Category: Movie Comedies (Page 64 of 195)

Mystery Team

What if Encyclopedia Brown never grew up? That’s the general idea behind “Mystery Team,” the debut feature from internet sketch comedy troupe, DERRICK, about a group of teenage detectives still solving the same pedestrian mysteries that they were at age seven. There’s Jason (Donald Glover), master of disguise and leader of the Mystery Team; Duncan (D.C. Pierson), the boy genius; and Charlie (Dominic Dierkes), the strongest kid in town. The only thing is, Jason’s disguises aren’t very good, Duncan’s so-called knowledge comes from a book of “1001 Wacky Facts,” and Charlie isn’t so much strong as he is unbearably dim-witted. But when a neighborhood girl hires them to solve the case of her parents’ murder, the Mystery Team take on their very first adult crime set in the dangerous world of sex, drugs and swear words.

One of the more buzzed-about films coming out of 2009’s Sundance Film Festival, “Mystery Team” all but vanished from the public eye after its premiere, instead earning a limited theatrical release before finally getting dumped onto DVD. So what went wrong? For starters, the film simply isn’t as good as some may lead you to believe, with only a handful of funny moments scattered throughout 94 minutes of juvenile toilet humor and long stretches of tedious plot development. Donald Glover (easily one of the best things about NBC’s “Community”) is certainly amusing as the leader of the group, but his fellow co-stars never earn a single laugh. Maybe the guys of DERRICK are better off sticking to what they know best, because while “Mystery Team” might have made for a hilarious short, the laughs are too few and far between to warrant a full-length feature.

Click to buy “Mystery Team”

All the movie news that fits my schedule

With Cannes starting to wind down — or with people probably starting to leave in the manner of Hollywood folk at lengthy fests much in the way Los Angelenos leave sporting events early — maybe the news will start to slow down a bit as well. In any case, it’s looking like I won’t be around to cover it tomorrow, and then comes the weekend movie preview, so this will have to tide you over for a bit.

Megan Fox in * Our top story tonight, however, is far away from anything likely to screen in, or even out of, competition at the world’s most famous film festival. Seems that Megan Fox, who you might remember compared director Michael Bay to Hitler some time ago, will not be returning in “Transformers 3.” Apparently Bay has finally realized there are lots and lots of unnaturally attractive young women in Hollywood and some of them can act a little.

In any case, Nikki Finke brings you a crash course on the apparent Fox/Bay hate affair, while AICN’s Merrick reminds you of some of those other unnaturally attractive women.

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The ultimate solution to the 3-D madness — “Feel Around”

I like the late Kinji Fukasaku’s film of “Battle Royale,” but maybe not quite as much as some people.

Nevertheless, this item, about a coming and seemingly utterly random 3-D retrofit of the putative “gorefest” just makes me want to fly to Monster Island and pick a fight with Ghidrah. What next, “The Wild Bunch”?

Or perhaps I’m wrong. Maybe it’s time to just go utterly all-in with the ultimate cinematic process, predicted so many years ago by the Zucker Brothers, Jim Abraham, and John Landis in “The Kentucky Fried Movie.”

More movie news and stuff

Cannes is in full swing and there’s plenty other stuff going on besides — way too much to cover completely. So, consider this just me hitting a very few of the highlights of the film world right this moment.

* The critical wars are going full strength at Cannes with the biggest love-it/hate-it proposition appearing to be Alejandro González Iñárritu’s “Biutiful.” I haven’t seen the film, of course, but Iñárritu is most definitely my least favorite of “the three amigos” of Mexican/Spanish/U.S. cinema. (The other two being Alfonso Cuarón and Guillermo del Toro) and not only because his name is the most impossible to type. I mostly liked “Amores Perros” but his “21 Grams” and “Babel” struck me as exercises in touchy-feely realism that was a lot less real than it seemed to fancy itself.

biutiful-inniratu

Still, he’s working with different writers now and everyone seems to agree that the always great Javier Bardem is especially fine in it, so I suppose I should keep an open mind. Still, reading about the film, it’s hard not to side with the anti-faction when much of the commentary echoes my feelings about past films and when the pro-side is being taken by Jeffrey Welles, who really doesn’t seem to respond well when other people don’t love his favorite films. It’s a conspiracy, I tells ya!

In any case, David Hudson does his usual amazing job summarizing the critical reaction from a wide swath of the press; John Horn at the L.A. Times focuses on the reactions of big name critics.

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Blu Tuesday: Dragon Ball Z Kai, Invictus and Valentine’s Day

Anyone who’s become a frequent reader of my weekly Blu-ray column knows that to even call it a weekly column is a bit of a joke. Nevertheless, instead of making excuses as to why I haven’t written a post in awhile, let’s just jump right into it as there are several titles worth talking about, including Clint Eastwood’s latest and the Blu-ray debut of an anime classic.

“Dragon Ball Z Kai: Season One” (Funimation)

Funimation has certainly had its share of ups and downs when it comes to the “Dragon Ball Z” franchise. They were practically lynched by fans for releasing digitally remastered versions that cropped the image, and then were praised for bringing the Dragon Boxes (previously only available in Japan) to America. Now, they’re receiving some flak for the release of “Dragon Ball Z Kai,” a reinvention of the series that hews closer to Akira Toriyama’s original manga. Loyalists have claimed that this new version isn’t really “Dragon Ball Z,” and while they’re definitely exaggerating in their assessment, they’re not totally wrong, either. “Dragon Ball Z Kai” isn’t the “DBZ” you grew up with, but rather a meaner, leaner adaptation that does away with all the pointless subplots in order to keep the story moving. Those who have complained that the anime is bloated will love this new approach, and it doesn’t hurt that the series looks absolutely gorgeous in high definition. It’s not perfect, mind you, but between the cleaned-up prints and the revitalized animation, this is the “Dragon Ball Z” I wish I had watched from the start. The fact that only 13 episodes have been included on the two-disc set is a bit annoying (especially when nine of those appear on the first disc), but perhaps there’s some method in the madness.

“Invictus” (Warner Bros.)

When it was announced that Clint Eastwood would be teaming up with longtime collaborator Morgan Freeman for a biopic about South African president Nelson Mandela, I don’t think anyone expected a movie about rugby. But that’s exactly what we got, and though we didn’t learn nearly as much about the man as we would have liked, “Invictus” did do a good job of conveying the influence that Mandela had in uniting the country’s races. While the movie pales in comparison to some of Eastwood’s other work, it is a better-than-average sports drama with some fine performances from its two leads. Warner’s Blu-ray release capitalizes on their involvement with a behind-the-scenes look at how Freeman and Matt Damon transformed into their respective real-life subjects, as well as the difficulties of filming the rugby scenes. Various cast and crew members also contribute to an excellent picture-in-picture video track that makes watching the film a second time incredibly worthwhile.

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