Category: External Movie DVDs (Page 50 of 74)

Holy Blu-Ray, Batman!

There are some movies that beg to be viewed in glorious high definition, but “Batman: The Movie” isn’t one of them. It isn’t for lack of trying, however. The special edition Blu-ray release of the 1966 cult classic looks amazing when compared to its DVD counterpart, and it even includes an exclusive extra that tracks the film’s location shooting via an onscreen map. As some people may have noticed with Paramount’s recent release of “Face/Off,” however, HD video transfer isn’t always a good thing. Fishing line can be spotted during Batman’s early run-in with the shark, and Cesar Romero’s under-the-makeup mustache is more evident than ever.

Of course, that only makes watching “Batman: The Movie” even more fun, and so in honor of its grand debut on Blu-ray, here’s a look back at some of the film’s more ridiculous moments. And when you’re done, head on over to Bullz-Eye.com for your chance to win your own copy!

Commissioner Gordon: It could be any one of them. But which one? Which ones?
Batman: Pretty fishy what happened to me on that ladder…
Commissioner Gordon: You mean where there’s a fish there could be a Penguin?
Robin: But wait! It happened at sea… Sea. C for Catwoman!
Batman: That exploding shark was pulling my leg…
Commissioner Gordon: The Joker!
Chief O’Hara: All adds up to a sinister riddle… Riddle-r. Riddler!
Commissioner Gordon: A thought strikes me… So dreadful I scarcely dare give it utterance…
Batman: The four of them… Their forces combined…
Robin: Holy nightmare!

Robin: That crazy missile! It wrote two more riddles before it blew up!
Batman: What goes up white and comes down yellow and white?
Robin: An egg!
Batman: How do you divide seventeen apples among sixteen people?”
Robin: Make apple sauce!
Batman: Apples into applesauce… A unification into one smooth mixture. An egg… Nature’s perfect container. The container of all our hopes for the future.
Robin: A unification and a container of hope? United World Organization!
Batman: Precisely, Robin! And there’s a special meeting of the Security Council today. If what I fear is true…
Robin: Wow! Let’s commandeer a taxi!
Batman: No, Robin. Not at this time of day. Luckily, we’re in tip-top condition. It’ll be faster if we run. Let’s go!

Batman: Listen to these riddles. Tell me if you interrupt them as I do. One: What has yellow skin and writes?
Robin: A ballpoint banana!
Batman: Right. Two: What people are always in a hurry?
Robin: Rushing people… Russians!
Batman: Right again. Now what would you say that means?
Robin: Banana… Russian? I’ve got it. Someone Russian is going to slip on a banana and break their neck!
Batman: Precisely, Robin! The only possible meaning.

Batman: Look at this pair of joking riddles.
Chief O’Hara: What does a turkey do when he flies upside down?
Robin: He gobbles up!
Chief O’Hara: Of course.
Batman: And number two…
Commissioner Gordon: What weighs six ounces, sits in a tree, and is very dangerous?
Robin: A sparrow with a machine gun!
Commissioner Gordon: Yes, of course.

The Red Violin



Samuel L. Jackson
might be the top-billed actor in this award-winning, Oscar-nominated arthouse flick from 1998, but you’ll be sorely disappointed if you’re expecting him to point an AK at some poor schmo’s head and bellow words to the effect of “All I want from you, motherf**ker, is to give me the motherf**king red violin!” This isn’t that kind of a movie. Crafted with care by the team responsible for the musically inspired 1994 indie hit, “32 Short Films About Glenn Gould,” this Canadian production is filmed in five languages and follows the career of a very special instrument, starting with its creation in 17th century Italy, to Vienna at the height of the classical period, and then to England and the hands of a sex-crazed rock star of a romantic era composer (Jason Flemyng) and his entranced lover (Greta Scacchi). It then moves on to mid-20th century China during the Cultural Revolution, and finally to contemporary Montreal, where a high-end auction house retains an American expert (Jackson, uttering nary a curse word), who finds himself in possession of the perfectly crafted and now legendary instrument.

Each of the tales is visually sumptuous, engagingly melodramatic, extremely well-acted, and not too much more, though a story about a sickly Viennese child prodigy and his conflicted mentor threatens to become poignant. By the time the final tale of possible musical skulduggery is complete, the point is either ridiculously self-evident (“beautiful music and fine workmanship are very powerful and make people do things they otherwise might not”) or something so high-flown I couldn’t quite grasp it. Writer-director Francois Girard and cowriter Don McKeller, who also plays Jackson’s geeky cohort, are a highly talented team, but in this case their work says less about music or the joy and power of craft, than it does about a certain kind of safely entertaining style of tony film-making.

Click to buy “The Red Violin”

Witless Protection

Larry the Cable Guy may have his legion of fans, but even they must’ve realized by now that the blue-collar comic just isn’t cut out to be a movie star. In his latest film, Larry plays a small-town sheriff who rescues a damsel in distress (Ivana Milicevic) from a group of supposed kidnappers. As it turns out, they’re actually FBI agents escorting the woman to Chicago as the lead witness of a corporate scandal, but when it’s uncovered that they’re also in cahoots with the company’s criminal boss (Peter Stormare), Larry takes it upon himself to protect his hostage from further danger. As you can probably imagine, “Witless Protection” is one of the worst movies you’ll see all year. The film isn’t just plain bad, either – it’s the most overacted, under-directed film in cinematic history. Larry acts like a class-A dumbass every chance he gets, while B-list co-stars like Stormare, Joe Mantegna and Eric Roberts should be shot dead for stooping so low. It’s one thing to appear in a movie like this when you don’t know any better, but veteran actors like them should show a little more integrity when earning their next paycheck.

Click to buy “Witless Protection”

Invisible Target

In true Hong Kong fashion, “Invisible Target” starts off with a bang when an armored truck is hijacked by a murderous gang of criminal brothers (led by Jacky Wu Jing). Double-crossed and left with nothing to show for it, the gang returns six months later to smoke out the inside man who sold them out. Standing in their way are three cops who are all after the gang for different reasons. Chan Chun (Nicholas Tse) wants to avenge the death of his fiancée, who was killed during the robbery; Carson Fong (Shan Yue) wants to prove himself as a detective; and rookie officer Wai King Ho (Jaycee Chan) is looking for his missing older brother, who was working undercover as a member of the gang.

Hong Kong action thrillers have become extremely formulaic over the last few years, and while a majority of them still manage to be better than average, they’re rarely ever memorable. They’re also some of the worst paced films in cinema, so when it was my brought to my attention that “Invisible Target” clocked in at 130 minutes, I was dreading the worst. As it turns out, the film actually keeps things moving along thanks to some high-energy action sequences, but it slows down considerably after the first hour. Still, while “Invisible Target” is far from Dragon Dynasty’s best modern release, it’s definitely worth checking out. Director Benny Chan conducts some of the best action sequences in the business, while U.S. audiences will get their first look at Jaycee Chan (son of Jackie Chan), who is more than talented enough to take over his father’s legacy.

Click to buy “Invisible Target”

Mama’s Boy

It wasn’t that long ago that I saw a poster for “Mama’s Boy” promoting its upcoming release at a major theater chain (after all, you don’t forget a poster featuring Jon Heder wearing a goofy Viking outfit), but its recent debut on DVD seems to indicate those plans have since been abandoned. Of course, with a recent string of box office duds under their belt, Warner Bros. probably felt that a theatrical release wasn’t worth the effort, and they were right. It’s not that the movie is unwatchable, but rather that it’s so much like the ill-received “Mr. Woodcock” that the chances of it turning a profit weren’t strong enough to warrant a publicity campaign. The film stars Heder as Jeffrey Manus, a 29-year-old mama’s boy who, following the death of his father, has pledged to remain at home with his mother (Diane Keaton) for the rest of his life. But when her new boyfriend, Mert Rosenbloon (Jeff Daniels), suddenly moves in, Jeffrey engages in a childish rivalry to win over his mom’s attention. Though the film shares many similarities with “Mr. Woodcock,” the one thing “Mama’s Boy” is not is a dark comedy. Instead, the film takes a more straightforward approach, and it’s all the better for it. It’s not a great film by any means, but “Mama’s Boy” is innocent enough that fans of Heder won’t feel entirely guilty picking it up.

Click to buy “Mama’s Boy”

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