Category: Horror Movies (Page 58 of 96)

Will “Couples” find box office fulfillment?

Couples Retreat

As if the movie gods themselves wished to offer me some breathing space, this weekend has only one new wide release, and it sure doesn’t strike me as anything to get very excited about. Our own Jason Zingale — who enjoyed seeing a reunion of “Swingers” pals Vince Vaughn and Jon Favreau — gave a pretty tepid, just this side of positive, review to “Couples Retreat.” Jason’s take, however, is a hysterical rave compared to the blistering reviews that had the film at a pretty darn rotten 09% “fresh” Rotten Tomatoes rating.

Nevertheless, audiences may differ from the critics. The comedy does boast the appeal of the all-mid-level star cast, which also includes the very talented Jason Bateman and Kristen Bell. Also, the fact that the R-rated blood/body-parts splatter comedy, “Zombieland,” and the PG-rated family food splatter science fiction comedy, “Cloudy With a Chance of Meatballs,” are dominating the box office right now means that there’s not a whole lot out there in wide release for the non-splattery date movie trade.

Whip ItNow, Fox Searchlight’s hopes of good word-of-mouth-based box office could pan out for the girl-powered sports comedy, “Whip It.” So, if director Peter Billingsley — yes, Ralphie from “A Christmas Story” — wants to avoid a nasty box office defeat, he’ll have to hope there are no pleasant suprises for his fellow ex-child star making a feature directorial debut, Drew Barrymore. Variety‘s Andrew Stewart says the lately somewhat beleaguered Universal expects “decent numbers” whatever those are, but my hunch is that “Couples” will be lucky to be in the top five on this weekend’s hit parade and may not crack double digits. However, I’m nearly always wrong when I stray from the experts. We shall see.

The remaining action this weekend is in terms of limited releases. As per Box Office Mojo, other than some potential Oscar fare we may be discussing in coming weeks, we have “Good Hair,” from Chris Rock and director Jeff Stilson getting excellent reviews and debuting in 185 theaters, as well as the LeBron James-headlined sports documentary, “More Than a Game,” expanding into 44 theaters. “From Mexico With Love,” an old-school boxing/message picture being aimed at the Latino market, is also getting a very decent sized release in 285 theaters. The earnest looking drama has been so successfully hidden from critics so far, it’s not even appearing on Rotten Tomatoes new release listing.

Oh, and I almost forgot the one release that’s probably destined to be more than a trivia question after this week is over. After an extremely successful midnight-only release last week, the canny scarefest “Paranormal Activity” will be getting a normal release in 159 screens this weekend. As it happens, I saw it last night and will be writing up the review after I’m done here, but suffice it to say for now that I personally observed a bunch of presumably jaded, mostly youngish, industry-connected folks at a screening on the Paramount lot last night doing a pretty good impression of the folks in the trailer — well, maybe laughing at their own fear a bit more. This is not just hype.

paranormal activity

Playing catch-up

Predator with Arnold Schwarzennegger

A few more random items worth mentioning…

* Robert Rodriguez is producing a “Predator” reboot, entitled “Predators,” to be directed by Hungarian-American helmer Nimród Antal. As per today’s Variety, along for the ride are Adrien Brody and Topher Grace. I, personally, will wait for the movie to decide first whether I’ll bother to see it and second whether these two undoubtedly talented actors are well cast here. (Grace is kind of a personal favorite and this sounds like chance to be sort of a badass Norman Bates, which I can kind of see.) However, as usual geek film bloggers and some film geek bloggers can’t wait for the movie to have an opinion, and Spout’s Christopher Campbell collates the reaction. No word on Brody’s chances for eventually becoming a not-too competent and unlucky governor of California.

* Two very tentative but interesting items from Mike Fleming today. Gary Ross, who’s past specialty was such seriocomic Oscarish fare as “Dave,” “Pleasantville,” and “Seabiscuit” but who is doing the the latest rewrite on the next “Spiderman” film may also be directing as well as rewriting a proposed “Venom” movie, without Topher Grace, most likely. The many problems with “Spider-Man 3” to my mind had nothing at all to do with Grace, but who said life was fair?

* The second Fleming item has screenwriter-director Bill Condon (“Dreamgirls“) “in discussions” to return to biographical material somewhat along the lines of “Gods and Monsters” and “Kinsey,” with a proposed film about the late Richard Pryor to star Marlon Wayans. Adam Sandler‘s “Happy Madison” company is involved at this point, which makes sense given the reverence nearly all modern comedians have for Pryor.

* Speaking of people who’ve been known to throw a few M-F bombs in the name of a laugh, our own Will Harris has an interview with the praised and maligned indie film mainstay and part-time funny de facto stand-up comic, Kevin Smith at Bullz-Eye. Very definitely worth a read. And, though I probably don’t need to say it, the following video is NSFW and is just plain dangerous to your life and career if you are anywhere near Gwyneth Paltrow, Steven Spielberg, or George Lucas.

Rainy days and movieland Mondays… (Updated)

…Can really get you down. Especially if you’re a deposed big time executive.

* Marc Shmuger and David Linde are both now former honchos at Universal. As reported in the show biz paper of record, having a far better and busier Monday are Adam Fogelson and Donna Langley, from the marketing and distribution departments respectively. As for the why, I’m sure it can mostly be summed by a number of fairly expensive/high profile box office disappointments/flops including “Duplicity,” “Funny People,” “State of Play,” and the one that got almost no respect from anyone (except Roger Ebert), “Land of the Lost.”

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Still, you can trust Nikki Finke to find a more down and dirty side (Shmuger was “‘The Schmuck'”! Poor Linde was “collateral damage”) while Anne Thompson provides her usual sober assessment and notes that the real killer might have been the lack of any apparent “tentpoles” coming any time soon.

* On a similar note, the Rich Ross ascension at Disney is starting to look like a sure thing amidst an overall shake-up — or at least that’s what they’re saying today at Variety. We’re told to expect “a greater emphasis on tentpoles and family fare.” Not a surprise…gotta have them tentpoles.

UPDATE: Ross’s promotion is official. Anne Thompson has the press release.

* Nikki Finke also has an item to gladden the heart of our own Chris Glotfelty. “Paranormal Activity” has had what the Finke terms “freakishly good” business with $15,000 per screening averages (matching the amount I’m seeing reported as the film’s budget…very spooky!) in a special midnight-only engagement in 33 cities Thursday through Saturday, which means some theaters were making those numbers not only at midnight but even on a day when most people had work/classes the next morning. The film will be expanding into a regular release in 40 cities on Friday.

After reading a few reviews and seeing some comments online in addition to what Chris wrote, I have to say that in the wake of so-called “torture porn” and considering that filmic horror has, long ago, sometimes gone to places so horrible and extreme an awful lot of us won’t even consider following (and I don’t just mean silly gorephobics like me), it’s nice to see you can still scare an audience, including hardy souls like Chris (and supposedly Steven Spielberg), to death with not much more than a big, slow build-up and some very inexpensive atmosphere and basic special effects. Is it possible that our filmgoing innocence still lingers?

* Work on the “Arrested Development” movie continues. Yay.

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Sony’s “Zombieland” and “Meatballs” satisfy at the box office

zombieland

“Zombieland” led our carnivorous movie weekend and met expectations almost on the nose with a horror-comedy-curse breaking estimate of $25 million on it’s opening weekend, thereby breaking the back of one of the most irritating box office canards of recent times. Another misunderstanding being promulgated by Nikki Finke, who is back with all vitriol-guns blazing this weekend, is that star Woody Harrelson was box office poison, but the “zom-com” was so appealing it did well anyway. Personally, I have a hard time with the whole notion of once popular stars becoming antithetical to good box office, but that’s a complicated rant for another day.

Cloudy With a Chance of Meatballs
The #2 spot went to “Cloudy With a Chance of Meatballs” which showed some really meaty legs and dropped a terrific 33% in its third weekend with an estimated $16.7 million, says Andrew Stewart of Variety and everyone else. Once again, the only sure thing in Hollywood is a family film that parents enjoy watching themselves, and 3-D, at least for the time being, is a proven deal-sweetener for the right kind of movie. By the way, both “Zombieland” and “Meatballs” are from Sony, which means there’ll be delight at the old MGM lot in Culver City tomorrow.

And, as if the prove my point about family films and 3-D, this weekend’s third top grosser was the Disney/Pixar double-feature 3-D retreads of “Toy Story” and “Toy Story 2.” Not at all surprisingly, the combination of the two beloved animated features was an appealing entertainment value to parents and fun for kids, getting a very solid $12.5 million in just under 1800 theaters. It’s more impressive when you consider that the entire package runs 174 minutes, plus trailers. Considering the limited number of 3-D screens, both “Toy Story” and “Meatballs” doing so well is an interesting development.

After that, we have a bit of divergence from what I wrote in my preview post, in that the #4 film is the Ricky Gervais vehicle from Warners, “The Invention of Lying.” It brought in a modest — but possibly sufficient, given the budget — estimated $7.4 million via just slightly over 1700 screens. I’m going to guess that the growing cult of comedy demigod Gervais plus the film’s easy-to-grasp and inherently amusing premise, as well as the strong and well known supporting cast, gave it enough of a bump to beat the crowded low-end competition this weekend. Beaten by a pug nose was the much higher budgeted ($80 million) Bruce Willis science-fiction film “Surrogates,” with somewhere in the neighborhood of $7.3 million.

Ellen Page and Juliette Lewis in The well-reviewed and, you’d think, appealing sports comedy, “Whip It” disappointed with a mere $4.85 million estimated despite a strong cast led by Ellen Page, and Drew Barrymore’s involvement as both director and cast member. However, the studio is hoping that this underdog will benefit from word of mouth and ultimately win the big game with an unexpected surge. Who doesn’t love an underdog?

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