Category: External Movie DVDs (Page 51 of 74)

The Eye

American moviegoers may have lost interest in Asian horror remakes a long time ago, but that hasn’t stopped Hollywood from attempting to cash in on the next “The Ring.” Unfortunately, every movie since then has only looked like an inferior knock-off (namely because a lot of these Japanese ghost stories are the same), and though “The Eye” hails from a different part of the Far East, it shares a similar fate. Jessica Alba stars as Sydney Wells, a blind concert violinist who’s been given the chance to see again thanks to a surgical transplant. With her vision restored, Sydney attempts to reimmerse herself in society, but when she begins having vivid nightmares about the dead, she teams up with a therapist (Alessandro Nivola) to track down the history behind her donor.

Though David Moreau and Xavier Palud (the two-man team behind the cult European horror flick, “Them”) are extra careful about respecting the source material, “The Eye” is incredibly dull. Then again, so was the original film, so if it was their intent to make a scene-for-scene remake, they’ve succeeded. There’s just not a whole lot of substance to the story. Sydney spends most of the film trying to convince her friends and family that she’s not crazy, but it never actually goes anywhere until the final act. By then, most of the audience has already tuned out, and though its Hollywood-sized budget (not to mention Jessica Alba) makes watching the film easier on the eyes, there’s no other incentive to choosing this version over the one directed by The Pang Brothers.

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The Onion Movie

Originally filmed in 2003 (only to get shelved for the next five years), “The Onion Movie” may seem like a low-rent rip-off of Jason Friedberg and Aaron Seltzer’s recent barrage of spoof movies, but its from a completely different ilk. Sure, it follows the same formula of slapping together a bunch of random sketches that have nothing to do with one another, but “The Onion Movie” plays more like a bad episode of “SNL” than a game of pop culture Russian roulette. The basic idea of the film is that the Onion News Network has been assimilated into a media conglomerate, and as a result, disgruntled anchorman Norm Archer (Len Cariou) has been asked to compromise his journalistic integrity in favor of less newsworthy events. Though most of the sketches are clever on paper (and would no doubt garner a giggle or two if you saw it in an issue of The Onion), they never quite develop on screen. Steven Seagal’s cameo in a fake movie trailer for “Cock Puncher” would have been funny if it weren’t featured so prominently in the real trailer, while jabs at underage sex icons like Britney Spears and a commercial for a company that specializes in “penis retrieval” are mildly humorous. If there’s anything to learn from an experiment like “The Onion Movie,” it’s that just because a certain style of comedy works in one medium doesn’t mean it will work in another.

Click to buy “The Onion Movie”

Meeting Resistance

A grim but necessary piece of reportage, this video documentary is constructed largely from interviews of insurgents in Iraq, who calmly discuss their willingness to kill American soldiers and suspected Iraqi collaborators in a nationalistic and religiously inspired struggle to avenge the invasion of their country and, perhaps, end the American occupation. Journalist filmmakers Steve Connors and Molly Bingham take a genuinely dispassionate view that will unnerve many, but only the most rabid neoconservative could see this detailed, well-produced documentary as in any way a defense of the insurgency.

Indeed, there is no effort to pretty up the details. One interview subject, discussing Americans maltreatment and torture of detainees, says that he wouldn’t wish such pain even “on a Jew.” Later, gruesome footage of the desecrated bodies of murdered American paramilitary contractors being dragged through the streets of Fallujah is included. (That American-led reprisal by some accounts killed as many as six thousand civilians). The insurgents onscreen repeatedly discuss the need to prevent civilian casualties though, clearly, many insurgents disagree with that need and, in any case, everyone on camera seems to live in a culture more concerned with “honorable” death than with preserving life. While the act of interviewing insurgents necessarily involves concealing the identities of the subjects through various means, “Meeting Resistance” succeeds in giving the terrorist struggle against the U.S. military occupation an all too human face that is, otherwise, completely invisible to most Americans.

Click to buy “Meeting Resistance”

Cleaner

After directing some of the worst films of the past decade (“The Covenant,” “Exorcist: The Beginning,” “Mindhunters”), Renny Harlin delivers a welcome return from the basement with “Cleaner,” a by-the-numbers thriller that, while totally predictable, succeeds thanks to a solid cast. Samuel L. Jackson stars as Tom Carver, a former cop who now makes a living cleaning up crime scenes. When Tom is called in to sterilize a home following a suburban shooting, however, he’s surprised to discover that in erasing crucial evidence, he’s unknowingly become an accomplice to the much-publicized murder of a wealthy community leader. Though Jackson is more timid in this film than usual, it’s exactly what’s required of the role. The veteran actor has a pretty good track record when working with Harlin, and while the final product isn’t always a slam dunk (see: “Deep Blue Sea”), it’s usually at least fun to watch. The rest of the cast (including Eva Mendes and Luis Guzman) also deliver safe performances, with the exception of Ed Harris, whose onscreen relapse into his “Gone Baby Gone” character fails to retain even an ounce of surprise in the film’s ending. It’s not like you won’t see it coming on your own, but had the journey there been a little less predictable and “Cleaner” could have been even better than the average thriller it seems so comfortable being.

Click to buy “Cleaner”

Cassandra’s Dream

Over the past three decades, Woody Allen has written and directed a new full-length feature almost every year. If you don’t think that excuses a poor outing every once in a while, you clearly have no idea how hard it is to make one good film. Unfortunately, Allen has been in a rut for some time, and though “Cassandra’s Dream” marks his third consecutive film to take place in London, it lacks the focus of his first (“Match Point”). The film stars Ewan McGregor and Colin Farrell as a pair of brothers with ambitious plans for the future. Ian (McGregor) dreams of becoming a big shot real estate investor, while Terry (Farrell) just wants to make a better life for him and his girlfriend. When both run into money problems, however, they look to their successful uncle Howard (Tom Wilkinson) for help. He’s more than willing to loan them the money, but first, they have to do him a favor: murder a fellow associate who plans to rat Howard out for his questionable business ethics. Much like “Before the Devil Knows You’re Dead,” Allen’s latest film is a second-rate thriller disguised as a masterpiece. Though McGregor and Farrell both deliver solid performances, the story goes nowhere due to Allen’s inability to develop his characters beyond their one-dimensional relationships. It’s too bad, because while “Cassandra’s Dream” definitely has potential as a film, it would have worked better on the stage.

Click to buy “Cassandra’s Dream”

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