Category: External Movie DVDs (Page 22 of 74)

Triangle

“Triangle” is one of those films where the concept is more promising than the final product. Told in three 30-minute segments — with each one helmed by a different director — the movie stars Simon Yam, Louis Koo and Sun Hong Lei as a trio of drinking buddies who are down on their luck. But when a mysterious man approaches them one night with information about an ancient treasure buried underneath a government building, the three friends attempt to pull off the perfect heist. Unfortunately, just about everything that can go wrong does, and while that certainly makes for an engaging crime thriller, it’s also the film’s biggest problem. There are simply too many people with their hands in the pot, from the three directors (Tsui Hark, Ringo Lam and Johnnie To) to the six writers credited for the script. As such, the story is confusing as hell at first, testing the audience’s patience with very little background info and numerous subplots. By the time Lam’s second third has run its course, however, the pieces are all in place for a tension-packed final act that To masterfully directs with equal parts action, comedy and drama. “Triangle” isn’t one of their finest films, but fans of the directors will no doubt enjoy watching how it evolves in the hands of some of Hong Kong’s greatest filmmakers.

Click to buy “Triangle”

Easy Virtue

Easy Virtue

Today we associate multi-talented playwright Noël Coward with witty repartee, a forgiving view of sexual peccadilloes, twenties pop standards by Cole Porter and Coward himself, and the heavy use of cocktails. The play, “Easy Virtue,” about a country household thrown into chaos when the family’s only son impetuously marries an American woman with a shadowy past, however, was a melodrama and the 1928 silent film version was directed by the none other than a young Alfred Hitchcock. 81 years later, Australian director Stephen Elliott (“The Adventures of Priscilla, Queen of the Desert”) and co-writer Sheridan Jobbins have taken a very different tack, modified the plot, and turned the drama into a mostly comedic confection filled with witty repartee, a forgiving view of sexual peccadilloes, the music of Coward, Porter and, er, Tom Jones and Billy Ocean, and the heavy use of champagne and wine — but hardly any martinis.

Elliott does a good enough job finding the material’s comedic possibilities, but his style doesn’t quite fit and he gets into trouble when he indulges in some annoying Baz Luhrmann-esque musical/stylistic flourishes. Still, the main problem here is that, while Colin Firth as the family’s alienated patriarch and Kristin Scott Thomas as the repressed mother do first rate work, and Ben Barnes (a.k.a. “Prince Caspian”) is able as the young husband, Jessica Biel, in the crucial role of the extremely non-ugly American, barely registers. Her colorless performance tips the film over the edge of being an enjoyable diversion and into mediocrity.

Click to buy “Easy Virtue”

Trick ‘r Treat

Michael Dougherty probably never imagined his directorial debut would become a cult hit before it was even released. Then again, he probably didn’t expect so much trouble in actually getting it released, either. Originally planned to hit theaters in October 2007, “Trick ‘r Treat” spent the next two years sitting on the shelf collecting dust, all while the anticipation among horror fans continued to grow. The movie has finally been released on DVD in time for this year’s Halloween celebration, and though it’s not nearly as good as the hype suggests, it is one of the most original and entertaining horror films in years – and this coming from a relative non-fan of the genre.

An anthology film in the same vein as “Creepshow” and “Tales From the Crypt,” “Trick ‘r Treat” spins four tales about mischief and mayhem in a small Ohio town on Halloween night. Dylan Baker stars as a high school principal who moonlights as a serial killer; Anna Paquin plays a young virgin on the prowl for her perfect man; Brian Cox faces off against a murderous little demon that doesn’t approve of his disregard for Halloween traditions; and a group of teenage pranksters get a taste of their own medicine.

Combining creepy imagery with some really dark humor, all four stories work well individually (especially the ones starring Baker and Cox), but it’s the way in which they’re skillfully interwoven that makes it such a blast to watch. Maintaining a sense of chronology to the film by placing characters from some stories in the background of others, Dougherty does a fabulous job with keeping the audience interested throughout the film’s brisk 82-minute runtime – even if some stories are better than others. It’s just a shame the movie didn’t get the attention it deserved, because while horror fans are stuck watching the same shitty sequels and remakes year in and year out, “Trick ‘r Treat” is exactly the breath of fresh air that the genre desperately needed. It really makes you wonder how Warner Bros. dropped the ball on this one, because while “Trick ‘r Treat” isn’t quite an instant classic, it’s a film you won’t mind revisiting every Halloween.

Click to buy “Trick ‘r Treat”

Trumbo

Trumbo

23 years after his death, Dalton Trumbo (“Johnny Got His Gun”) remains among the best-known screenwriters of all time. Ironically, that’s largely because much of his best work was done in secret. Jailed in 1950 and then blacklisted for his refusal to discuss his constitutionally protected membership in the Communist Party, Trumbo survived by writing prodigiously, using pseudonyms and “fronts” until 1960, when director Otto Preminger and actor-producer Kirk Douglas openly placed his name in the credits for “Exodus” and “Spartacus” and sounded the first death knell of the Hollywood blacklist.

Drawn partly from a play by the writer’s son, Christopher Trumbo, and featured on PBS’s “American Masters,” this documentary combines interviews with Trumbo’s family and friends, including stars Kirk Douglas and Dustin Hoffman, and dramatic interpretations of his writing by a long list of acting heavyweights such as Joan Allen, Michael Douglas, Liam Neeson, and Donald Sutherland. On the down side, director Peter Askin plays up Trumbo’s heroism while playing down his political extremism and indulges in some pretentious and annoying cinematic tics, including shooting the actors looking on pensively while their occasionally overdone readings play on the soundtrack. Still, when Askin captures the writer’s unsentimental and often humorous essence — as in Nathan Lane’s wry reading of an ingenious letter to the teenage Christopher Trumbo on the joys of masturbation and Paul Giamatti’s testy renditions of Trumbo’s broadsides at his local phone company — this is a highly engaging summary of the life and work of a singular figure in mid-century movie history.

Click to buy “Trumbo”

A hat for J.J. Hunsecker

Considering this morning’s mishegas between me and certain newly widely read show biz blogger in the comments section of this post, I thought a look back at the mystique of the super powerful columnists of olden times might be in order. Believe me, whatever you think about Nikki Finke, she’s as harmless as her now legendary pussycat when compared to folks like Hedda Hopper, Louella Parsons, and, even more so, Walter Winchell, especially as fictionalized in a certain 1957 classic.

And here’s the late Miss Hopper in a lighter mood, with music by the great Spike Jones and his City Slickers

A somewhat abbreviated box office preview — mercifully there’s only one new major release this week though that’s not quite the whole story — will be coming along Friday morning/afternoon (depending on where you live and how early I get up).

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