Category: Movie Comedies (Page 108 of 195)

Blu Tuesday: The Mel Brooks Collection

When “The Mel Brooks Collection” was released on DVD a few years ago, it was missing two key films. That oversight has been partly rectified with the inclusion of “Spaceballs” in the new Blu-ray box set, but “The Producers” is still surprisingly absent. I’m not exactly sure how you can even have a Mel Brooks collection without his directorial debut (especially when a movie he didn’t even direct made the final cut), but if you can get past its absence, this is still a great compilation for fans of his movies.

There are nine films in all, including “The Twelve Chairs,” “Blazing Saddles,” “Young Frankenstein,” “Silent Movie,” “High Anxiety,” “History of the World: Part I,” “To Be or Not to Be,” “Spaceballs,” and “Robin Hood: Men in Tights.” Each film comes with a 1080p video transfer and, with the exception of “Blazing Saddles,” a DTS-HD Master Audio 5.1 soundtrack. That’s probably better than they deserve, but it really breathes new life into the films and will hopefully earn them a new generation of fans.

Sadly, the bonus features are a pretty hit-and-miss affair, as most of them have appeared in some shape or form before. Only “High Anxiety” gets the Blu-ray exclusive “Am I Very Nervous Test,” which gauges your anxiety levels by asking you a series of psych questions during the course of the film. There are also trivia tracks for five of the nine films, and if you still haven’t seen the “Inside the Lab” picture-in-picture video track from the “Young Frankenstein” standalone Blu-ray release, it’s a cool retrospective on the making of the film that fans will definitely want to check out.

Oddly enough, the real highlight of the set is a 120-page hardcover book detailing the writer/director/actor’s remarkable career that is filled with hundreds of movie stills and behind-the-scenes photos. After all, most fans probably already own their favorite movies on some format (including a few Blu-rays), and while the new high-def transfers are certainly a nice treat, this will really make their day. Whether or not it’s worth buying the entire collection for depends on just how big of a fan you are, but at less than $100 for nine movies, it’s an amazing deal no matter how you look at it.

Monday movie stuff

Peter Jackson and friend* With “The Lovely Bones” starting to look like a disappointment — and that’s definitely true so far in terms of award nominations and reviews, Peter Jackson may be starting to look ahead to his other projects. Among them, via the Playlist, is WWI and the devastating Battle of Gallipoli. The 1915 battle was the subject of a terrific Peter Weir film from 1981 that starred the young Mel Gibson, but Jackson adds that it only covered a few days of the battle, so there’s plenty of story left to tell. Weir wants to get the film ready in time for 100-year anniversary of the bloody episode, which helped define the national identities of both New Zealand, Australia, and Turkey. If you’re counting, I guess that gives him four or five years to ready the film

* Speaking of upcoming projects involving Peter Jackson (and Steven Spielberg), it’s time to start boning up on your Tintin knowledge before 2011, and if you live in L.A. and have time to get over to West Hollywood’s Meltdown Comics over the next day or so, here’s one cool opportunity to do just that.

* It’s not just superhero and adventure comics that are becoming movies. Behold, a rom-com comics adaptation.

* A suddenly agent-less Shia LaBeouf has decided a manager and a lawyer is enough. Nikki Finke deems this a “SHOCKER!”

* Adrian Curry selects the decades greatest posters over at the Auteurs. Personally, I think poster making is a lost art. Things are usually way too literal these days, but Curry’s choices are strong.

* Would you want to face Alec Baldwin in a real-life court of law? How about prosecuting? “ABC…Always be convicting.” Still, it’s possible he might need a seasonal gig at some point to help him work his way through law school…

More awards news

Yesterday’s critics’ awards were (relatively) big news, but the statue and plaque beat goes on.

Brad Pitt and Eli Roth in

*  The nominees are in for the Broadcast Film Critics Awards, which also includes some online writers as well, I understand. The event is better known as the Critics’ Choice Movie Awards, which airs annually on VH-1. The most nominations went to “Inglourious Basterds” and “Nine,” with few other surprises. “Avatar,” “The Hurt Locker,” and “Up in the Air” all got their share. Anne Thompson has the complete list and some good context.

* The Best Foreign Film Oscar is usually fairly unpredictable, and also has a somewhat screwed up eligibility process that I’m still figuring out after I don’t know how many years. (Individual nations get to submit exactly one film, a process that, as you might guess, is often highly politicized and sometimes eliminates highly charged films from consideration.) Nevertheless, Michael Haneke’s “The White Ribbon” is really starting to look like an early favorite. However, Haneke isn’t exactly the most audience friendly director.

Ed Helms and friend in
* The American Film Institute (AFI) has put out their top 10 film and TV show list. It’s a bit different from some of the others. The most un-awardy inclusion is “The Hangover.” It might not be the most beautifully made example of the cinematic art I’ve ever seen, but it certainly provides exactly the movie you (or I, anyway) want to see when you/I want to see a movie about a bachelor party gone awry, so why not?

A chat with Mark Duplass of “Humpday”

Mark DuplassMark Duplass, along with Joshua Leonard (“The Blair Witch Project”), is one of the two stars of one of the funniest and just plain nicest movies I’ve seen in awhile. If you haven’t yet read my review, writer-director Lynn Shelton’s Indie Spirit award-nominated “Humpday” is a really funny comedy about two completely heterosexual best friends who become possessed by the idea of making an art-porno in which the two of them take their bromance to its highly illogical extreme.

Duplass may be best known as one half of the film-making Duplass Brothers, who had a big indie/festival hit with “The Puffy Chair,” one of the most acclaimed films in the so-called “mumblecore” movement — improvised, usually comic, films in which no one actually mumbles much but in which the dialogue is largely improvised. While the “mumblecore” tag has become more than a little dated, the Brothers D are currently completing their first movie with big-name stars (specifically, Jonah Hill, Marisa Tomei, and John C. Reilly), which was without a title when this interview was conducted but we’ve just learned via Anne Thompson is going to be named “Cyrus.”

“Humpday” technically could be considered mumblecore because, while it was for the most part tightly plotted, the dialogue was improvised. It’s a technique Duplass was clearly comfortable with as he has acted in the films he has been making with his brother, Jay Duplass, for over a decade, as well as in such other ‘core hits as “Hannah Takes the Stairs.” We caught up with Mark via phone a bit early in the day (my time), one recent Friday morning…

PH: Just before I saw “Humpday,” I reviewed the DVD of “The Odd Couple.” I was just thinking, now that you’ve had time to think about the movie and everything, and we have this recently coined word “bromance,” which this movie obviously deals with – how do you think “Humpday” fits in with all these other movies that have been out there?

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What Else Ya Got? “The Hangover”

One of the biggest box office hits of the year, “The Hangover” finally comes to Blu-ray and DVD just in time for the holidays boasting a theatrical and unrated cut of the film (for once, you don’t have to choose between the two) and a slew of extras that are fun to watch once, but aren’t necessarily as good as you would expect.

Picture-in-Picture Commentary

The highlight of most Blu-ray releases is typically the audio commentary, and though this track featuring director Todd Phillips and co-stars Bradley Cooper, Ed Helms and Zach Galifianakis doesn’t start out strong, it gets better over time as they discuss everything from the music to Helms’ fake tooth to the different babies used during production. The picture-in-picture video doesn’t exactly, though, help because everyone involved looks positively bored (or just trying to enjoy the movie, you decide), so it can hardly be viewed as an incentive for Blu-ray owners.

Map of Destruction

This interactive feature lets you retrace the guys’ crazy night by visiting all of the locations they hit up along the way. From Caesar’s and the Riviera to Mike Tyson’s house, every stop includes interviews with the cast and footage of on-set antics. Tyson himself even gets a chance to shine with a great comeback on director Phillips.

The Madness of Ken Jeong

I’m not exactly sure why we needed eight minutes of Ken Jeong improvising, but this series of deleted scenes/alternate takes shows how he created the character of Mr. Chow through some experimenting.

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