Turtle: You wanna go to the Villa tonight, E?
Eric: What, just you and me?
Turtle: Yeah, you’re right.
If there’s one thing I learned from tonight’s episode, it’s that the writers have no reservations about taking things slow. That’s actually good news, since it means they’re serious about the show’s future, despite the fact that some fans were probably hoping the new season would start off with a little more of a bang. All I can say is, be patient, because although the first two episodes have been relatively tame, they’ve also shown real promise for the things to come.
Even Vince is taking things more seriously since being courted back to Hollywood. He’s busy reading scripts, and though the films he’s interested in already have actors attached, he’s willing to do whatever it takes to get back into the game. Unfortunately, no one is listening, and while Eric would love for him to do an indie film called “Nine Brave Souls” from a duo of up-and-coming screenwriters, he agrees with Ari that Vince’s next project should be a studio film. He’s also probably not willing to gamble away what little left there is of Vince’s career, but that doesn’t stop him from tracking down the writers to discuss the possibility of signing with him.
What he doesn’t expect is for LB (Lukas Haas) and Nick (Giovanni Ribisi) to be so demanding. A little too demanding for a pair of unknowns, perhaps, but they also have a point. After all, if Eric is Vincent Chase’s manager, then why can’t he convince him to star in their movie? Eric explains that Vince is only interested in doing a studio movie right now, but Nick doesn’t want to hear it. Instead, he suggests that Eric sell their script first before they begin worrying about any kind of contract.
When Eric goes to Ari for help selling the script and is immediately blown off, however, Eric takes it to the one person who I honestly thought we’d never see again: Amanda (Carla Gugino), Ari’s temporary replacement from season three. Depending on whether or not she likes the script (and why wouldn’t she, if they’ve gone through the trouble of bringing her back into the fold?), it’ll be interesting to see how her involvement will affect Vince’s relationship with Ari. The fact that Vince wants to do the film, combined with Ari’s recent confession that Vince isn’t a good actor, will likely play a major role in the weeks to come.
For the time being, Vince is sticking with Ari, but how much longer is Ari willing to stick with Vince? Sure, he’s movie star quality, but if he can’t get the guy a job, what exactly is the point of keeping him on the client list? It looks like he’s willing to commit to Vince’s career for now (“This town loves a comeback, and since Britney fucked hers up, it’s all you!”), but wouldn’t it be fun if Vince had to completely rebuild his career from the ground up without the help of a super agent? It would certainly be different, and it might help the show regain its identity without feeling like it’s selling out.
