Category: External Entertainment (Page 95 of 513)

An early Oscar favorite (updated)

“Piranha 3-D,” of course. Somewhere in the Academy’s heart it yearns to present an award to a film that celebrates the human spirit and its need to see naked breasts and genetically altered fish eating people, in the three dimensional way this crucial topic has always deserved.

Okay, two provisos: This is a little long, but there are funny bits kind of strewn throughout, and there is some of that NSFW language y’all know and love.

UPDATE: They apparently shortened this from nearly four minutes to about 2.5 minutes while no one was looking, Now, I find it a bit less funny. Some people are just impossible to please!

Okay, so it’s an obvious plug for the grindhouse-at-the-multiplex movie which opens on Friday. It’s reasonably funny, and I just like making simultaneous fun of the bread and circuses movie world and the middle-brow snobbery of the Academy. I mean, what if “Piranha 3-D” really is some kind of gory work of art? Would the Academy recognize it? Would I, gorephobe, feel like drinking enough to see it? The second is a lot more likely than the first.

H/t Movieline. I hope they’re just kidding about the penis, but you never know what they can get away with in an R-rated movie these days.

Trailer time: “Monsters” at the arthouse (updated)

Here’s the new trailer for Gareth Edward’s “Monsters” which is getting a bit of hype on the geek blog circuit. I saw this one at the Los Angeles Film Festival and have an opinion, of course, but you can read that after seeing the trailer. I will say, though, that this is a very well done trailer but if you’re going in expecting to be hugely terrified or wanting to see anything like an ordinary monster film, you’re probably not going to like it. The R rating — if memory serves, is primarily for cursing and mild “sexuality,” not all of it human.

H/t /Film and here’s the official “Monsters” site.

Here’s what I wrote after the festival:

Ever wonder what would happen if an old fifties monster movie like the George Pal “War of the Worlds” decided to concentrate on characterization and its romantic subplot, and kind of let the rest of the story take care of itself? This mostly improvised film from effects guy/writer/director Gareth Edwards is actually a lot more like ur-rom-com “It Happened One Night” than the film it’s most frequently compared to, “District 9,” as it focuses on a tough-guy news photographer (Scoot McNairy) escorting the beautiful-but-engaged daughter of his media mogul boss (Whitney Able) across a Mexico plagued by giant squid monsters. It’s not nearly as funny as it sounds — it’s not really meant to be, nor is it as compelling as Newsweek critic-turned-programmer David Ansen was claiming, though there are some interesting political echoes.

It is, however, gorgeously imagined and, including the somewhat comically old-school squid monsters, something of a visual miracle considering what appears to have been a minimal budget. Nevertheless, Edwards concept of basically filming where he could and then trying to shoehorn those stolen locations into a storyline with entirely improvised dialogue, doesn’t even come close to flying dramatically. His shoehorning of effects worked better.

UPDATE: Merrick prefers the UK trailer. Whether or not it’s better as its own experience, I could go either way as both trailers are very good. Still, it’s also very nice and it is, in fact, much truer to the real spirit of the film, which for better and for worse is much more arthouse than grindhouse. See it after the jump.

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Movie news for a semi-new week

I was going to put this off as long as possible this week, but the movie news tonight is like a burden upon my soul.

* In case you haven’t heard, the epic speculation about just who will play the Pippi Longstocking-via-the-Velvet-Underground Lisbeth Salender of “The Girl With the Dragon Tattoo” (American style) is over. The part has gone to 25 year-old Rooney Mara. Anne Thompson has the inside dope on this relative unknown.

rooney-mara

Still, I find the comparisons with the legendary battle to cast the role of Scarlett O’Hara in “Gone With the Wind” to be slightly much. It’s more like casting Daniel Radcliffe as Harry Potter or Sean Connery as James Bond.

The obvious differences aside, Connery was, by the way, very much like Mara. He was actually the second person to play the role. The first was Gene Barry in a nationality flipped 1954 TV version of “Casino Royale” in which “Jimmy Bond” was American and “Clarence Leiter” was British.

* As if we Angelenos don’t have enough problems with aliens invading our town and the ensuing legal battles therein. The President’s in L.A. raising money from the godless sodomites of H-wood with help from communist money hating writer-producer-director-moguls John Wells and J.J. Abrams. And we know what this means — a new round of liberal criticism of the Obama Administration for, yes, the traffic. Even Hef was bothered.

* I once transcribed and informally partially edited an “as told to” book by the son of the entrepreneurial founder of a major multinational with huge ties to the film industry through his son. Nikki Finke today reminds me of a quip the second-generation captain of industry quoted: “There’s nothing wrong with nepotism, as long as you keep it in the family.”

* It sounds like he’ll be okay, but think good thoughts for Michael Douglas anyway.

* Because of my recent roundtable piece with Kevin Pollak, I’ve been giving his interview program a listen. Ironically, Christopher Walken, like William “the Shat” Shatner before him, is jumping into the interview game, perhaps inspired by Pollak for all anyone knows. Imitation is the sincerest form of flattery, I’ve heard.

* Some of my best friends have post-graduate degrees in psychology but, Lord amighty, headline grabbing psychologists and their journalistic/PR enablers can really produce a special kind of stupid and shallow when they go all pop-cultural on us. Get this:

“In today’s media, superheroes and slackers are the only two options boys have,” said Lamb. “Boys are told, if you can’t be a superhero, you can always be a slacker.”

They were writing the same thing when I was kid, only the terms were different. I’d give you a more detailed case on why I consider this complete idiocy, but since I’m clearly not a superhero, I must be a slacker. (H/t Anne Thompson.)

slacker

“I’m Still Here” — the teaser trailer, the myth, the legend

If you follow movies at all, I don’t think there’ll be any way to avoid Casey Affleck‘s film about his friend and brother-in-law, Joaquin Phoenix. For starters, there’s the whole “is it live or is it Memorex” question of whether the film is a documentary about an actor going off his rocker or a mockumentary in which the actor endures humiliations and tortures that he’d have to be crazy to undergo if he were not, in fact, going off his rocker. And then there are the alleged scandals surrounding the making of the film, as if intended to create another circle of weirdness around this thing.

Okay, then, just watch the damn trailer

So, who’s the older gent with the deep voice talking there? Any ideas? He reminds me slightly of spoken word artists Joe Frank and Ken Nordine who are both old enough now that they’re voice could be that scratchy, but I don’t think he’s either one. Also, how long before this film plays on a double with Todd Haynes’  Bob Dylan anti-biopic,  “I’m Not There”? Everyone’s going to mix them up anyway.

A roundtable chat with Kevin Pollak of “Middle Men”

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A highly entertaining character actor, stand-up comic, and now also a screenwriter and Internet talk show host, Kevin Pollak will nevertheless remain forever in the shadow of three men. One is wise-guy crook Todd Hockney from Christopher McQuarrie and Bryan Singer’s slambam 1995 debut, “The Usual Suspects” (currently at #24 of all-time most popular films on IMDb); the other two are, of course, William Shatner and Christopher Walken. So powerful are the Pollak impressions of these two men, I’d venture that when most of us attempt to impersonate either actor, we’re really not doing Shatner or Walken, we’re doing Pollak doing Shatner or Walken. (Though, personally, my extremely bad Christoper Walken is really a very bad impression of Kevin Spacey‘s Walken but, for all I know, Spacey got his from Pollak while shooting “Suspects.”). Indeed, I can remember a time when it seemed like nobody did Shatner and I’m pretty sure it was Pollak who kind of opened to door for all the other impressionists into the voice and mannerisms of the man Pollak calls “the Shat.”

Among the nearly 90 or more productions he’s been involved with as an actor, Kevin Pollak’s latest release is “Middle Men,” a black comedy-laced drama owing more than a little bit to Martin Scorsese. The film stars Luke Wilson as straight-arrow businessman Jack Harris who falls in with a pair of highly inventive cokeheads (Gabriel Macht and Giovanni Ribisi) and would be Internet porn kings during the late 1990s. The pair have developed the first really viable method for collecting money over the ‘net in a reasonable amount of time. Of course, things get massively complicated from there and Pollak turns up later in the film as an FBI agent who comes to Harris and his porn star girlfriend (Laura Ramsay) with a startling new reality. The film, co-written and directed by George Gallo, best known as the screenwriter of “Midnight Run,” is actually just part of an ongoing collaboration between the director and the actor-comic and now screenwriter.

As is often the case, I was one of a number of scribblers who were participating in a roundtable with Pollak during the “Middle Men” press day at L.A.’s Four Season’s hotel. Pollak arrived in a friendly but highly subdued mood. He was a late addition to the press day and obviously has been keeping very busy. Among many other projects, he had a new stand-up special ready premiering, and an increasingly popular podcast, Kevin Pollak’s Chat Show, with recent guests including Neal Patrick Harris and John Slattery of “Mad Men.”  Pollak frankly seemed a little tired at first, though going out of his way to be funny — because that’s what you expect from Pollak. Things perked up as it went.

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