I’ll tell you the story, but suffice it to say he seemed like a good guy and he was clearly something of a minor genius. He’ll be very much missed.

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* Roy Disney, the nephew of Walt Disney and the son of Roy O. Disney, also passed on at age 79. The younger Disney emerged as a king-maker and king-breaker of sorts, launching insurgent movements that wound up putting Michael Eisner in charge of the studio in 1984 and then deposing him in 2004.

* Finally, if you’re a former film student like myself you’ve probably had to read some of the work of famed academic critic and scholar Robin Wood, who was so respected that almost no one noticed when serious film-criticism aficionado Joss Whedon named a supercool cool high school principal/cum monster-fighter after him on “Buffy.” (How could anyone namecheck him on a mere TV show? It had to be a coincidence.) One of the first critics to approach genre films seriously, he is famous for works on Alfred Hitchcock and Howard Hawks, among many others. He has passed on at age 78, and the always interesting Glenn Kenny has a remembrance.

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RIP Jennifer Jones

She was a remarkable and arresting, if uneven, actress and a reluctant sex symbol known for a painful personal life who, probably very wisely, kept a great distance between herself and the press. At her best though, she was remarkable in films like the wonderful final screwball comedy by Ernst Lubitsch, “Cluny Brown” (which you  can watch for free in a good looking print via ten minute chunks on YouTube…though I can’t embed it!).

Anyhow, here’s an obituary and a great appreciation by my favorite expert on such things, the Self Styled Siren. If you’ve never seen her, or haven’t in a while, this montage will give you an idea of why Jennifer Jones captured many an imagination.

Either “Avatar” takes the weekend box office, or we’re all in big trouble

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Variety has gone behind a pay wall. Jolly Carl DiOrio of The Hollywood Reporter is either taking a night off or filing later. Still, this is one week when, if I may paraphrase Bob Dylan, I don’t need a weatherman to tell me which way the wind’s blowing. As a science-fiction adventure sure-to-be blockbuster, James Cameron‘s “Avatar” has pretty much everything going for: huge ballyhoo, much of its centered on its groundbreaking use on “performance capture” (not mere motion capture) and what everyone seems to be describing as a new and more immersive 3-D, strong advance sales (skewing male as of right now), and solid reviews.  Sure, it’s actors aren’t precisely A-listers, but we all know what good stars are these days. I’m sure people will eventually remember that Sam  Worthington, Zoe Saldana, and Sigourney Weaver were in there some place.

The latest from James Cameron at this point has racked up an 82% “fresh” on the Tomatometer and a whopping 96% from the usually harder to please “top critics,” with only Village Voice‘s exacting J. Hoberman submitting a mildly negative review that is actually about as positive as a bad review can be.

Our own Jamey Codding is positive, but not quite ecstatic. Ken Turan, a critic I respect but often disagree with for his rather schoolmarmish tastes — don’t get him started on Tarantino — waxes poetic and compares the technical breakthroughs to “The Jazz Singer.” I personally hope that isn’t quite the case. 3-D is cool as an occasional treat, but I just don’t see how it’s necessary for every movie. Of course, there were people who said that about sound movies too, but don’t laugh too much because there are still people who thought they were right! (Not me. Being a word guy, I like talkies. My fogeyosity has limits) In any case, Roger Ebert might be summing things up nicely when he writes:

There is still at least one man in Hollywood who knows how to spend $250 million, or was it $300 million, wisely.

Sam Worthington in So, we know that “Avatar” will, baring apocalypse or a mass, blindness-inducing plague, win the weekend. The real question is, by how much? Well, considering it’s opening in 3,453 theaters and probably taking up nearly every higher priced regular size and Imax 3-D screen in the country, I’d say the sky is the limit for the moment. Beyond that, I really don’t have the kind of information to make these kind of assertions, but fortunately there is Daniel Frankel of The Wrap who says that the gurus have agreed the Fox film will do over $60 million at least and possibly as much as $90 or $100 million.

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