Category: Documentaries (Page 21 of 43)

Good Hair

Sadly overlooked at the box office, Chris Rock’s documentary on black hair – and the billion-dollar industry built around it – is a fascinating, if tragic, look at what black women will do in order to “fix” their naturally curly hair. Rock examines the products that “relax” hair (which will eat an aluminum can in four hours), and the weaves that they buy as a means of getting around using the relaxer. (Raven-Symone actually pulls her weave out of place on camera.) Rock even travels to India to meet the people who collect the hair that’s used in weaves. There is a sub-story involving four stylists competing for a $20,000 prize at the semi-annual Bronner Bros. hair convention in Atlanta – one of whom, surprisingly, is a white boy – but it doesn’t quite gel with the rest of the movie. The meat of “Good Hair” comes from women discussing the hair tragedies they’ve suffered at the hands of relaxer (that asymmetrical haircut in Salt & Pepa’s video for “Push It”? Yep, the result of her hair falling out) and how they handle having sex while wearing a weave (“Stay on top”). And Rock, being an ace comedian, knows a good last line when he hears one, so he wisely lets noted philosopher Ice-T close the show: “I just think that women shouldn’t be pointing their fingers at other women for what they doin’ to help each others’ bodies. Other than that, do whatever makes you feel good, because trust me, if a woman ain’t happy with herself, she gonna bring nothin’ but pain to every-fucking-body around her.”

Click to buy “Good Hair”

Friday night movie news dump

Because I will it to be so…

* It’s getting mighty meta here. Via Anne Thompson, will show biz blogger/reporter Nikki Finke be in any position to sue HBO over their series about a presumably fictional entertainment blogger/reporter with a “no-holds-barred” attitude? asks THR, esq. She’s apparently already threatened to sue the Gawker. And here’s a quote for you:

So we were delighted when she acknowledged, fully aware that she would be quoted, that in our last off the record conversation she threatened to sue your blogger personally and Gawker corporately for “unfair business practices” related to our coverage of her. When we explained that the lawsuit threat was the reason we refused to speak off the record, she said, “How do you know I won’t? I’d love to own your house and your kids.”

Nikki Finke owning another blogger’s kids? Now there’s a Dickensian tale for you.

And that’s just the beginning of tonight’s useless blogging.

* Another superhero reboot. This time, it’s “Daredevil.” While writer David Scarpa’s resume doesn’t inspire great confidence, it shouldn’t be too hard to top the last attempt.

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* The Weinstein Company has picked up “The Tillman Story,” which is likely to be one of the year’s hotter documentaries.

* Sony has entered the bidding for the “The Terminator” franchise. Joss Whedon’s attempt at snapping up the franchise looking less likely every day. <Sigh>

* Speaking of Mr. Whedon, from time to time someone among his fans suggests some kind of fan donation and/or investment set-up to fund those ongoing “Buffy” or “Firefly” related projects they so crave. The idea is routinely shoot down as unrealistic. Kevin Smith works on a somewhat smaller canvas, but it’s interesting to see him apparently taking the idea seriously.

* James Cameron will presumably be betting against himself in Oscar pools.

* Many reasons to be slightly bummed that I decided not to take the SXSW plunge this year.

* One more Deadline|Hollywood item for the week from Mike “the sane one” Fleming. It’s about the movie moguls taking chances on less well-known directors (as if they aren’t always taking chances regardless, even if they’re trying not to), but all I can get my head around tonight is the idea of remaking “Damn Yankees” with Jake Gyllenhaal and Jim Carrey. I’m not Carrey’s biggest fan, but that could actually work. As for the part of the lovable Satanic temptress, Lola, I’m sure there are many great possibilities, but there’s one actress whose proven she’s got the stuff for Fosse-esque choreography.

A special Thursday at the movies

It’s special because I usually do my box office preview tonight, but personal circumstance are forcing a small delay in that, so instead we have some more, if extra brief, news hits right now.

* The sad and shocking death of actress Brittany Murphy has been ruled accidental and is ascribed to a combination of pneumonia and prescription drugs.

* The Playlist points us to the latest on director Michel Gondry, off the set of “The Green Hornet” with Seth Rogen and working on some kind of “secret project” with Bjork, who long ago has sworn off movie making after the infamously difficult shoot of “Dancer in the Dark.”

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* From Nikki Finke: He’s not quite the J.D. Salinger of movie directors, but the very private and selective director with a large cult following and a tendency to take things slowly — very slowly — Terrence Malick  (“Badlands,” “The New World“), is keeping busy and working with big stars.

* One of the most buzzed about documentaries at Sundance, “Catfish,” has been purchased. Sounds interesting.

Stolen videos!

A couple of embeds I saw on the sites of two of our more notable film news reporter/bloggers struck me as being very much of interest to PH readers and film fans in general, so here they are.

First, here is the one-year old trailer for “The People vs. George Lucas” which Nikki Finke noted today is going to be featured at this year’s South by Southwest film festival, though Finke named some names back when she ran this. It should be noted that a lot of the people shown aren’t really perpetrating a personal “diss” as Finke implied.  Also, as a useless blogger, I’d like to know who she considers to be “second rate” movie critics. Anyhow, like Finke, I’m intrigued.

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If you’ve ever directed anything, you know that directors and actors have a pretty unusual relationship. Whether a director’s approach is intensely personal or assiduously professional, there’s always (or should be) an interesting dynamic. Yesterday, Anne Thompson featured this short video documenting a Vanity Fair/Annie Liebovitz photo-shoot featuring actors and their directors that offers a fun peak into one of the most crucial working relationships in the world of film.

“Oh Carol”

This seemed appropriate given this previously mentioned item regarding an upcoming documentary about Keith Richard to be directed by Johnny Depp.

From Taylor Hackford’s music documentary, “Hail! Hail! Rock and Roll,” rock and roll’s primary inventor, Chuck Berry, and Richard work out one of Berry’s iconic numbers with the aid of some great backing musicians.

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