Category: Movie Comedies (Page 26 of 195)

Two moods for a holiday eve

It’s almost 9:30 p.m on the West coast and, with one of the nation’s two biggest family-oriented holidays happening tomorrow, a lot of folks on both coasts and in between are probably nervous about food preparations, psychotic relatives, their own psychoses, etc. Some may even be, as the contemporary argot would have it, ready to “lose their shit.” On that note, via Anne Thompson and Pajiba, we have a salute to the modern master of complete loss of emotional control, Mr. Nicolas Cage, from editor Harry Hanrahan. (It goes without saying this is highly NSFW — Cage is the only man in the world whose allowed to lose his shit at the office.)

Feeling a bit unnerved by all that? Me too. So, here’s the human antidote(s) to Nicholas Cage. Michael Caine salutes Cary Grant. How much cooler, calmer, and collected does it get?

Ahh. I feel much better now.

Box office preview: “Harry Potter” to smash strong competition like so many horcruxes

Even though we have four major releases hitting theaters tomorrow for this five day Turkey day weekend, I’m going to keep it short. Especially as, in some respects, this weekend is a foregone conclusion.

On the heels of its boffo $125 million opening weekend, Warner Brothers’ “Harry Potter and the Deathy Hallows: Part One” would have to drop by what I’d think is an unprecedented percentage in its second weekend to get anywhere even close to the $40 million or so jolly Carl DiOrio expects for this week’s new CGI animated comedy based on the fairly tale “Rapunzel,” “Tangled.” The film, which Disney has seemed slightly nervous about, marks the final bow for the Disney princess brand and fairy tale adaptations for some time, we’re told, and the studio has been trying hard to sell it to males.

Though I might personally prefer my princesses 2D and traditionally animated, the tale has enraptured most critics and our David Medsker is rather sweet on it. I wouldn’t be surprised to see it over perform — not because the people listen to critics but because the critics are (mostly) people. Maybe it’s a bit early to retire the whole fairy tale princesses thing.

Also looking strong and with definite female appeal — though plenty of PG-13 level under-clothed attractive women are on offer for ogling males — is the apparently deliberately hoaky musical, “Burlesque.” Though the film is getting some guilty pleasure semi-love from Jason Zingale, it’s not getting the guilt-ridden love of critics over all, not that it will matter for a movie, fans of Cher and Christina Aguilera and glitz will show. Fans of rom-coms, however might not show as  much for Edward Zwick’s attempt at something a bit more biting than the usual in the genre, Fox’s “Love and Other Drugs.” Any Oscar hopes for the Jake Gyllenhaal/Anne Hathaway pairer seem beyond remote in the face of unimpressive reviews. and I suspect this is the kind of movie that actually needs to be good to do terribly well. Still, the considerable charisma of its two stars and the lack of adult-skewing date-type movies might help it achieve its rather modest expectations.

Bringing up the possible rear, or maybe not, is the relatively lowish budget actioner starring Dwayne Johnson, “Faster.” Though I enjoyed interviewing director George Tillman, Jr., the movie has received little critical applause, not that it particularly needs it. It’s possible, however, that considering the lack of action-fare right now, males might want to smell what Tilman, the ex-Rock, and a strong supporting cast are cooking. I’m sure CBS Films would find that delicious.

Dwayne Johnson is going

The Whedon-free “Buffy” and some small triumphs for smart PR

Way back in May of ’09, I wrote about a geek-storm caused by a possible movie reboot/remake of the “Buffy, the Vampire Slayer” franchise not involving the creator of the original TV series and writer of the original film of that name, Joss Whedon. The response from Whedon fans at the time — a group that includes myself and, to a great or lesser extent most of the other writers here at Premium Hollywood/Bullz-Eye land — was pretty much catcalls.

It seemed such an obvious and hamfisted attempt to cash-in on the success of “Twilight,” “True Blood,” etc., even though it was actually the “Buffy” TV series that milked the concept of vampire-human interspecies romance and the rights holders behind it didn’t have the rights to anything from the television show, just the original, likably mediocre, movie.buffy_the_vampire_slayer_1992-thumb-550x321-18443

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A roundtable chat with Sally Hawkins and Miranda Richardson of “Made in Dagenham”

As the press day began for director Nigel Cole and writer William Ivory’s amiable historical comedy, we assembled entertainment writers believed we’d be doing separate roundtable interviews with the film’s best known actresses. When Sally Hawkins and Miranda Richardson entered the room together to promote “Made in Dagenham,” about a 1968 strike by female workers at a Ford plant located in a grimy London suburb, however, it was easy to be a little overwhelmed. Either one of them is worthy of a Russian novel’s worth of questions and our time would be limited.

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Like so many first-class English actors of her generation, Miranda Richardson is known for her ability to play all ends of the dramatic spectrum. In England, and certain geekier quarters of the U.S., she’s still extremely well known known for her work alongside Rowan Atkinson and Stephen Fry as “Queenie” (i.e. Queen Elizabeth I) and assorted other characters on Richard Curtis and Ben Elton’s historical cult-com, “Black Adder.” Younger geeks, however, might know her better as magical tabloid journalist Rita Skeeter in the Harry Potter films. On the more realistic end of the spectrum, she has also done magnificent work playing a ruthless IRA operative in “The Crying Game,” a maltreated housewife in an Oscar-nominated role in Louis Malle’s “Damage,” a widely praised turn in the Oscar-winning “The Hours,” and a widow investigating her husband’s death on AMC’s recently canceled suspense drama, “Rubicon.” On the other hand, she’s also portrayed the character of Mrs. Santa Claus opposite Paul Giamatti‘s Santa in “Fred Claus.” Despite some resemblance, both physically and in terms of talent, she is not part of the famed Redgrave acting dynasty and no relation to the late Natasha Richardson. She is, in fact, the only actor in her family, which perhaps makes her all the more impressive.

Although Sally Hawkins has appeared in some 34 movie and TV productions since 1999, she broke into the consciousness of most of her fans with her Golden Globe winning performance in Mike Leigh’s 2008 “Happy-Go-Lucky,” in which she dominated the film as a relentlessly happy and, strangely enough, rather bright, elementary school teacher. It was probably an ideal role for a woman who really does come across as cheerful in person, with an approachable demeanor that certainly seems to fit the child of two children’s books authors. Currently starring on Broadway in a new production of George Bernard Shaw’s “Mrs. Warren’s Profession,” Hawkins has continued to mix starring roles with a number of smaller supporting appearances, including a turn in Cary Fukunaga’s highly-anticipated new version of “Jane Eyre.” Her next leading role is as Irish radical politician and activist Bernadette Devlin in “The Roaring Girl” — assuming the real Devlin is not successful in her efforts to prevent the film from being made.

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