Category: External Movies (Page 224 of 336)

Overall, not the best day in the world

I’ve been just a bit distracted and sleepy today and didn’t even hear about Kanye West’s little display at the VMA’s last night until just now. Of course, I’m strictly a movie blogger, more or less, so I don’t have to weigh in on — or even watch — last night’s no doubt mega-embarrassing spectacle. A small mercy.  Also, as I started to write this, we got the very sad news of the passing of film and television star Patrick Swayze from pancreatic cancer. Just below this post, Will Harris remembers him in high style.

Fortunately, not everything going on today is as really bad or really sad. Still, because I’m an irresponsible member of the media, I’m going to lead with the bad.

Megan Fox in * In political blogging, it’s common to refer to something called Godwin’s Law. The original version simply held that the longer an online discussion went on, the greater the possibility, or near certainty, that someone would invoke Hitler or Nazis. Over time, however, it’s use has extended and inapt Nazi/Hitler comparisons are held up for ridicule on Godwin grounds. Quoth the Wikipidians:

Godwin’s Law applies especially to inappropriate, inordinate, or hyperbolic comparisons…Whether it applies to humorous use or references to oneself is open to interpretation, since this would not be a fallacious attack against a debate opponent.

Well, I don’t think she was being particularly humorous (I guess you could call that the “Soup Nazi exception”), so I have to say that Megan Fox was definitely somewhere in Godwin’s Law territory when she compared controversial blockbuster director Michael Bay to, yes, Hitler last week. Now, I’m anything but a Michael Bay admirer, but on his long list of unfortunate qualities as a public figure, “genocidal mad man” simply isn’t there. He belongs in movie jail, not the Hague.

Anyhow, that would have been the end of it, but unnamed members of Michael Bay’s crew have, for whatever reason, gotten into the act and have written an unnecessary but nevertheless rather hilarious attack on Ms. Fox, which you can read all of over at Nikki Finke’s place. Apparently wanting to keep the peace with Fox, Michael Bay has gotten into the act to distance himself from the crew comments. He refers to Megan Fox’s “crazy quips.” I don’t think he understands what the word “quip” actually means. I guess he belongs in word usage jail, also.

Christoph Waltz in * Casting stories can get tedious, but awhile back I made a big deal about the casting of Taiwanese singer-kick-butt martial artist Jay Chou in Seth Rogen’s upcoming “The Green Hornet.” Now, the movie is starting to look even more fun with the placement of Christoph Waltz in the role of the bad guy. Waltz, of course, is the multilingual German TV actor turned international flavor of the month with his universally lauded, thoroughly enjoyable performance as the “Jew Hunter,” Col. Hans Landa, in “Inglourious Basterds.”

Not since Alan Rickman damn near stole “Die Hard” from Bruce Willis has a previously unknown actor playing a villain — particularly a more or less completely unredeemable villain — gotten anything resembling this kind of attention. Even Rickman didn’t get anywhere near this much praise, as important as he was to the massive success of that borderline-classic action flick.

It’s safe to say we’ll be hearing from Waltz a lot. I just hope he can find some really good leading man roles, too. If anyone deserves to suddenly become a full-on international superstar at age 52, he might be the guy.

* I’ve been guilty of ignoring the Toronto International Film Festival (aka TIFF). The favorite major festival of geeky cinephiles (a rep that was perhaps harmed slightly by a kerfluffle this year over blogger press credentials) is now well underway. The high profile films this year include Jason Reitman’s “Up in the Air” which wowed ’em at the Telluride Film Festival just a few days back, and the Coen brothers’ “A Serious Man.Anne Thompson and Karina Longworth are covering their ends of the festival very nicely.

Remembering Patrick Swayze

Those who read Premium Hollywood know that I have a tendency to discuss the deaths of celebrities by remembering what they meant to me, and when I heard that Patrick Swayze died, my mind immediately went back to January 2009. Obviously, Swayze’s cancer diagnosis had led everyone to fear the worst about him, but I think I’m safe in saying that most of were rooting for him to beat the disease, and when it was announced that he was going to be starring in A&E’s new crime drama, “The Beast,” I don’t know about you, but that was a moment where I was, like, “Yeah! That’s so Swayze of him to say, ‘Screw the cancer, it’s time to get to work.”

I’d hoped to get a phoner with him in the midst of the press blitz for “The Beast,” but due to his treatment, he’d limited the majority of his media time to E-mail interviews and the one-off Barbara Walters conversation, so I immediately sat down and tried to come up with a list of 15 thoughtful, intelligent questions which covered his entire career rather than just shit like, “Could Dalton kick Bodhi’s ass?” I was damned proud of what I came up with, and I promptly sent them off to the publicist. Not long after that, I learned that Swayze was going to be attending the TCA press tour in order to help promote the show, and since I still hadn’t gotten my responses back, I found myself venturing into my usual naive optimism, thinking, “Hey, maybe I can get the answers to these questions in person!” Instead, we arrived at the panel to find ourselves with an unfortunate scoop: Swayze would not be in attendance, owing to the fact that he had checked himself into the hospital for observation after having contracted pneumonia. Rumors immediately circulated that Swayze was on death’s door, that the end was nigh. Me, I immediately felt like an asshole, because – for better or worse – the first thought that came to my mind was the incredibly selfish, “Oh, man, now I’ll never get those questions answered…”

And I didn’t. But it’s a testament to Swayze’s reputation as a tough guy that he managed to battle back from the pneumonia and fight the cancer for another nine months, and anyone who’s lost someone to cancer knows that, after a fight that long and hard, his departure was one well earned.

As I looked back over Swayze’s work to put together this piece, I realized that the reason I’d had that selfish thought upon learning that he wouldn’t be making it to the TCA panel was that I really, really liked Patrick Swayze. I didn’t necessarily love every movie he ever made, but there was just something about the guy that was cool and likable and yet still pretty damned bad-ass, but…well, I don’t believe that the term “big-brothery” actually appears in the dictionary, but that’s how I saw the guy. (It probably stems back to my having seen “The Outsiders” during my formative years.) And if truth be told, I don’t think Swayze ever actually saw my questions. He always seemed like the kind of guy who, if he had read them, would’ve written back and said, “Say, buddy, you actually put a lot of thought into these, didn’t you? You know, I really appreciate that!”

Damn, now I’m starting to get depressed…and if you’re a Swayze fan, too, then you’re probably already there with me, so let’s look back at ten classic quotes from ten of the man’s most memorable films and just think about the legacy he left us.

10. “Boy, you just discovered the oldest sexual position in the book: the foolish position. You just got to remember, your brains are between your ears and not your legs.”Ernie “Slam” Webster, “Grandview U.S.A.”

9. “I don’t give a shit where I play as long as I go number one in the draft and I sign the biggest contract I can. I’ve been busting my ass in this league for four years, and I’m gonna get what’s coming to me.”Derek Sutton, “Youngblood”

8. “Son, it breaks my heart to say this, but I believe you are a very troubled and confused young man. I believe you are searching for the answers in all the wrong places.”Jim Cunningham, “Donnie Darko”

7. “Well, pumpkins, it comes down to that age-old decision: style…or substance?”Veda Boheme, “To Wong Foo, Thanks For Everything, Julie Newmar”

6. “I love you, Molly. I’ve always loved you.”Sam Wheat, “Ghost”

5. “It’s kind of strange, isn’t it? How the mountains pay us no attention at all. You laugh or you cry, the wind just keeps on blowing.”Jed Eckert, “Red Dawn”

4. “Listen, with your brains and grades, you could get a scholarship, and we could put you through college, ain’t that right, Soda? But you’re livin’ in a vaccuum, Pony, and you’re gonna have to cut it out. You just don’t stop living because you lose somebody. I thought you knew that. And anytime you don’t like the way I’m running things around here, you can just get out, all right?”Darrel Curtis, “The Outsiders”

3. “I’m gonna do my kind of dancin’ with a great partner, who’s not only a terrific dancer; somebody who’s taught me that there are people willing to stand up for other people no matter what it costs them; somebody who’s taught me about the kind of person I wanna be.”Johnny Castle, “Dirty Dancing”

2. “All you have to do is follow three simple rules. One, never underestimate your opponent. Expect the unexpected. Two, take it outside. Never start anything inside the bar unless it’s absolutely necessary. And three, be nice.”Dalton, “Road House”

1. “If you want the ultimate, you’ve got to be willing to pay the ultimate price. It’s not tragic to die doing what you love.”Bodhi, “Point Break”

So long, Mr. Swayze…

The Duke and the Dude

An item about a possible casting choice I missed last week, as per Cinematical’s Elisabeth Rappe:

At first glance, [Jeff] Bridges seems a pretty offbeat choice for Rooster Cogburn [in the Coen Brother’s planned remake of 1969’s “True Grit“]. But having just rewatched the John Wayne original last week, I think it might just be casting heaven. Rooster is a killer, but he’s also a fall down drunk, full of sarcastic quips, and surprisingly tender-hearted.

Why not? Bridges is, after all, an actor even if he’s rarely played someone you could call a bad-ass. Below, a comparison –and since the second video is from “The Big Lebowski” you can safely trust that it is NSFW for language, including an ethnic epithet along with a world of painful f-bombs.

Tyler Perry can do well all by himself

Tyler Perry in "I Can Do Bad All By Myself"

Tyler Perry’s latest for Lionsgate, “I Can Do Bad All By Myself,” which once again features his crazed cross-gender alter-ego, Madea, over-performed its expectations by a few million and nabbed the weekend’s top box office spot with an estimated $24 or 25 million. The reason for the discrepancy, by the way, is that it appears that the numbers Nikki Finke nabbed late last night are differing slightly from those being offered by Variety and THR.

Finke is characteristically spinning the gross as a negative for Perry, since his last film made $41 million on its opening run. However, that was “Madea Goes to Jail.” If there’s one thing we’ve learned about film marketing in the current climate in recent years, having a title that explains your premise never hurts. Just ask “The 40-Year-Old Virgin.” Of course, that’s not the whole story — just ask “Snakes on a Plane.”

Considering that this film is actually getting okay reviews (58% “fresh” on the RT Meter as of this moment) from the critics who’ve sprung for a film bucks to see the movie this weekend, it seems that Perry is offering a least a modicum of story-and-music based entertainment. Low expectations may also be helping. The good news for him is that it seems to be pleasing his large, predominantly African-American and female, fan base — ensuring that his modestly budgeted films remain profitable. I wonder if Lionsgate is reevaluating its decision not to screen “I Can Do Bad” in advance; they actually might have found some decent quotes to help pull in some newbies. Tyler recently signed a deal to make a film of the 1975 poetry-based Broadway sensation by Ntozake Shange, “For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf.” Is critical respect of some sort in his future?

9With an estimated $15.2-$15.5 for Focus Features over its first five days and an on-track $10.9 million for the weekend, “9” seems to have found its audience. As I recounted last time, it’s only the eighth movie to be so numerically named, if you don’t count the original short film that launched it. (The true no. 9 will be Rob Marshall’s upcoming film of the Broadway musical “Nine.”) Now, I don’t how I missed this before, but the computer animated dystopian tale from newcomer Shane Acker was actually released on Wednesday of last week. That was not simply to get a jump on the competition, but to milk the fact that it was September 9, 2009 — i.e., 09/09/09. I guess the numerical mojo didn’t hurt.

Coming up in the #3 spot was neither of the two remaining major theatrical releases, but…drum roll…”Inglourious Basterds” once again proving wrong those who assumed that a subtitles and cinephilia heavy flick would ward-off rank-and-file filmgoers. At roughly an estimated $6.5 million in its fourth week for the Weinstein Company, Quentin Tarantino‘s latest has accumulated about $104 million so far, which I think is about double what some insiders expected from it. It seems fairly certain now that, with the benefit of at least a few Oscar nominations, it’s going to beat the $108 million take of “Pulp Fiction,” though perhaps not adjusted for inflation.  I can’t wait to see what Tarantino’s next step will be.

The critically dissed Kate Beckinsale “Whiteout” — which Fox tried to pass off as sci-fi horror in the tradition of “The Thing” but is really more of an action-thriller/whodunit — and Summit’s Heathery actual horror/slasher remake, “Sorority Row,” went down to an ignominious, youth-audience splitting, defeat. Each film made just over an estimated $5 million. The real horror film (i.e., “Row”) did slightly better than the fake one set in Alaska, but they were both unable to beat even the second week of the fourth-place “All About Steve,” and came in at the sixth and seventh spot on their opening week. Ouch.

A Larry Gelbart memorial movie moment

In honor of the late comedy writer, below is a trailer for his first motion picture credit, the 1962 comedy “The Notorious Landlady.” Though this piece of movie advertising is about as leering and puerile as “Mad Men” era trailers can get, this appears to be a decent little movie from veteran director Richard Quine and two writers very much on the way up: Gelbart and Blake Edwards (“Breakfast at Tiffany’s,” “The Pink Panther,” etc.). Having Kim Novak (“Vertigo“), Jack Lemmon, and Fred Astaire in it probably doesn’t hurt either.

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