Category: External Movie DVDs (Page 30 of 74)

Nobel Son

Writer/director Randall Miller must be a great guy to work with. That’s the only possible explanation for how he managed to snag such an amazing cast for “Nobel Son,” a headache-inducing thriller every bit deserving of its direct-to-DVD sentence. Though Miller isn’t exactly new to the business (he directed his share of bad comedies in the 90s), it’s still quite a feat to go from the land of made-for-TV movies to working with the likes of Alan Rickman in back-to-back projects. Their 2008 film, “Bottle Shock,” was one of the best reviewed entries at Sundance last year, but just because “Nobel Son” is about an award doesn’t mean it’s on the same level.

Rickman plays Dr. Eli Michaelson, a narcissitic college chemistry professor who is delighted to discover that he’s won the Nobel Prize. While away in Stockholm to accept his award, his disappointment of a son, Barkley (Bryan Greenberg), is kidnapped and ransomed for $2 million. The kidnapper (Sean Hatosy) claims that Eli stole the award-winning idea from his own father, and he’ll do whatever it takes to make him pay. Of course, it’s what happens after the initial kidnapping that really matters, but to say any more would be to spoil the film’s only redeeming quality: the web of twists that begins to unravel around the midway point. Unfortunately, the movie is so damn irritating during the first hour – from the shaky camera movements and blazing fast edits to the Paul Oakenfold techno club soundtrack – that it never has the chance to win back the audience. Miller should stick to more low-key projects like “Bottle Shock,” because his embarrassment of a Guy Ritchie impersonation just isn’t going to cut it.

Click to buy “Nobel Son”

Blu Tuesday: Friday the 13th, Dr. Strangelove and Morning Light

Those who saved up a little extra pocket change from the lack of Blu-rays released over the last few weeks will probably want to grab a hammer and break open the piggy bank, because there are a slew of must-own titles hitting stores today. Even better is the variety, from new horror films and old classics to cult television shows and HBO mini-series, this week features one of the best HD line-ups that you’re likely to see all year.

“Friday the 13th” (Warner Bros.)

The new adventures of Jason Voorhees may just be the latest in a long line of mindless sequels (in fact, one might even argue it’s little more than a compilation of greatest hits from the first three films), but it does serve as an excellent reboot of sorts that horror fans should appreciate. While Jason’s ninja-like stealth is a bit ridiculous, it’s but a minor obstacle in an otherwise entertaining slasher flick. The kills are just as inventive as they were 30 years ago (there’s even a Blu-ray exclusive featurette that takes an in-depth look at the seven most memorable ones), and at the end of the day, that’s all anyone really cares about. Whether or not it truly revitalizes the franchise is a whole another matter, but at least Warner Bros. is willing to stand behind their product. The Blu-ray release is one of the studio’s best yet, and includes an extended (but still R-rated) cut of the film, as well as a making-of featurette, deleted scenes and a picture-in-picture video track.

“Dr. Strangelove” (Sony Pictures)

Stanley Kubrick’s 1964 Cold War satire isn’t exactly the kind of film that benefits from high definition, but it still looks remarkably good for its age. Though I’ve never really been a fan of black-and-white cinema, “Dr. Strangelove” is one of the few exceptions. It’s probably because the movie would seem absolutely ludicrous in color. Not only are many of the characters (like George C. Scott’s General Turgidson and Peter Seller’s Strangelove) already so outlandish that they’re practically cartoons, but the monochrome effect lends a certain seriousness to the film that only makes the events that follow even funnier. The “Inside Dr. Strangelove” retrospective included on the disc – which covers everything from Kubrick’s original idea of making a serious political thriller to an 11th hour legal coup designed to delay the release of the similarly-themed “Fail-Safe” – should be of particular interest to fans of the film, while the addition of never-before-seen pages from the screenplay sheds new light on the infamously deleted cream pie fight ending.

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Ella and Jack

Here’s another movie moment inspired by A Blog Supreme, this time two clips featuring probably my favorite singer, period: Ella Fitzgerald. These clips are both from “Pete Kelly’s Blues” a strangely interesting film directed by Jack Webb (aka Joe Friday of “Dragnet”) who was also the primary creative voice on the show which set the pattern for today’s TV police procedurals. Considering it has both Webb and Lee Marvin in major roles, it’s probably the most macho jazz film ever, and considering Clint Eastwood‘s investment in jazz on film going back to his debut as a director, “Play Misty for Me,” that’s saying something. It also featured another great singer, Peggy Lee, who may turn up here another time.

You can read my PH review of “Pete Kelly’s Blues” and some other notable jazz films gathered under Clint Eastwood’s name here.

Blu Tuesday: Gran Torino, The International and Fired Up

It may be another slow week in the world of Blu-ray, but while you won’t find too many titles worth owning on the New Release shelf, there are a few movies that are at least worth a rental. Today’s catalog selection is also pretty lackluster (“Predator 2,” really?), so just consider this week another welcome opportunity to save up for the months to come.

“Gran Torino” (Warner Bros.)

Of course, one movie definitely worth purchasing is Clint Eastwood’s no-frills drama about a Korean War veteran whose neighborhood has become overrun by a community of Asian refugees called Hmong. Easily one of the best films of 2008, “Gran Torino” also managed to become a surprise hit at the box office. I’m not sure how (it’s a great movie, but it doesn’t exactly scream “mainstream”), but it’s just nice to see audiences embrace such a low-key drama. The movie also features Eastwood in one of his best performances to date – somehow making an unapologetic racist seem remarkably charming – but is biggest contribution is in casting of Bee Vang and Ahney Her, two relative unknowns who do an incredible job standing toe-to-toe with the acting veteran. The Blu-ray is pretty low-key itself, but fans will enjoy “The Eastwood Way,” an exclusive featurette about the making of the movie.

“The International” (Sony Pictures)

Though I still have yet to actually see the lukewarmly received crime thriller, it’s hard not to recommend “The International” based solely on the involvement of Clive Owen and Tom Tykwer, director of the cult film “Run Lola Run” and the hugely underrated “Perfume: The Story of a Murderer.” Though it’s been called anti-climactic by many, it’s hard to deny the appeal of both men, not to mention the inclusion of Naomi Watts as Owen’s partner in crime. Still, movies don’t just get delayed or divide critics for any old reason, so you might want to approach “The International” with caution. If nothing else, at least you’ll get a decent collection of extras to browse through including a director/writer commentary, a making-of featurette and a look at recreating the Guggenheim for the film’s climactic shootout.

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Fatal Attraction

Despite a premise that reads like a sci-fi film – Michael Douglas steps outside his marriage to Anne Archer with Glenn Close? In the peak of her “George Washington with a perm” phase, no less? – “Fatal Attraction” is actually a tremendously effective sexual thriller, one that remains not only a high point of the genre, but the apex of director Adrian Lyne’s career. Lyne, who has a tendency to get lost in his own fog machines, puts his visual brilliance to good use here, mixing in the usual stuff (billowing curtains, colored lights, smoke) with a delicately crafted, steadily building tension and a trio of excellent performances from Douglas, Close, and Archer. Misogynistic? Perhaps. Deserving of a Best Picture nomination? Doubtful. Two hours of sleek, (mostly) believable thrills? Absolutely.

The new Blu-ray transfer gives the movie a gorgeous 1080p facelift and a 5.1 Dolby TrueHD audio mix, but not much else; though “Fatal Attraction” comes with a healthy selection of bonus materials, including a commentary track from Lyne, an alternate ending, screen test footage, and some featurettes discussing the making of the film and its social impact, they’re all holdovers from the last DVD reissue, which is going for under $10 new at Amazon. What it boils down to – as seems to be the case all too often with these catalog Blu-ray titles – is whether you think it’s worth an extra $10-$15 to watch the movie in high-def. Unless you’ve always wanted to count the hairs on a boiled rabbit, your money is probably better spent elsewhere.

Click to buy “Fatal Attraction”

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