Category: External Movie DVDs (Page 13 of 74)

44 Inch Chest


It’s been 10 years since the release of Jonathan Glazer’s “Sexy Beast,” and yet the movie remains one of the most unforgettable crime thrillers ever made. Much of the film’s success was thanks to Sir Ben Kingsley’s electrifying performance as the venomous Don Logan, so it’s not surprising that the latest expletive-laced thriller from writers Louis Mellis and David Scinto is highlighted by the same kind of scene-chewing roles. “44 Inch Chest” assembles a cast of some of the best British actors working today, including Ray Winstone as Colin Diamond, a gangster contemplating murder after his wife informs him that she’s fallen in love with another man. After his friends kidnap her secret lover and take him back to their secret hideout to exact revenge, the heartbroken Colin must decide between killing in the name of love and walking away the better man.

Though “44 Inch Chest” is filled with lots of clever dialogue between Colin and his friends (an entertaining Tom Wilkinson, Ian McShane, John Hurt and Stephen Dillane), the story leaves much to be desired. There simply isn’t enough going on to fill an entire movie, and the fact that it’s structured more like a play (with a majority of the action taking place in a single room) only makes you wonder why it wasn’t conceived as one. If you can make it through the sluggish 95-minute runtime, “44 Inch Chest” is worth watching for the performances. Just don’t expect to be blown away.

Click to buy “44 Inch Chest”

Well, maybe this will tide you over, Tolkien-adaptation wise. No, probably not.

I was really hoping to have time for a decent Friday night/end of week movie news dump, but the truth of the matter is that I’ve no time to do one of my usual semi-comprehensive end of week looks at movie news tonight. Fortunately, outside of continuing discussions of how the receipts of “Kick-Ass” will turn out over the weekend, not a huge amount that’s too earth shattering is going on.

However, I do have time for one item that will definitely put a mild damper on the days of hobbit-heads of all shapes and sizes, and aren’t almost all of us at least slightly hobbit-headed. We have word — really more in the nature of a reminder — from none other than producer Peter Jackson that the all-but promised twin film adaptations of J.R.R. Tolkien‘s unintended prelude to The Lord of the Rings books, The Hobbit, to be directed by Guillermo del Toro aren’t exactly a 100% completely done deal yet, though I’d be beyond shocked if they somehow didn’t happen considering the talent involved and the success of the earlier films.

Nevertheless, the films have not been greenlit and, therefore, no start date has been set. For the same reason, no actual casting has been done. Oh, and by the way, the script was only finished last week. (Well, some movies don’t have a script when shooting starts. Some good ones, too — but not too many that weren’t made by Billy Wilder and none that requires this level of technical preparation.)

Of course, considering everything, doing the films should be a slam dunk but, as previously mentioned in many places the ongoing disaster and ensuing sale of MGM has simply gotten in the way. The Playlist has the details and the, er, gentle reminders to be cool, though most of the actual news is contained in this brief interview with Moviefone.

In the meantime, well, any excuse to run this great musical moment from “Flight of the Chonchords.” How often can you summarize over 10 hours worth of movie in under two minutes, and with such a good collection of beats?

Defendor

With Matthew Vaughn’s “Kick-Ass” due in theaters this Friday, Sony picked the perfect time to release their own movie about a wannabe superhero – only “Defendor” is a little different in that its title character isn’t exactly right in the head. Granted, anyone that decides to get into the vigilante business has to be a little crazy, but Arthur Poppington (Woody Harrelson) is also a little slow. Dressed in a black suit with a duct-tape “D” on the chest and boasting an arsenal of weapons ranging from a WWII trench club to marbles and wasps, Defendor roams the city helping those in need. After saving a crack-addicted call girl (Kat Dennings) from a crooked cop (Elias Koteas) one night, Defendor teams up with her to take down a New York City crime boss that he believes to be a fictional villain named Captain Industry. Highlighted by a solid performance by Woody Harrelson, “Defendor” has its moments, but it ultimately falls prey to some shoddy direction from Peter Stebbins, who doesn’t seem to know whether the movie is supposed to be a dark comedy or a gritty crime drama. Koteas has some funny moments as the sleazebag cop who’s constantly harassed by Defendor, but it’s hard to find the humor in a mentally challenged adult who risks his life because he doesn’t think that bullets can harm him. “Defendor” definitely had the potential to be a great addition to the superhero genre, but it’s never better than mediocre.

Click to buy “Defendor”

We Believe

You have to feel a little sorry for the makers of “We Believe,” the entertaining movie documenting the 100-year anniversary, if you want to call it that, of the Chicago Cubs’ last World Series victory. Many thought the 2008 Cubs were going to be the team that ended the heartbreak, and goodness knows they gave even the most cynical Cubs fan – of which this writer is one – reason to, well, believe. Late-inning comebacks, a no-hitter in a neutral stadium…it was a crazy year, just crazy enough to do the impossible. Director John Scheinfeld assembles a who’s who of Chicago celebrities, Cub players past and present, and assorted baseball luminaries (Bob Costas, George Will, Bud Selig) to discuss the unique relationship between the Cubs and their fans, intercutting it with history lessons of both the city of Chicago and the team they love. Their coverage of the material is most comprehensive; they even took a few minutes to talk about Steve Goodman, the folkie who penned the good-time song “Go Cubs Go” in 1984, which received a revival in 2008.

Unfortunately, Scheinfeld didn’t get the happy ending he was clearly hoping for when he began the project; the Cubs were swept out of the playoffs in the first round by the Dodgers, and about halfway through the movie, Gary Sinise’s narrative updates on the team’s performance during the 2008 season become less and less frequent, and the movie begins to wander. When they finally get to discussing the playoffs, Sinise is mum on the outcome; they just show people discussing the aftermath. No one mentions the Dodgers by name, and only one person uses the word ‘sweep.’ What begins as a celebration of baseball and its loyal fans ends as a surprisingly insular, fans-only event.

Ah, but those Cubs fans will lap this up. The interviews with the 2008 players are refreshingly candid – best of the bunch was Ryan Dempster, who does a pitch-perfect Harry Caray impression – and the local celebs (Jeff Garlin, Bonnie Hunt, Joe Mantegna, Billy Corgan and Dennis Franz, to name a few) are upfront about their love for, and frustration with, their team. While “We Believe” may not chronicle the breaking of a century-old streak that they had hoped, it is a heartfelt tribute to arguably the most steadfastly loyal fans in baseball, if not all of sports.

Click to buy “We Believe”

Midweek movie news

Getting a bit of an early start and catching up with some news we didn’t discuss yesterday.

* In terms of raw cash, the movies had a record March this year, largely thanks to those inflated, and then extra-inflated, ticket prices for “Alice in Wonderland” in 3-D. We’ll see how long this lasts.

Alice in Wonderland

* RIP Corin Redgrave, of one of the world’s great acting families.

* Reading this Nikki Finke item about what sounds like the increasingly fraught auction of MGM, it really does make it seem like a million years ago when MGM was the absolute epitome, for better and for worse, of Hollywood power.

* I’m breaking a confidence here with this super-secret Twitter leak by Jon Favreau, but it appears that Harrison Ford will be in “Cowboys and Aliens.”

* Universal, which hasn’t exactly been rolling in cash lately, has pulled the plug on “Cartel.” It would have been a remake of the fact-based Italian mafia thriller from 1993, “La Scorta,” set admidst Mexico’s drug wars. Josh Brolin was set to play the lead. Mike Fleming doesn’t specifically mention insurance or the cost of security, but considering the topic and what’s been going in throughout Mexico — apparently including Mexico City where the film was to be shot — it must have been through the roof.

* Master cinephile blogger Dennis Cozzalio checks in and brings word of some cool film fests.

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