Category: External Movies (Page 326 of 336)

Box Office Roundup: Idiots rule

Based on Sunday’s estimates, courtesy of boxofficemojo.com:

This is the first real weekend of competition between the studios in the Your Favorite Movie Sucks league, which the top five spots going to one studio or another.

1) Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan: $29 million, $67.8 million to date (owner: Deb Medsker, Punch and Pie Pictures)
Game over. Between “Borat” and “Charlotte’s Web,” Punch and Pie is poised to blow the rest of us schlubs out of the water. The second to last pick in the second round, “Borat” is easily the steal of the draft so far. And to those college kids who are trying to sue Fox: let it go. It’s not the studio’s fault that you’re all boneheads.
2) The Santa Clause 3: The Escape Clause: $16.8 million, $41 million to date (owner: Jason Zingale, Seven Strangers Productions)
After an inauspicious debut, “Santa Clause” held rather well in its second week, putting off Jason’s plans to assassinate Tim Allen for at least one more week.
3) Flushed Away: $16.7 million, $39.9 million to date (owner: Kristin Dreyer-Kramer, Nights and Weekends)
Kristin’s grass-roots campaign to get all of her friends and family to see the movie in order to boost her fantasy team’s performance seems to be working. Man, I wish I had that many friends, because my first round pick didn’t do so well…
4) Stranger than Fiction: $14.1 million (owner: David Medsker, Scary Clown Studios)
Ow. Come on, people, it’s Will Ferrell! Not only that, it’s Will Ferrell in one of the smarter movies you’ll see this year. But like Jim Carrey, people are slow to accepting funny people not doing funny things. The biggest first round bust of the season so far.
5) Saw III: $6.6 million, $69.8 million to date (Steve Wamsley, TSSU Productions)
Another second round steal, “Saw III” keeps TSSU in first place for at least one more week.
6) Babel: $5.6 million (Steve Wamsley, TSSU Productions)
If we were keeping track of Oscar nominations, this would have been a better pick. But as a box office contender, well, it’s a hell of an Oscar contender.
8) The Return: $4.8 million (owner: Bill Clark, A Don’t Call Me Shirley Joint)
Have you seen the trailer for this? Cut, cut, loud noise, black. What the hell is this movie about? Don’t know, don’t care, and the moviegoing public appears to agree. Shirley stumbles out of the gate, but they have much better movies down the stretch.
10) A Good Year: $3.8 million (Nights and Weekends)
It looks as though Kristin’s efforts to goose the box office of Russell Crowe’s yuppie-finds-his-soul-in-France movie didn’t work out so well. If only Crowe had sung a Tom Jones song…
13) Harsh Times: $1.8 million (TSSU Productions)
This certainly has good cred, with Christian Bale and all, but Steve will surely wonder if “Snoop Dogg’s Hood of Horror,” which he dropped to pick up “Harsh Times,” would have made more money.

Current standings:
1) TSSU Productions: $79.1 million
2) Punch and Pie Pictures: $67.8 million
3) Nights and Weekends: $43.7 million
4) Seven Strangers Productions: $41 million
5) Scary Clown Studios: $14.1 million
6) A Don’t Call Me Shirley Joint: $4.8 million

Next week: TSSU opens two more movies, the biopic “Bobby” and the James Bond reboot “Casino Royale,” and Mark Pfeiffer’s Reel Times Pictures debuts with “Happy Feet” and “Let’s Go to Prison.” Will Harris’ What’s All This Then? Studios also makes its debut with “Fast Food Nation.” That’s 13 movies fighting for five spots. While we’re all duking it out, Punch and Pie has one more week to figure out what the hell to do about “The History Boys.”

The name is Smith. KEVIN Smith.

He’s a writer, he’s a director, but, perhaps most importantly to those who’ve seen his films, he’s Silent Bob. That’s right, he’s Kevin Smith, and he continues to live the dream of every sarcastic, heavyset, facial-hair-sporting, fart-joke-loving comic geek out there…and, trust me, I resemble that remark.

In between his gigs as a major player in Hollywood (relatively speaking, anyway), a pretty accurate barometer of what’s worth checking out in the world of pop culture, and the owner of two – count ‘em – two comic book shops, Smith regularly tours college campuses, delivering a mixture of spoken word and Q&A sessions. A 2-DVD set entitled “An Evening with Kevin Smith” was a huge success upon its release in 2002, and since everyone loves a good sequel (just ask the folks who went to see “Clerks 2”), November 28 brings us “An Evening with Kevin Smith 2: Evening Harder.” Smith kindly spoke with Bullz-Eye about the aforementioned spoken-word stuff and “Clerks 2,” his love of television, and his new gig with MTVU. To our pleasant surprise, what was originally scheduled to be a 15 – 20 minute interview gradually evolved into a 30-minute conversation, one which led us out of Hollywood and into stories of his childhood, a part of his life you don’t get to hear about very often. It might not have been an evening with Kevin Smith, but it sure was a damned enjoyable half-hour.

Check out the interview here, then pop back ’round to offer your comments…

Bullz-Eye for the Kiddies, Vol. 1

In a gig like ours, we get DVDs of all genres…and that includes stuff aimed at the family market. Sometimes, however, the aim is ever lower. Since some of our readers have nieces or nephews, little brother or sisters, cousins, or even kids of their own, we figured we’d do an occasional spotlight of the kid-vid releases that show up at our offices.

Gerald McBoing Boing Adventures, Vols. 1 & 2: Way back yonder in 1951, a cartoon called “Gerald McBoing Boing” – based on a story by Dr. Seuss about a boy who, when he opened his mouth, would only produce sound effects rather than words – won the Academy Award for Best Animated Short. It spawned three sequels as well as a brief stint as an animated TV series, although it proved to expensive to produce for more than a three-month run. In 2005, Cartoon Network attempted to build a block of animation for preschoolers (a la Nickelodeon’s “Nick Jr.”), and one of its matinee shows was a revival of Gerald’s show. Kids will love it, and it’s pretty entertaining for adults as well, especially if you enjoy the animated Dr. Seuss specials that used to air on CBS. Just don’t be surprised if you find yourself yelling, “Sound check!” (It’s a recurring bit during the show, and it seems to pop up about every two minutes or so.)

Jay Jay the Jet Plane: Jay Jay’s Sensational Mystery: The title would lead you to believe that this is a full-length feature starring Jay Jay, but it’s not; it’s a collection of episodes from “Jay Jay’s Mysteries.” If you’re not familiar with the show, just imagine “Thomas the Tank Engine,” then imagine that instead of trains, it’s planes. This is actually better than “Thomas,” though, because the lessons expand into science, nature, and shapes…but the faces are still creepy as hell.

Tom and Jerry: Shiver Me Whiskers – Original Movie: The good news is that the voice talent on this full-length Tom and Jerry adventures is exemplary, including Kathy Najimy, Mark Hamill, Charles Nelson Reilly, and Wallace Shawn. The bad news is that, no matter how you slice it, this is still an 8-minute short that’s been stretched out to 71 minutes. Kudos to the animators for going after the original ’40s-era look of the most famous cat and mouse duo of all time, but if you want Tom and Jerry, stick to the classics.

Jakers! – Piggley Gets Into Trouble: If you’re an Anglophile and you’d prefer that your children start to appreciate the coolness of a British or Irish accent now, then steer your kids toward “Jakers!” It’s the adventures of Piggley Winks, an 8-year-old pig in Ireland. Imagine Babe the pig if he were computer-animated, and he and his barnyard buddies ran around on their hind legs like human beings. It’s kind of like that. The dialogue is consistently amusing, and it’s worth noting that Mel Brooks contributes the voice of Wiley the Sheep.

My Little Pony: The Runaway Rainbow: If you’re reading this out loud to your kids, you’ll want to put your hands over their ears. Have you done so? I hope so, because, man, this is a real piece of shit. This is the stuff they were parodying on “The Simpsons” with those “Happy Little Elves” specials Lisa loved so much. It’s also exactly what people are talking about when they bemoan programs that exist solely to hawk toys. I tried twice to get my daughter to sit down and watch this, but neither time was she interested…which was fine, because neither time could I stand to have it on for more than two or three minutes. It’s fucking terrible. Seriously. Stay far, far away from it at all cost.

The Little Mermaid: 2-Disc Special Edition: In a sense, this deserves its own full-length write-up on Bullz-Eye, but I just can’t bring myself to believe that the majority of our readership really wants to read 400+ words on “The Little Mermaid.” In truth, however, this ranks just under “Beauty and the Beast” for sheer watchability. There’s a lot of great music here – it DID win Best Song (“Under the Sea”) and Best Score at the ’89 Oscars – and the characters of Scuttle the Seagull (voiced by Buddy Hackett) and Sebastian the crab (Samuel E. Wright) are among Disney’s most memorable. The latter gets one of the film’s funniest lines when the title character, Ariel, falls in love with a human and goes after him, despite the crab’s best efforts to stop her. “You know what her father’ll say?” asks Sebastian. “I’ll tell you what her father’ll say! He’s gonna kill himself a crab, that’s what her father’ll say!” The bonus disc is, as ever with Disney’s special editions, chock full of extra stuff, like deleted scenes, a making-of featurette, and so forth…but, really, your kids are never gonna sit through Disc 2. They just want to see the movie.

« Older posts Newer posts »

© 2026 Premium Hollywood

Theme by Anders NorenUp ↑