Category: Movie Comedies (Page 101 of 195)

10 “New” Films for a New Year

It’s the end of a decade, but it’s also the beginning of a new year, which means that it’s as good an excuse as any to kick off 2010 with a list of ten enjoyable (in their own way) “new” films you might want to watch this weekend…starting with this classic:

10. New Year’s Evil (1980): Any holiday worth its salt has inspired a slasher film, and the celebration of a new year is certainly no exception to that rule. The tag line for this Cannon Films classic is just as cheesy as it ought to be – “This New Year’s, you’re invited to a killer party” – and so is the cast, which is led by Roz Kelly, best known for playing Pinky Tuscadero on “Happy Days.” Roger Ebert deigned to review it upon its original release, describing the film as “an endangered species: a plain, old-fashioned, gory thriller. It is not very good. It is sometimes unpleasantly bloody. The plot is dumb and the twist at the end has been borrowed from hundreds if not thousands of other movies. But as thrillers go these days, ‘New Year’s Evil’ is a throwback to an older and simpler tradition, one that flourished way back in the dimly remembered past, before 1978.” For a slasher flick, that’s about as much of a rave as you could hope to get, really.

9. A New Leaf (1971): This was in my original draft of this list, but I yanked it because I couldn’t find a clip to use with it. When our man Bob Westal snuck a peek at the piece and cited it as an unforgivable omission, however, I dug a little deeper and found something that I could use. This was Elaine May’s directorial debut, and she also served as the female lead of this Walter Matthau comedy. Any film that’s loved by both Roger Ebert and Vincent Canby clearly has something going for it, so I’d say it’s more than worthy of making an appearance on this list, but, my, I had no idea that carbon on the valves was such a common mechanical problem…

8. The Emperor’s New Groove (2000): David Medsker swears by this Disney animated flick, and who am I to argue with him? Plus, this gives me an excuse to drop in an anecdote from Patrick Warburton about the flick. He assured me, “I love Disney as much as any straight man in the world can love Disney,” but then he told me about meeting up with Eartha Kitt, his “co-star” in the film, at the premiere and reminding her that they’d worked together before. “When I was in my very early 20’s – I was 21 or 22 – I had done a movie with her in South Africa that was absolutely horrible,” he said. “I got the impression that she probably didn’t want to hear that anything she had ever done was not good. You didn’t even have the right to say it if you were a part of it. She just looked at me and said, ‘I’m sure we had a good time, darling.’ I looked back at her and said, ‘Well, we didn’t have that good of time, Eartha.’”

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Warner Brothers Movie Moments #2

Of course, early Warner Brothers wasn’t all gritty depression gangster dramas like the movie I featured in the post below this one, “The Public Enemy.”  They also made actually rather gritty depression early musicals that featured the work of ingenious lunatic choreographer and sometime director Busby Berkeley. And sometimes, Berkeley could get downright weird — usually in a good way.

Check out “Sitting on a Backyard Fence” from “Footlight Parade.” Cagney was actually a great song and dance man as well as being an A-1 leading man, but neither he nor costars Joan Blondell or Dick Powell are in this number which, as you’ll see, maybe be just as well for their dignity. It’s definitely different.

Insert Andrew Lloyd Weber joke here.

Zombie comedy: the killing gift that keeps on giving

Between “Shaun of the Dead,” “Zombieland,” and who knows how many humorous books and live comedy bits, the zombie-movie inspired vein of humor seems oddly unlimited — as we see in this short film in which pals Rich Sommer (“Mad Men“) and comedian Paul F. Tompkins take a fresh approach to the brain-eating zombie paradigm.

Sketch Of The Dead

H/t Huffpo

And, just for the heck of it, here’s a blast from the zombie comedy past I also enjoy.

Mid-holiday week movie news report (updated)

Somewhat to my surprise, given how slow Monday and Tuesday was, we have some movie news to report. Sadly, the first item is a bummer.

* Our very sincere condolences to the friends, family, and avid readers of writer and horror/gore maven Chas Balun, who died of cancer on December 18th. Probably mostly because of my phobia of the kind of movies he championed, Balun’s name wasn’t immediately familiar to me before this, but clearly the author and longtime contributor to Fangoria and Gorezone was a writer whose work meant a great deal to genre fans as well as a very sincere film geek/cinephile, and for that he has my respect. The Fangoria blog has a very good obituary.

* Sony has not been including a screener DVD for Duncan Jones’ highly regarded science fiction film, “Moon,” in its pre-Oscar promotional package. The result: “Twitter storm“!

Moon

* It’s now Sir Peter Jackson to you.  Considering the positive impact his LOTR tour de force must have had on the New Zealand economy, they might have considered making him king. Okay, New Zealand doesn’t have one. Also, I gather it’s more of a British Commonwealthy kind of a thing.

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Celluloid Heroes: Jason Zingale’s Best (and Worst) Films of 2009

For film critics, the end of the year means only one thing: “best of” lists. It’s probably one of my favorite parts about the job, so when Bullz-Eye decided to do a decade-end feature in place of our annual retrospective, I didn’t let that deter me from putting one together anyway. This year’s crop of films was just as uneven as in past years, but while you might have had to dig a little deeper to find some real gems, there’s no denying that 2009 still delivered some truly great movies. Here’s a look at my ten favorite films, along with a few honorable mentions and a list of the year’s worst.

THE BEST FILMS of 2009:

1. “Inglourious Basterds

Quentin Tarantino’s WWII revenge fantasy is every fan’s dream movie. Not only does it feature the director’s trademark dialogue (and plenty of it), but it also boasts a stellar ensemble cast, award-worthy performances from Christoph Waltz and Michael Fassbender, and some of the most thrilling sequences of the year. The German bar scene may feature QT at his nostalgic best, but the opening chapter is his magnum opus. That “Inglourious Basterds” can run for an additional 120 minutes and still be just as engaging is a testament to the film’s supreme quality.

2. “The Hurt Locker

This Iraq war thriller is one of the most suspenseful movies I’ve ever seen, piling on the tension so high that you’ll literally spend the entire film on the edge of your seat. Jeremy Renner is a marvel to watch as the bomb squad thrill junkie at the center of the story, but the real star is director Kathryn Bigelow, who takes an otherwise barebones script and transforms it into a series of memorable set pieces that continually upstage the one before it. But best of all, “The Hurt Locker” proves that female directors don’t have to make movies for women to be taken seriously in Hollywood.

3. “Up in the Air

There’s a pretty good chance that “Up in the Air” would have moved up a spot on my list had I found the time to see it a second time, but as it stands, the Jason Reitman-directed seriocomedy is still one of the year’s best movies. Reitman may not get a lot of credit as a director, but between his funny and timely adaptation of the Walter Kirn novel and keen use of his actors, it’s pretty clear that he has a promising future in the business. George Clooney continues to charm the hell out of moviegoers in a role tailor-made for the veteran actor, while Anna Kendrick steals the show yet again in a performance that deserves to be rewarded come awards time.

4. “Fantastic Mr. Fox

I’m surely in the minority on this one, but “Fantastic Mr. Fox” is the best animated movie of the year. I love Pixar just as much as the next person, but while “Up” proved to be yet another excellent addition to the studio’s still-flawless portfolio, director Wes Anderson’s adaptation of the popular Roald Dahl children’s story is even better. From the spot-on voice cast and witty script to the incredible sets and wonderful costume design, “Fantastic Mr. Fox” has so many layers that you have to watch it several times just to soak up all of the rich detail that went into making the movie.

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