Category: External TV (Page 121 of 419)

Mad Men 3.7 – Another Day Older and Deeper in Debt

There was always going to be a very good chance that this week’s episode would in no way live up to the level of excitement set by last week’s episode. I mean, really, how do you top the de-foot-ification of a British ad exec? Even taking that into consideration, however. tonight’s “Mad Men” still seemed pretty slow.

Not bad, just slow.

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When we first see Don Draper, he looks like he’s been through the wringer, but when we next see him, he’s getting spiffed up for work. There was a brief moment where I thought it was a case of quick recovery, but, no, we were flashing back to see the path that led him to this point. After a momentary stop in the living room to offer up his complete indifference to Betty’s plans for the living room (but still nonetheless throw in a suggestion that the interior designer apparently didn’t see herself), Don was off to work, where he was surprised to find that Conrad Hilton was already waiting for him. It was hilarious to see the guys at Sterling-Cooper giddy as schoolgirls about Hilton’s presence, but Hilton was all business, indicating his disappointment in the lack of a Bible and family photos in Don’s office. Despite these issues, Don still found himself on the fast track to handle accounts for the Waldorf Astoria, New York Hilton, and Statler Hilton…but not, however, until he signed a new contract with Sterling-Cooper. Although Don’s insistence in remaining without a contract may have ostensibly been a business move, I couldn’t help but notice his comments about how he gave his word to Hilton. Wow, remember the days when a man’s word could actually serve as his bond without any contracts needing to be signed to back it up?

Betty and her gaggle of gal pals in the Junior League, meanwhile, were tackling environmental concerns, leading Betty to contact her close personal friend Henry Francis in an attempt to get him to help them with their cause. The two of them had a lovely luncheon, but it wasn’t until the closing moments of their time together – when Henry put his hand over Betty’s eyes to keep her from looking at the eclipse – that a spark really went off with Betty. Interesting…

Don spent a lot of time in the office deflecting questions about the Hilton situation, even enduring Pete trying to get his mitts on the account, but when Peggy tried to get her foot in the door to assist…man, talk about shitting on someone’s parade. I’m not saying that his comments were completely and totally what led her to sleep with Duck, but they sure as hell didn’t hurt. Their close encounter was one which I didn’t see coming, but I think it’s fair to say that Peggy’s starting to get the hang of using her feminine abilities to get what she wants in the business world. I’m not saying it’s right, I’m just saying that she might be able to use them to her advantage.

A few random comments:

* Betty once again proved what a grouch of a mother she is, yelling at her son for hanging up the phone, even though he did exactly what she told him to do. Be more specific next time, Betty. He’s only a kid, for God’s sake!

* I don’t know what to make of this thing with Don’s teacher, except to observe that it’s hard to believe Don’s going to hold out much longer without acting on her obvious attraction to him.

* I’m probably supposed to have been fascinated and enthralled by the surrealistic scene of Don picking up the high hitchhikers, only to take a couple of reds, see a joke-telling hillbilly, and get punched in the face, but I just thought it was weird, personally.

For me, the best moment of tonight’s episode was the one-on-one scene between Don and Cooper, when Cooper subtly but pointedly brought up his knowledge of Don’s identity as a way of hinting that it might be a good idea to sign the contract. Hey, it worked, didn’t it?

Here’s hoping next week’s “Mad Men” is more exciting than this week’s…

A visit with “Brothers”

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I’m no Hollywood insider. Nikki Finke does not rely on me for her tips and I don’t ever expect to attend the Vanity Fair Oscar after party. Nevertheless, there’s one thing I do know about show business: personality goes a very long way in “this town.” And so a few of us press people recently found ourselves the subject of a 50 megaton charm offensive by the four stars of the new Fox sitcom, “Brothers” — C.C.H. Pounder, Carl Weathers, and Daryl “Chill” Mitchell, and one extremely enthusiastic newbie, former New York Giants Defensive End and Fox Sports commentator Michael Strahan. I haven’t seen the show itself yet, which premieres tonight at 8 p.m./7 central, but the visit was certainly a performance I won’t be forgetting.

From long-time writer-producer Don Reo, whose credits run from “M*A*S*H” to “Blossom” and “Everybody Hates Chris,” “Brothers” stars Strahan as a former NFL star who winds up moving in to the house he bought for his parents when a financial reversal puts him in the metaphorical poorhouse. Since this is a sitcom, naturally there will be conflict with his brother, played by Mitchell, and the usual issues with parents Weathers and Pounder. One ace the show will be playing will be guest appearances by some fairly big names playing themselves, including former heavyweight champion Mike Tyson, hip-hop star T-Pain, celubutante Kim Kardashian, and the great Clarence Clemons of the E Street Band. Also appearing will be well actress Tichina Arnold from “Chris” and, not playing himself, rap superstar Snoop Dog. Stand-up comic Lenny Clarke will be playing a neighbor on the show.

The show has been getting some additional attention for a perhaps less fortunate reason, in that while African-American actors are featured in more diverse roles these days, it’s the only current show on the networks schedules with a predominantly black cast. That’s largely a reversal of the trend of the past when the vast bulk of decent TV parts for nonwhite actors were on shows like “The Jeffersons” and “Good Times” as well as some of the later, more controversial shows aimed at black audiences like “Martin.”

The first to meet the press were Carl Weathers, perhaps still most famed as Rocky Balboa’s venerable opponent, Apollo Creed, and C.C.H. Pounder, who is taking a break from her usual intense, gravitas-laden, roles on shows like “The Shield” and seems to be enjoying every minute of it. In fact, I’m here to tell you that extremely skilled Ms. Pounder is downright bubbly in person. You heard me, “bubbly” — but in a very smart sort of way.

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The mood was light right off the bat with more than one of us entertainment journos confessing a complete lack of knowledge of sports and Ms. Pounder joining in. Weathers was the exception. “Well, I played for the Oakland Raiders so I hope I know a little bit about football.” And that somehow prompted an impersonation of Butterfly McQueen from “Gone with the Wind” from Pounder. I guess you had to be there.

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Top Chef Las Vegas: magic act

On Bravo’s “Top Chef: Las Vegas” last night, Penn and Teller were guests as well as chef Michelle Bernstein. But there was no magic act when it came to elimination time….because there are a few of these contestants that are hanging by a thread with the likes of Jennifer, Kris Kringle (Kevin) and the brothers Voltaggio that are barreling toward a showdown.

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What I don’t get about “Nurse Jackie”…

One of my pet peeves about television and movies is unrealistic casting of romantic leads. A few years ago, I took a lot of heat on this blog for questioning whether or not it was credible that Dr. John Dorian (Zach Braff) got to date a never-ending series of model-types on “Scrubs,” and as I watched the first season of “Nurse Jackie,” a similar thought ran through my mind.

Don’t get me wrong — I like the show. It’s good (but not great) summer fare, and I’m always a fan of the freedom in language and adult themes that the pay cable networks enjoy. If you’re not familiar with the series, it stars Edie Falco, best known for her role as Carmela on “The Sopranos.” Falco is a terrific actress and she carries the series. My problem is with the casting of her romantic interests on the series.

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Hell’s Kitchen: Outsider Looking In

I know what you “Hell’s Kitchen” fans are thinking: “What the hell…? Who’s this Will Harris guy, and why the hell is he writing the blog this week?” And although I do not claim to be Nostradamus, I will even go a step further and offer up what you’ll be thinking when you discover that, on most weeks, I don’t even watch “Hell’s Kitchen”: “What makes you think you can just step in from out of the blue and fill Mike Farley’s shoes?” It’s possible that some of you may have even tacked a “you son of a bitch” on the end, but maybe that’s just a bit of self-loathing on my part.

Well, here’s the situation: Mr. Farley found himself in the unenviable position of playing in a writer’s round last night, and with only one recorder available to him and two shows to blog (the other, of course, being “The Biggest Loser”). As such, he dropped me a line and asked me with all due politeness if I’d be willing to do him a favor and blog “Hell’s Kitchen” for him…and, thankfully, the specified bribe cleared my bank account just in time for me to do right by him. So I ask you to allow me a bit of latitude if I should be unaware of previous goings-on, and with that, let us move forward into the bloggery of last night’s two-hour extravaganza.

(Actually, it was just two one-hour episodes than ran back to back, but let’s not spoil it for Fox, because I think they wanted to pretend that they were really doing something special.)

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