Category: External Movies (Page 283 of 336)

10 Vampire Films That Should Be Made In The Wake Of The Success of “Twilight”

“Twilight” is shaping up to be a full-fledged film phenomenon…and whenever there’s a phenomenon, you can count on Hollywood trying to reproduce it quickly and in sub-par fashion, so prepare for a huge glut of new vampire-themed movies in the very near future.

The good news in this case, however, is that there’s a lot of great source material out there already, so let’s hope at least a few of the suits have good taste when it comes to buying up the rights to adapt certain books to film form…but since we have a really bad feeling that they don’t, we figured we’d throw a few suggestions their way for vampire flicks we’d like to see made. And, yes, we know that our #1 pick isn’t a book, but it’s so far ahead of the pack when it comes to the must-make vampire movies that we put it there, anyway.

(P.S. The movie adaptation of Darren Shan’s “Cirque de Freak” is finished and due for release in February 2009, or else it’d be on this list for sure.)

10. “Bloodsucking Fiends,” by Christopher Moore. Not only is this a solid mixture of horror and humor, focusing on a hot young redhead who moves to San Francisco, is promptly bitten by a vampire, and has to learn to adapt to her new lifestyle, but it already has a sequel ready to roll. Better yet, it’s called “You Suck”!
9. “Fevre Dream,” by George R.R. Martin. Are you kidding? I’m a fan of pretty much anything written by the guy who created the “Wild Cards” series, but this novel about vampires on a steamboat has earned reviews which feature the phrase “Bram Stoker meets Mark Twain,” which is high praise by most people’s standards.
8. “Lost Souls,” by Poppy Z. Brite. Maybe it’s just because I enjoy pretty much any film revolving around a band, but I’d love to see the adventures of Lost Souls? make it to the big screen.
7. “Jonathan Barrett, Gentleman Vampire,” by P.N. Elrod. It’s set during the American Revolution, with Barrett on the side of the British. Surely the success of HBO’s “John Adams” has made history cool again, and what better way to make it even cooler than to add vampires to it?
6. “Riley Jensen, Guardian,” by Keri Arthur. A half-vampire, half-werewolf in Australia who works for Melbourne’s Directorate of Other Races. “Underworld” meets “Torchwood,” anyone? I’m sold already.
5. “Anita Blake: Vampire Hunter,” by Laurell K. Hamilton. It’s already got a huge fan base between the sixteen novels and various comic books, but for those who don’t know Ms. Baker, she can re-animate the dead, licensed vampire hunter/executioner, and she has a lot of sex. I’m simplifying, of course, but, hey, it got your attention, didn’t it?
4. “They Thirst,” by Robert R. McCammon. The dastardly Prince Vulkan, master of the vampires, is hell bent on taking over Los Angeles as part of his quest to transform the entire population of the planet into the undead. Their opposition? A police captain, a comedian, a reporter, a junior high school student, and a Catholic priest who’s a former heroin addict and has just been diagnosed with Lou Gehrig’s Disease.
3. “Carrion Comfort,” by Dan Simmons. Actually, this is such an epic tale that it might warrant a full-fledged mini-series rather than just a film.
2. “Vampire Academy,” by Richelle Mead. Rose Hathaway is a half-vampire / half-human teenager who’s simultaneously finishing high school and training to fight evil vampires determined to destroy the Moroi vampire race, a.k.a. the good vampires. Bonus superhero-ish aspect: each Moroi can control an element, either fire, earth, water, air, or – on rare occasions – spirit.There are two other books in the saga, with a fourth set for release next year. Surely someone has already started work on a script, because it seems tailor-made for a film.
1. “Angel.” Come on, Joss, you and I both know that the time couldn’t be more right. The kids love the vampires, and although David Boreanaz is on his fourth season of “Bones” and has now officially escaped permanent typecasting, he ain’t getting any younger, so if he’s going to play the immortal undead, it’s time to make your move and make an “Angel” movie. In fact, while you’re at it, you might as well go ahead and make it a big ol’ epic that incorporates “Buffy the Vampire Slayer” as well. We’re really excited about “Dollhouse,” Mr. Whedon, but, c’mon, it’s Fox. Your schedule will be free and clear within a few weeks of its premiere, so let’s go ahead and get this ball rolling right now.

It’s here: the new ‘Star Trek’ trailer.

Check it out.

What do you think? Personally, I was already jazzed, but now I officially cannot wait for May 8, 2009. The following admission will no doubt result in several of my friends declaring me to be dead to them, but if I’m to be truthful, I’m more excited about this film than I was to see “The Phantom Menace.”

True story.

“Arrested Development” movie a go. For real. Probably.

Jenna Busch over at Ugo.com caught up with Jeffrey Tambor on the red carpet for the “Hellboy II: The Golden Army” DVD/Blu-Ray release party, where he gave her some potentially good news for “Arrested Development” fans who’ve been awaiting confirmation of the long-rumored feature film to continue the saga of the Bluth family:

“Yeah, yeah, I just talked to Mitch (Hurwitz) this week and we’re gonna do it. We’ve moved on from hope to hopeful. Sounds like a sound bite if you’ve ever heard one..it’s a go.”

God love Jeffrey Tambor, but there have been too many promises and assurances made for us to take his word on the matter. Not that we’re not excited at the prospect, but we’ll believe it when we hear that principal photography has actually begun…and not before.

Le Plaisir

This one’s for you, Criterion fans. It’s a French-language black and white extravaganza from the German-born master of subtle romance and outlandish tracking shots, Max Ophüls. Following up on the director’s previous international smash, the episodic “La Ronde,” “Le Plaisir” is an adaptation of three tales by France’s master of the short story, Guy de Maupassant, all on the theme of pleasure. Story #1 concerns the identity a strange masked dancer; Story #2 features French superstars Danielle Darrieux and Jean Gabin (“Pepe Le Moko,” “Grand Illusion”) and deals with the attractive staff of a cozy, midline brothel attending a first communion; and Story #3 features Simone Simon (1942’s “Cat People”) as a woman who takes precipitous action when her boyfriend wants to end their relationship.

His propensity for elaborate long-takes aside, Max Ophüls remains hugely respected for his work on four terrific Hollywood melodramas made in the late forties, followed by four ambitious and widely acclaimed French works completed in the following decade, including the recently restored cinephile sensation, “The Earrings of Madame de….” Still, on the level of story, “Le Plaisir,” which was cowritten with Jacques Natanson, may not be among his absolute best. The middle segment, which takes up the bulk of the running time, is a beautifully wrought low-impact comedy, but it’s almost too gentle and threatens to wear out its welcome at various points. Even so, the closing segment, about the cataclysmic resolution of an failed romance, feels like an anticlimax – until we get to the actual climax, which includes one of the most unbelievable single shots in film history, outdoing even some similar moments from Alfred Hithcock’s “Vertigo.” What that guy could have done with a Steadicam….

Click to buy “Le Plaisir”

The Small Back Room

Life during wartime is getting to English weapons researcher and bomb disposal expert Sammy Rice (David Farrar). He’s in constant pain from an artificial foot and his preferred method of medication, whiskey, is highly problematic. It gets worse because his struggle to avoid drinking is just one of a few thorny issues that’s giving Susan (Kathleen Byron), his very serious girlfriend, some equally serious doubts about their future. Oh, and those damned bloody Nazis have taken to leaving a new kind of tricky unexploded bomb laying around, and it’s killing local soldiers and Prof. Rice’s own colleagues.

Based on a famed wartime novel by Michael Balcon, 1951’s “The Small Back Room” is one of the less well known films from “the Archers,” the writing and directing team of Michael Powell and Emeric Pressburger. Best known for ravishing and slightly insane Technicolor spectaculars like “A Matter of Life and Death,” “The Red Shoes,” and their masterpiece, “The Life and Death of Colonel Blimp,” the influential pair also had a flair for creating genuinely captivating black and white thrillers and love stories. “The Small Back Room” is a bit of both and possesses a degree of complexity and implied sexuality unusual in its time, and also today. Still, the film maybe bites off a bit more than it can chew resulting in a relatively distancing second act, and one semi-dream sequence involving a giant whiskey bottle shows how Pressburger/Powell’s admirable creative risk-taking could sometimes lead to unintended laughs. Still, there is humor, fine drama, suspense in the climactic bomb disposal sequence, and an amazing cast of some of Britain’s best local talent. This may not be the Archers at their absolute best but, trust me, that’s no insult.

Click to buy “The Small Back Room”

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