Category: External TV (Page 242 of 419)

“Arrested Development” movie a go. For real. Probably.

Jenna Busch over at Ugo.com caught up with Jeffrey Tambor on the red carpet for the “Hellboy II: The Golden Army” DVD/Blu-Ray release party, where he gave her some potentially good news for “Arrested Development” fans who’ve been awaiting confirmation of the long-rumored feature film to continue the saga of the Bluth family:

“Yeah, yeah, I just talked to Mitch (Hurwitz) this week and we’re gonna do it. We’ve moved on from hope to hopeful. Sounds like a sound bite if you’ve ever heard one..it’s a go.”

God love Jeffrey Tambor, but there have been too many promises and assurances made for us to take his word on the matter. Not that we’re not excited at the prospect, but we’ll believe it when we hear that principal photography has actually begun…and not before.

NBC reportedly wipes off “Lipstick,” lays waste to “Enemy”

According to James Hibberd, NBC has given up the ghost on Christian Slater’s schizophrenic spy drama, “My Own Worst Enemy,” and their Brooke-Shields-starring estrogen-fest, “Lipstick Jungle.”

Cancelled? Looks like I picked the right day to start drinking again.”

The loss of the latter is not entirely surprising, given that it couldn’t seem to find a terribly strong fan base no matter where the network placed it on its schedule. As for the departure of the former, however, it begs at least two very important questions:

1) Why does NBC insist on premiering shows in the post-“Heroes” timeslot and, when they don’t succeed there, refuse to try them out in any other timeslot? They did it to “Journeyman,” and they did it to “Studio 60.” (Granted, “Studio 60” was eventually aired elsewhere, but not until after it had already gotten its walking papers.)

2) How much money must NBC have invested in “Knight Rider” to keep that dog of a series afloat but kick “My Own Worst Enemy” to the curb?

The Biggest Loser: If The Shoe Fits…..

Let me start by saying that I am not mean-spirited in the least. But I do root against people that are, and I suspect that most of America does too. On NBC’s “The Biggest Loser: Families,” there are a few mean-spirited contestants, led by Vicky. Her husband Brady and friend Heba are also mean-spirited, but to a lesser extent. Mostly, they are game-playing teammates. So the show kicked off last night showing them celebrating that Phil was kicked off two weeks ago. Vicky even did a little dance. Meanwhile, this pissed off the black team. Vicky even said something about Phil not being a good “role model for America.” Uh, hello Vicky….no one is a worse role model that you are…and I mean no one that has ever stepped foot on the Biggest Loser campus. And by the way, trainer Bob Harper is still stewing about having a team full of gameplayers. Well, I should preface this by saying that the competition is now individual, but the “team” lines are still clear.

Anyway, since there are always twists, the show began with host Alison Sweeney paying them a visit, which usually means something weird is about to happen Continue reading »

“Mad Men” tops Bullz-Eye’s 2008 TV Power Rankings

It’s been nine months since the writers’ strike shook up the entertainment industry – forcing some shows to shut down production for the rest of the season and leaving others to scramble for survival – and television still isn’t the same. Many of our favorite shows have yet to return to form (here’s looking at you “Heroes”), while some (like Power Rankings newcomer and new #1, “Mad Men”) have risen to the occasion and helped fill the void. If there’s any pattern to this year’s TV Power Rankings, however, it’s that there is none. While NBC’s reign in the top 10 continues, a dozen of the 20 shows below didn’t make the cut last year, and nine of those 12 are making their Power Rankings debut (“The Shield,” “The Daily Show” and “Family Guy” have popped up in previous editions). Still think the writers’ strike didn’t have a lasting effect? Think again.

Below you’ll find some sample entries, but be sure to check out the full list, where you’ll also find links to DVD reviews and interviews, as well as some Honorable Mentions and our list of favorite shows currently on hiatus.

1. Mad Men

In any sane world, Matthew Weiner’s “Mad Men” would not be on any “power ranking,” much less in the #1 spot. This supremely stylish drama about the alcohol-soaked, nicotine-stained, sexual harassment and adultery-friendly lives of early ‘60s advertising execs started out as a low-profile curiosity from a former member of the writing staff of “The Sopranos.” Still, with some help from ecstatic reviews and the Emmys, the show has emerged as first-class appointment TV and a launch pad for at least one potential superstar in Jon Hamm. As the metaphysically secretive Don Draper, Hamm knocks back too many Old Fashioneds while casually invoking the sort of grown-up masculine charisma of classic era film stars Gregory Peck and William Holden. Better yet, Season Two saw the show’s large and very strong cast of supporting characters become even stronger and more layered as the subject matter grew bolder. A semi-surreal late-season left turn with a roving band of wealthy Euro-bohemians was just the tip of the iceberg as rape, nuclear annihilation, religion and the meaning of existence were broached, with vaguely disturbing yet highly entertaining and sexy results. “Mad Men” cannot be pegged, and that’s the best thing about it.

11. How I Met Your Mother

We were close. We were so damned close. Creators Carter Bays and Craig Thomas had teased us for three years, but we were sure that Ted Mosby (Josh Radnor) had finally found the mother of his kids in Stella Zinman (Sarah Chalke). Of course, as we now know, we were wrong, but it was a hell of a ride getting there. Last season, “How I Met Your Mother” found the largest audience of its history as a result of scoring a pair of guest appearances by the superstar train wreck that is Britney Spears. And, even more impressively, she was really funny. Greeted with these new viewers, the series rose to the challenge of keeping them on, offering us Ted and Stella’s courtship, Robin’s rebound relationships, Marshall looking for work, Lily dealing with her credit crisis, and Barney banging as many babes as possible. We’re still not sure about this new wrinkle that Barney’s pining for Robin, but we trust that Bays and Thomas won’t turn it into a jump-the-shark situation. Or if they do, they’ll do it with a knowing wink and a smile.

17. Sons of Anarchy

If you took all the best parts of “The Sopranos” and “The Shield” and smashed them into one show, you’d have something that looks a lot like “Sons of Anarchy.” Created by “The Shield” co-writer and executive producer Kurt Sutter, the series is more Shakespearean than anything on television. It’s essentially a retelling of “Hamlet,” but instead of Danish royalty, they’re a California biker gang. There’s Jax (Charlie Hunnam), the second-in-command; his mother, Gemma (Katey Sagal), the very definition of a queen bee; and his step dad Clay (Ron Perlman), the club’s hard-nosed president and best friend of Jax’s deceased father. Heck, there’s even an Ophelia in the group – Wendy (“The Sopranos” alum Drea de Matteo), the drug-addicted mother of Jax’s newborn son. The theme of family and brotherhood is something that was explored in great length in both “The Sopranos” and “The Shield,” and it’s the driving force behind “Sons of Anarchy.” Add to that a supporting cast made up of some of the best tough guy character actors in the business (Tommy Flanagan, Mark Boone Junior and Kim Coates) and a multi-episode guest stint by Jay Karnes and you’re looking at a top nominee for Best New Show of the Season.

Prison Break 4.10: “The Legend”

We knew this was coming. Once Michael started having nosebleeds, it was obvious that his illness was going to play out at some point this season. I thought it might be some company-inflicted disorder that would lead to a season-ending cliffhanger, but it’s just an old (and rare) genetic disease that he inherited from his mother. And this little disease has horrible timing.

I mean, really, what are the odds that he would need surgery just as he and the gang are about to crack Scylla?

“Even though I’m with Sara and have everything to live for, I’m going to stubbornly put off getting treatment for the brain disease that killed my mother.”

In many ways, this was just a filler episode with one big twist. First, Sucre steps on a land mine and it takes twenty or thirty minutes of screen time to save him. And seemingly every character spends a few moments reminiscing about Brad Bellick, who was a total asshole in Season One, for those that don’t remember. Bellick’s death got to Sucre so much that he started yelling at everyone in Spanish.

However, we did learn a juicy little tidbit about everyone’s favorite receptionist, Trish Ann – she’s a FBI agent working for Don. As soon as she let it slip about Whistler, the cat was out of the proverbial bag. Now T-Bag knows her secret, so it will be interesting to see how the two play each other as the season wears on.

Another plus with Michael sidelined (and Morpheus presumably dead) is that Mahone gets to shine. At this point, he’s probably the show’s most interesting character, so it’s nice to see him on the front lines in the planning and execution stages. His scene posing as a Company man trying to extract info from David Baker was pretty sharp.

“Prison Break” strikes me as a show that would be a lot tighter if it were limited to a 13-episode run like “The Shield” and “Rescue Me” on FX. The creators of those shows don’t have time to mess around will filler episodes and, as a result, every week there is something compelling going on. The good news is that the gang has an impossible task to complete in the next day or so and their leader has to undergo emergency brain surgery. It’s ridiculous, but hey, it’s “Prison Break.”

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