Category: Horror Movies (Page 59 of 96)

Another Friday night news dump

I’ve been distracted wrapping up another project, but a few things of note did transpire to cap off this doozy of a week while I was otherwise absorbed.

* Both Variety and Nikki Finke are reporting that Miramax, the once groundbreaking “mini-major” founded and eventually sold by Harvey and Bob Weinstein that was named after their parents, Mira and Max, is being downsized/restructured by Disney. Meanwhile, grinning Disney Channel head Rich Ross is apparently a near-certainty to step into the void left by the departed Mousehouse chair, Dick Cook. I’m not sure why, but I have a funny feeling about this.

* Finke also has word that The Hollywood Reporter (aka THR) may well become a weekly as well as going behind a ‘net “wall.” If so, that’s going to leave a heckuva void for someone to fill online. If Finke has any visions of empire, this could be her moment — but she can’t do that alone. Personally, I’ll miss the video versions of the box office prognostications of the man I call “jolly Carl DiOrio.” He just seems so happy when he talks how well movies are going to do each week.

* THR has details on the 1993 settlement between Roman Polanski and his now adult victim. The odd part is that the records here don’t show whether or not Polanski ever paid it. If he didn’t, the woman is one extra-forgiving lady. I suspect he did.

* I’m not quite a diehard member of his cult, but I’ve always had a soft-spot for director John Carpenter (“The Thing,” “They Live,” “Escape from New York”) since seeing the original “Assault on Precinct 13” — a clever combination of Howard Hawks “Rio Bravo” and George Romero’s “Night of the Living Dead” with gang members replacing frontier desperadoes and zombies. His latest project, reportedly called “Riot” deals with another relic of my childhood, Arnold Shapiro’s “Scared Straight.” I’ll never  forget how shocked I was to hear F-words coming from my TV set. Who knew that one day cable TV would make that a near daily occurrence.

Now, I was the kind of kid who freaked out if a teacher even looked at me in a cross fashion. Nevertheless, it definitely worked on me as I’m here to tell you that I’m pretty sure I’ve never committed a felony, even by accident, though it’s always possible I’ve forgotten something. On the other hand, my parking ticket past is thoroughly checkered.

Anyhow, the latest news on the project via Krystal Clark at ScreenCrave is that Nicolas Cage, who was at one point attached, has likely left the project and the same may also go for Carpenter. Could’ve been fun, I guess.

And now a moment of vintage Carpenter.

Weekend box office: “Zombieland” to lift horror comedy curse, apparently

zombieland-movie-image-woody-harrelson-jesse-eisenberg-abigail-breslin-emma-stone

There was a time — I think it was, I don’t know, two weeks ago — when horror comedies were supposed to be, now and forever, box office poison. “Too funny to be scary and too scary to be funny” was the not so intelligent line. Such was the Hollywood conventional wisdom, until someone went and made a horror comedy that struck a chord.

So, apparently the peanut butter of horror can be blended with the chocolate of comedy if you have lots of action and sufficient gore, the trailer for the movie in question is funny enough that audiences will be sold on it as a more or less straight comedy…and, oh yeah, almost everybody who can stomach seems to love it. Such certainly seems to be the case with “Zombieland.” The flick, which features indie stars Jesse Eisenberg and Abigail Breslin, is eliciting excitement both from industry types and critics who have graced it with an 89% “Fresh” Rotten Tomatoes rating (just two points shy of 2004’s instant zombie comedy classic, “Shaun of the Dead.”)

Still, for yours truly who loves comedy horror but has a well documented issue with gore, particularly of the zombie variety, this means a probable long period of movie procrastination followed by a small bonanza for our nation’s distillers. For top-billed costar Woody Harrelson, though, it means a comeback. Jolly Carl DiOrio of THR and Andrew Stewart of Variety guess that it will gross somewhere around $20-$25 million or perhaps further north in over 3,000 theaters. If it wasn’t such a busy weekend, I might think it could do even better.

As for the number two spot, I gather most of the prognosticators expect yet another very good weekend for the animated family hit, “Cloudy With a Chance of Meatballs,” but after that, the playing field gets a bit crowded. For one thing, Pixar is making things interesting with 3-D redoes of “Toy Story,” and “Toy Story 2” being released as a double feature. It’s a pretty awesome package of family entertainment and I could see it cutting into this weekend’s “Meatballs” take.

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Zombies, Ondie, Polanski, and a neglected cell phone

Movieland abides.

* Anne Thompson thinks “Zombieland” just may break the horror comedy curse — given the success of “Shaun of the Dead,” there may be something about zombies that just somehow outweigh today’s horror fans’ fear of anything remotely humorous. Anyhow, the short clip and others (Ms. Thompson has some more) looks good. Still, as Mr. Squeamish guy who had to get dead drunk to watch the original “Dawn of the Dead,” every time a movie with a certain amount of gore gets good enough word-of-mouth/reviews, I get conflicted. Not easy being me. Right now, though, I’m thinking this one might be worth sneaking the contents of my bar into the theater for, even if I’m already concerned the “nut up or shut up” catchphrase could get very old very quick.

* Ondie Timoner’s terrific and ominous new documentary, “We Live in Public,” opened in L.A. last week. I wrote a mammoth interview post on it, it did good business this weekend according to Box Office Mojo and, dang it, I’m claiming I gave it the PH bump! (If it’s good enough for Colbert….) Anyhow, you still have time to check it out before the run ends Thursday.  With some decent luck, many more engagements all over the country may follow.

* If you’re a member of the “lock ’em up now and show no quarter” side of the Roman Polanski debate, you’ll be happy to know that the 76 year-old director is likely to be in a Swiss jail for a period of weeks as he fights extradition.

* The video of Hugh Jackman skillfully dealing with the incessant ringing of some fool’s cell phone during a live performance as co-star Daniel Craig waits patiently has been everywhere. Since “here” is part of “everywhere,” here it is, via Cinematical.

“Cloudy” with a certainty of poor news for new releases

Cloudy With a Chance of Meatballs

Never bet against family entertainment, especially when it’s in 3-D and generating strong word of mouth. “Cloudy with a Chance of Meatballs” declined a very small 19% and collected an estimated $24.6 million over the weekend, which puts it at a $60 million “cume” or thereabouts according to Bruce McNary of Variety. Not bad.

I’m not one one bit surprised that the new Bruce Willis science-fiction tale, “Surrogates,” didn’t get the over-fluffed $20+ million that was expected, despite the help of costar Radha Mitchell. The movie hasn’t generated much excitement, is getting “meh” to bad reviews, and the appeal of older stars like Willis just doesn’t seem to be that powerful at the box office these days.  Does Bruce Willis even register that much with people under thirty? If it wasn’t for the success of the last “Die Hard” flick, I think this would have done significantly less than the non-terrible estimated $15 million it actually netted for the #2 slot. On the other hand, the film cost $80 million. How much of that was Willis’s salary?

Fame

The remake of Alan Parker’s “Fame” got mostly bad reviews, and the box office wasn’t too exciting either with a mere $10 million estimated. Though the film apparently attracted a youngish audience — a possible reflection of the film being perceived as not very good since it’s a well known property to we mid-lifers — apparently most of them were taken up with other films. The week’s other major new release, the Dennis Quaid sci-fi horror entry, “Pandorum,” did a predictably awful estimated $4.4 million.

In more positive news, “The Informant!” held better than expected with roughly $6.9 million in the #4 spot and a mere 33% decline according to the Box Office Mojo chart. An interesting real life story, a funny trailer, an imaginative director, and more youngish star power may still count for something.

The week’s highest per screen average was documentary superstar Michael Moore’s latest, “Capitalism: A Love Story,” earning about $60,000 each in four theaters before going wide next week. The French language biopic, “Coco Before Chanel” starring Audrey Tautou (“Amelie”), earned a stylish estimated $35,000 average on five screens.

coco_before_chanel02

Roman Polanski arrested in Switzerland

Roman Polanski in 1978

I’ll be getting to the weekend box office fairly soon but we have some breaking news today. Kind of a bombshell, actually.

As if to fill the void left by the conclusion of the Phil Specter case, a long-running Hollywood legal drama of some real significance has reemerged this morning and is almost certain to be filling the gossip and news pages for some time. As I write this, arguably one of one of the world’s five or so greatest living directors, whose resume includes “Chinatown,” “Rosemary’s Baby,” 2002’s “The Pianist” and the psychological horror classics “Repulsion” and “The Tenant,” is under arrest at age 76 and may be extradited back to L.A. county. This one could get messy and makes yet another painful and extraordinary chapter in the life of a director and occasional actor who escaped the Holocaust as a child, became an internationally famous filmmaker during the sixties, lost his pregnant actress wife in one of the most brutal murder rampages in U.S. history, and then nearly lost everything else over a inexcusable drunken encounter nearly a decade later.

Younger readers may not be aware how, in 1978, 45 year-old director Roman Polanski was arrested after having sex and sharing champagne and part of a Quaalude — a tranquilizer and de riguer party drug of the time — with 13 year-old Samantha Geimer. The victim’s name has only become public knowledge in recent years when, now middle-aged, she has come out publicly to forgive Polanski and call for a conclusion to the extremely muddy and muddled case which, however you come down on it, has more sides to it than you are likely aware of.

Indeed, though you may be hearing now end of moral grandstanding this week, this is no simple case. Even as someone who literally grew up with the matter and with Polanski’s career, I really knew very little about it before seeing and reviewing Marina Zenovich’s outstanding film about the matter: “Roman Polanski: Wanted and Desired.” As Zenovich said in the film’s commentary, Polanski was both a perpetrator and a victim of a publicity hungry judge who used to case for his own ends and drew out the case needlessly. The real heroes of her film were, ironically, both the prosecutor and the defense attorneys in the case. Yes, Virginia, there may be two honest lawyers in greater Los Angeles.

Anyhow, there are any number of questions at this point, including how did Polanski’s lawyers not know what the Swiss authorities might do? (Polanski has been able to live peacefully in France because the U.S.-France extradition treaty does not cover his particular crime and he is highly regarded there. He has carefully avoided being seen in countries such as England where the laws are different.) Nikki Finke calls it a double-cross.

This case is huge and has already been condemned by French Culture Minister Frederic Mitterrand who is in communication with President Nicolas Sarkozy. No doubt, even as we speak poor Robert Gibbs is probably trying to figure what President Obama’s answer should be when he’s asked about it. Maybe he can use the whole “ongoing legal matter” construction to avoid it. That’s what I’d try to do.

Whatever happens, we certainly won’t be avoiding the case here. Stay tuned.

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