Category: External Movies (Page 244 of 336)

Another televisionary movie moment

As we anxiously await Will Harris next post from the TCA, and my box office preview later today, it’s time for another television related movie clip. This time it’s courtesy of co-writer/star Will Ferrell and co-writer/director Adam McKay from 2004’s “Anchorman: The Legend of Ron Burgundy,” backed up by a slew of familiar faces.

Here we see where the roots of the greatness of today’s local news shows as they emerged in that very special time and place of seventies Southern California.

And, yes, folks who post videos at YouTube, double-checking your spelling is never a bad thing.

A televisionary movie moment

In honor of the biannual TCA and the arrival to our fine coast by PH’s own Will Harris, I’ll be doing a few movie moments that relate to the movies’ media sibling. Let’s just say that the rivalry’s been fierce at times. This spookily contemporary-feeling clip is from Budd Schulberg and Elia Kazan’s 1957 “A Face in the Crowd.” Andy Griffith might seem “country” here, but he’s a very long way from Mayberry.

It’s money that matters

Filthy lucre is today’s theme in movieland. Really, it’s every day’s theme, but it’s on my mind today.

* Nikki Finke, who actually makes money blogging, notes a pay cut for William Morris assistants, who already work ridiculously hard for the hope of decent money some day, and are expected to work a minimum of fifty hours a week. Presumably they get some overtime (though one wonders if they’re not working actually quite a bit more — Hollywood and Walmart have been known to have a few things in common in the past). They’d better because their boss’s brother is the White House chief of staff. Could get messy, otherwise.

Finke also has an interesting — inasmuch as I can follow it — look at some silver linings amidst the major studio’s fiscals clouds.

* A noted casting change in the third “Twilight” will probably not affect grosses perceptibly, but there’s no stopping those wagging tongues.

* And with all the fuss at Comic-Con, the appearance of anime genius Hiyao Miyazaki got all but ignored by the media, as far as I can tell. “Princess Mononoke” beat “Titanic” in Japan. If it had done so here, it’s fair to say he wouldn’t have been a relative afterthought.

Continue reading »

“…What closes on Saturday night.”

I couldn’t help remembering George Kaufman’s famous definition of satire when reading Noah Forrest‘s post on the acclaimed political comedy, “In the Loop,” which opened last Friday in limited release. I’m a fan of all kinds of satire, but with the exception of “Dr. Strangelove,” “Network,” and a Robert Altman movie here and there, it’s rarely been a commercial success — though from the sound of it, I’m certainly hoping Armando Iannucci’s new film has decent luck.

Here’s a TV commercial for one movie that had almost no luck, Norman Lear’s “Cold Turkey.”

According to Wikipedia, the film was shelved for years by United Artists due to commercial worries. On the other hand, the film’s writer/producer/director wasn’t exactly intimidated and made a TV show that that touched a far hotter button than the cigarette industry. That did a little better, and lasted many Saturday nights.

Continue reading »

A lull, of sorts

You can feel it. After more than a week of Hollywood flacks being in overdrive announcing every comic book-derived, science fiction, fantasy, and horror project they’ve got, things have suddenly gone a little languid as we enter something like the late summer doldrums. That’s highly relative in a business where ADHD sufferers are seriously over-represented, but even Nikki Finke is mostly ignoring movies and has turned her megablog into a detailed celebration of every aspect of the parting of her bete noir TV executive, Ben Silverman.

But that leaves room for a couple of items relating to two filmmakers who are always worthy of attention.

* AICN’s Capone has a chock-full-of-good-stuff interview with Peter Jackson, whose been busier than you might even think considering the number of projects he’s got going, including some really cool sounding short pieces alongside his upcoming return to his “Heavenly Creatures” “small-movie” mode with “The Lovely Bones.” (Capone also raves about the upcoming Jackson-produced feature debut for South African-born director Neill Blomkamp, “District 9” — already notable because of its semi-unavoidable viral marketing campaign.)

Continue reading »

« Older posts Newer posts »

© 2026 Premium Hollywood

Theme by Anders NorenUp ↑