Category: External Movies (Page 175 of 336)

Warner Brothers Movie Moments #2

Of course, early Warner Brothers wasn’t all gritty depression gangster dramas like the movie I featured in the post below this one, “The Public Enemy.”  They also made actually rather gritty depression early musicals that featured the work of ingenious lunatic choreographer and sometime director Busby Berkeley. And sometimes, Berkeley could get downright weird — usually in a good way.

Check out “Sitting on a Backyard Fence” from “Footlight Parade.” Cagney was actually a great song and dance man as well as being an A-1 leading man, but neither he nor costars Joan Blondell or Dick Powell are in this number which, as you’ll see, maybe be just as well for their dignity. It’s definitely different.

Insert Andrew Lloyd Weber joke here.

Warner Brothers movie moments #1

Happy New Year.

Now that we’ve got that out of the way, since Warner Brothers has ruled the domestic box office for two years straight while setting new records both at home and abroad, I thought it might be fun to take a look at movie moments which epitomize the Warner Brothers style when it was grittiest and most cost conscious of the major classic era film studios.

Few sequences encapsulate the WB style better than this scene from 1931’s “The Public Enemy,” directed by William “Wild Bill” Wellman, one of just a few films which set the pattern for the gangster movie for years to come. It’s all here, the crackling, cynical, fast-paced dialogue, the borderline fatalistic pessimism years before the “film noir” genre would be born, and a great star to deliver the goods in Jimmy Cagney.

And as a brief bonus, we have one of the most famous scenes of cozy marital relations every filmed featuring Cagney and Mae Clarke as the gangster’s unhappy wife. According to Wikipedia this scene — easily one of the most frequently excerpted moments ever made from any film — may have begun as a practical joke on the crew.

This post is inevitable

This ever-popular clip featuring the song “Jan Pehechaan Ho,” from the 1965 Bollywood murder mystery, “Gunnaam,”  was something I first saw at a friend’s place on a compilation tape of that circulated among hipsters in the nineties. In 2001, director Terry Zwigoff and cartoonist/screenwriter Dan Clowes made it immortal in the West by including it in “Ghost World.”

I love this clip to death despite having seen far more times than I can remember, and it was going to turn up here eventually; I can’t think of a better occasion, can you?

Happy New Year, everyone.

Movie news for a dying decade

It’s the very last day of the aughts, the noughties, or the 2000s, whichever term you prefer, and there’s some movie news to pass along.

* It’s a funny day to have a stockholders meeting, but that’s appears to be what Marvel Entertainment did and, yes, they approved the widely heralded Disney merger. Russ Fischer at /film has the details.

* With, as far as I can see, no major wide releases or, as I far as I can tell, even large expansions to talk about and not much other information available, I’m dispensing with this week’s box office preview. However, Jolly Carl DiOrio is here to tell us that this weekend is going to look a little something like last weekend.

That’s not to say there aren’t some new movies out that you can see this week — though you’ll possibly have to live in New York or L.A. to see them. Since I dig Tennessee Williams, I’m sorry to see the bad reviews for “Loss of a Teardrop Diamond. South Korea’s “The Chaser” was a hit at home for director Na Hong-Jin and looks intriguing to me. It has also been optioned for a high profile American remake, possibly involving Leonardo DiCaprio and screenwriter William Monahan of “The Departed.”

the-chaser-movie-3

* Speaking of box office, I’m not sure this is exactly news, but, get this, “Avatar” is doing really well — it just passed the $800 million mark worldwide — and looks likely to continue to do extremely well for quite a long time. Even the busiest man in the world apparently couldn’t wait to see it in the White House movie theater (I wonder if it can show digital 3-D?) Also note that eight year-old Sacha and 11 year-old Malia were allowed to see it even though it has a PG-13 rating . Expect this to be discussed at length on the Sunday shows.

* I had to update yesterday’s post to correct this. Apparently, The Weinstein Company is going to leave “Nine” in the roughly 1,400 theaters it’s in, despite last week’s poor showing.

* It’s now “Sir Captain Picard” to you. Alongside Patrick Stewart, film and theater director Nicolas Hytner (“The Madness of King George”) just got an excuse to be extra snooty.

* Neil Blomkamp of “District 9” wants to make original films that aren’t based on older franchises and, so, has said he’ll stay away from large budgets. He’s not dumb.

Zombie comedy: the killing gift that keeps on giving

Between “Shaun of the Dead,” “Zombieland,” and who knows how many humorous books and live comedy bits, the zombie-movie inspired vein of humor seems oddly unlimited — as we see in this short film in which pals Rich Sommer (“Mad Men“) and comedian Paul F. Tompkins take a fresh approach to the brain-eating zombie paradigm.

Sketch Of The Dead

H/t Huffpo

And, just for the heck of it, here’s a blast from the zombie comedy past I also enjoy.

« Older posts Newer posts »

© 2026 Premium Hollywood

Theme by Anders NorenUp ↑