Category: Movie Comedies (Page 20 of 195)

James Franco explains today’s weather

There’s a bit of a let-up happening at the moment right where I am, but we’re told that all of us here in this place where they make the movies have another day or so to look forward to of constant wetness. This is strange and oddly creepy to those of us acclimated to desert climes. However, it’s not quite like rain is unknown here. As the song says,

It never rains in [Southern] California, but, girl, don’t they warn ya’, it pours, man, it pours.

What Albert Hammond was trying so hard to explain to all of you non-SoCalers back in the day was that we usually get about 1-2 weeks of solid, uninterrupted rain, but it’s usually in February-May sometime. The result: higher consumption of microwave popcorn and TCM, and some very dissatisfied tourists.

Now, reporter types tell us that the reason we have to put up with the usual mud slide dangers, terrible driving, and odd cases of sudden unexplained depression caused by this weird thing that happens when water falls from the sky so early in the year has to do with a Hawaii-based meteorological phenomenon know as “the Pineapple Express.” Okay, it’s true other reporter types tell us this weather system is actually really coming from Asia, but “Rice Express” doesn’t have the same ring.

And, so, from the film of the similar name, James Franco explains it all to a credulous Seth Rogen as well as it’s relation to a high quality variant of a highly popular medicinal herb. It’s all very scientific and, of course, NSFW for bad language, drug humor, and a reference to babies having sex, “God’s vagina,” and engineering of an illegal nature.

Weekend box office: “Tron: Legacy” leads a slow weekend; “How Do You Know” when you’ve made an expensive bomb? Not hard this weekend.

It came in at the top spot without  breaking a sweat, but if Disney was expecting “Tron: Legacy” to turn a cult-hit 1982 science fiction concept masquerading as a movie into an instant mega-franchise, they made a problematic bet. On the other hand, while it doesn’t explain the miserable performance of the latest from James L. Brooks (“Broadcast News”), Nikki Finke points out that this is a weekend when an awful lot of people are busy traveling and shopping and movies tend to take a back-seat.

Tron: Legacy

So, that leaves it to the young fanboys to support something like “Tron.” They shelled out the money for those expensive 3D tickets and Anthony D’Alessandro says that 3D accounted for an unsurprising 82% of the tickets. This is not a movie you see for the story and characterization. The total estimated take for the Mouse House was $43.6 million according to Box Office Mojo, well short of the 50 million La Finke says they were hoping for. This includes a Friday morning 12:00 A.M. opening, by the way.

The #2 film this weekend was “Yogi Bear.” In its favor, it is a partially CGI animated family comedy. In its disfavor, it’s a cheap looking knock-off of a character that kids love and adults remember fondly — but rarely watch because, to an adult, those old Hanna-Barbara cartoons aren’t hugely funny. On the other hand, it’s always fun to say “pic-a-nic basket.” With unsurprisingly lousy reviews, the 3D film was able to get enough families in the door to earn an estimated $16.7 million for Warner Brothers.

In its second weekend, “The Chronicles of Narnia: The Voyage of the Dawn Treader” managed to keep its drop-off to 48.3% and earned an estimate of $12.4 million for Fox in the #3 spot. The $150 million film is benefiting from decent business overseas.

Going wide for the first time this week, “The Fighter” punched slightly above its weight and earned a very solid $12.2 million estimate. With a total so far of roughly $12.6 million, the award-contending David O. Russell crowd-pleaser has already won enough purses to get more than half its $25 million budget back. “Black Swan” which expanded much more modestly in terms of theater counts, also did extremely well with an estimated $8.3 million in the #7 spot, despite being in only about 1/3 as many theaters as most of its competition.

Jack Nicholson phones home in And then we get to “How Do You Know” — a movie I once had hopes for. Still, I knew something was up with word that it cost $120 million but, as I’ve joked before, couldn’t even afford to purchase the correct punctuation for its title. As Brooks is a more reliable Oscar nominee than a money maker and the movie is, after all, a romantic comedy and not an EFX showcase, this seemed weird. With poor reviews and no award nominations, this is a movie without a constituency other than whatever power the all-star cast led by Reese Witherspoon can muster. Jack Nicholson, in particular, is being accused of a phoned-in performance. At a salary of $12 million, that’s one expensive toll call.

Saturday trailer #2: “Paul”

Simon Pegg, Nick Frost, an overly relaxed ET voiced by Seth Rogen and director Greg Mottola mix it up in an international trailer with slightly disappointing picture quality in every embeddable version I can find. You might want to check out the version available over at UK Yahoo, but if you’re feeling lazy today like me, this will probably do. This trailer also offers glimpses of characters played by Jason Bateman and, yes, Kristin Wiig who doesn’t appear to be at all annoying here.

I think I agree with Monika Bartyzel that really doesn’t look to be quite in the same ballpark as previous Pegg & Frost outings. Actually, to be honest, it doesn’t even look close to that good in this particular trailer. Considering that Edgar Wright isn’t involved, maybe that’s not too surprising. On the other hand, screenwriters Frost and Pegg and Greg Mottola don’t have some skills of his own and Mottola’s last film, “Adventureland,” had a trailer that many thought sold it short. Let’s hope there’s more going on here than meets the eye in this trailer.

It’s quite possibly the last end of the week movie news dump of 2010!

Things are supposed to quiet down as far as big movie news is concerned for the next couple of weeks, so enjoy these little draps and drabs of movie news from the last week while you can…

* It’s not quite on the level of finding a mysterious monolith on the moon but it comes close. AICN has it that EFX pioneer genius Douglas Trumbull has said that 17 minutes of lost outtakes from Stanley Kubrick‘s “2001: A Space Odyssey” have been found in a salt mine in Kansas. It’s important to remember this story, such as it is, originates from a message board and perhaps isn’t the best sourced item to ever hit the ‘nets. But what better place to store outtakes than a salt mine in Kansas? A pepper mill in Encino?

monolith

* Since the story’s been out since the beginning of the week, by now you’ve no doubt heard the news that Jon Favreau has walked away from “Iron Man 3” in what we’re being assured was an entirely amicable split motivated primarily by his desire to make the Disneyland themed “Magic Kingdom.” As a lifelong Southern Californian and a current resident in good standing of the city of Anaheim, I love the Happiest Place on Earth as much as the next guy. However, as the premise for a movie, I’m hugely skeptical and wondering just what it is that is getting people of the caliber of Favreau and Guillermo del Toro on board with this these theme-parked based projects. (I’m much less skeptical of the Fincher “20,000 Leagues Under the Sea” because, well, it’s based on a beloved book of my childhood as well as a pretty cool Disney flick, not a ride.)

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Red carpet chatter with some folks from “Backwash”

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If, like me, you grew up a weird kid compulsively watching the Marx Brothers, Abbott and Costello, Laurel and Hardy and, yes and alas, the Three Stooges, then you might well enjoy “Backwash,” an enjoyably dippy web series with its final episode to be uploaded on Crackle this Monday night, December 20. The series stars Joshua Malina, who also wrote it, as the grumpy and conniving Val, who is, for whatever reason, charged with the care of the childlike and lovably idiotic Jonesy (Michael Panes). When they accidentally rob a bank with a sausage — you kind of have to be there — and hook up with a flamboyant ice cream truck driver, Fleming (Michael Ian Black, who I was unable to nab for a quick interview), the on-the-lamb trio begins a cross-country odyssey of sorts.

The enjoyably lowbrow but sometimes surreal silliness is book-ended by introductions from a rogues gallery of comic and acting talent, the funniest being a mysteriously bearded Jon Hamm, Allison Janney, John Cho, Dulé Hill, and Sarah Silverman. Somehow, Victorian author William Makepeace Thackeray is maligned as being the originally author of this more or less contemporary travesty lovingly directed by Danny Leiner, who also helmed “Harold and Kumar Go to Whitecastle.”

It was my privilege to chat with with some of the actors and creators of “Backwash” at the theatrical premiere of a somewhat shortened feature-length version of the web series. I started with Josh Malina, an actor I’ve been rather fond of since I stumbled over “Sports Night,” the show that convinced me that the writer of “The Social Network” was something more than an entertainingly glib semi-hack, actually a lot more.

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