Category: External Movie DVDs (Page 52 of 74)

Grace Is Gone

We’ve all seen John Cusack play the sad sap before, but in the Iraq War-influenced “Grace Is Gone,” it’s a different breed of his trademark character. In the film, Cusack plays Stanley Philips, the down-to-earth manager of a retail store who’s just learned of his soldier wife’s death overseas. Unable to tell his two daughters the truth, he packs up the car and takes them on a road trip, hoping that by the time they return home, he’ll have healed enough to break the news. Written and directed by James C. Strouse, “Grace Is Gone” is an incredibly light drama that, despite its subject matter, doesn’t really have a political agenda. Instead, it just uses the situation as a means of telling a simplistic, yet effective story about one man’s emotional journey.

Though the film garnered two Golden Globe nominations for Clint Eastwood’s work on the soundtrack, Cusack’s phenomenal performance was completely overlooked. Much of this has to do with the fact that very few people were given the opportunity to see it, and while I’m not exactly sure why “Grace Is Gone” never received a wider theatrical release, it’s safe to assume that it had something to do with the Weinsteins’ poor marketing skills. This isn’t the first time the brotherly duo have screwed the pooch on a great film, and while I commend them for having the balls to invest millions of dollars into risky projects (*cough* “Grindhouse” *cough*), it means absolutely nothing if you can’t market it correctly.

Click to buy “Grace Is Gone”

Diary of the Dead

It was inevitable that George A. Romero’s latest zombie flick would draw comparisons to “Cloverfield.” Both movies use the first-person camera gimmick as their main storytelling device, but unlike the J.J. Abrams monster movie, “Diary of the Dead” doesn’t have a particularly engaging story to tell. The set-up may be different than Romero’s past films – in this one, a group of college students become victims in a real-life zombie attack while shooting their own horror movie – but the events that transpire are so formulaic that you might as well just pop in “Night of the Living Dead” (now available in a 40th anniversary remastered edition) instead. This isn’t just one of the worst acted horror movies I’ve ever seen, but it’s also one of the most idiotic social commentaries that Romero has ever attempted. Cameras are likened to guns, racist National Guard soldiers play out their hottest Black Panther fantasies, and documentary filmmakers are blasted for their supposed cold-heartedness. Unfortunately, I don’t know a single person that even cares about any of this stuff, and while Romero deserves all the credit in the world for creating such an excellent subgenre, it’s about time he passed on the torch to someone better suited for the job.

Click to buy “Diary of the Dead”

Shinobi: Heart Under Blade

It might seem strange at first glance that a company like Funimation would be releasing a movie like “Shinobi,” but once the film’s dynamic action sequences jump into the spotlight, it becomes painfully obvious that “Shinobi” is a live-action anime, complete with crazy characters and overblown battles. Loosely based on Shakespeare’s “Romeo & Juliet,” the film takes place in 17th Century Japan where the heirs of two feuding ninja clans – the Iga and the Koga – have fallen in love. When the Shogun set into motion a nefarious plot to rid the country of both ancient families, however, the two star-crossed lovers are forced to battle each other to the death. Like most martial arts fantasy films (save for maybe “Crouching Tiger, Hidden Dragon”), you’re not going to find very much character development other than the bare necessities, but it’s easily overlooked thanks to some truly original fight sequences. Sure, the movie slows down considerably when it reaches its inevitably tragic end (“Romeo & Juliet,” remember?), but “Shinobi” is still far better than anticipated, and should please anyone who considers themselves a fan of this particular subgenre.

Click to buy “Shinobi: Heart Under Blade”

A Chat with Brian Dietzen (“NCIS”)

He’s played a drummer on the short-lived WB sitcom “My Guide to Becoming a Rock Star,” and not only did he survive the experience of co-starring in “From Justin to Kelly: With Love,” but he actually speaks fondly of it. He’s Brian Dietzen, but you probably know him best from his role as medical assistant Jimmy Palmer on CBS’s long-running drama, “NCIS.” What started as a one-shot appearance quickly turned into a steady gig for Dietzen, with Mr. Palmer gradually working his way out of the background and into his very own subplot, but now he’s actually going to be the focus of an episode. We spoke to Dietzen about how his character has evolved over the years, how this spotlight show came to pass (and why it took so long), and how fondly he feels about those pre-“NCIS” gigs nowadays. Stay tuned for…

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Teeth

Nominated for the Grand Jury Prize at the 2007 Sundance Film Festival, “Teeth” is one of those movies that garners more buzz than it deserves. Still, I couldn’t wait to check out this film about a prudish high school virgin who discovers she has a set of mutant teeth between her legs, if only because the concept sounded too good to be true. As it turns out, the basic idea surrounding “Teeth” is better than the film itself, but that doesn’t prevent from it from being mildly entertaining at times. Unfortunately, it’s not quite as funny or horrific as it could be, despite an enjoyable performance by newcomer Jess Weixler (a dead ringer for Alicia Silverstone and Leelee Sobieski’s lesbian lovechild). The ingredients are definitely there, and while “Teeth” never quite succeeds as a horror comedy, or as the kind of movie that is guaranteed a spot in future late-night marathons based on the title alone (such as the likeminded Japanese flick, “Sexual Parasite: Killer Pussy”), it’s still effective as a cautionary tale that should be shown to sex-ed students everywhere.

Click to buy “Teeth”

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