Category: Comic-Con (Page 2 of 14)

Post Comic-Con trailer insanity: “Sucker Punch”

Not wasting any time after a reportedly very successful debut at Comic-Con, Warner Brothers is capitalizing on the good press with the first official trailer for the film, which won’t be coming out until late March of next year.

So, after seeing all this, you might ask “so, what is this movie about?” Here’s what they said on the YouTube page:

“Sucker Punch” is an epic action fantasy that takes us into the vivid imagination of a young girl whose dream world provides the ultimate escape from her darker reality. Unrestrained by the boundaries of time and place, she is free to go where her mind takes her, but her incredible adventures blur the lines between what’s real and what is imaginary…with potentially tragic consequences.

So, here’s writer-director Zack Snyder’s elevator pitch: it’s kinda like “Pan’s Labyrinth” with hots babes, or like “Kill Bill” meets Sam Fuller’s “Shock Corridor.” For me, the jury on Snyder (“300,” “Watchmen“) is still very much out. He’s got technical ability like crazy and definite visual panache, but I’m not at all sure about his storytelling. However, if he can pull this off, I’ll have to pay my due respects.

H/t /Film.

Comic-con — notes written with tired feet

Comic-Con has gotten so enormous and so unfriendly to writers (and, in different ways, other folks I’m sure also) that it even nearly did in a high end reporter with gazillions of studio contacts like Anne Thompson. I’ll save my no doubt semi-cynical reflections on the thing for later, but here are just a few movie stories from the con that I have time to write about it in a very brief window.

* You might consider going from Tolkien to a ride at Disneyland a major artistic comedown, but Guillermo del Toro obviously thinks otherwise and is a huge fan of what I admit is also my favorite ride at the park. The Wrap has more, oddly enough with no mention of the mansion. Was this another event? Still nice to see that the monster-loving del Toro’s uncensored speaking style hasn’t been cleaned up by PR standards and practices.

People Guillermo del Toro

Also from “The Wrap”: Dominic Patten writes that Zack Snyder’s “Sucker Punch” lived up to its name.

* I can’t watch the video here, but you can apparently see a now-bearded Joss Whedon personally confirm that Jeremy Renner will, indeed, play Hawkeye in “The Avengers.” Oh, and I guess that means that Whedon really is directing it, after all, official like.

* “The Green Hornet” is sounding a bit more fun to me.

* The perceptive and usually geek friendly Ms. Thompson was not personally wowed by “Scott Pilgrim vs. the World” but she reports the audience at the screening she attended was. She does however have a video interview with writer-director Edgar Wright, which I haven’t had time to watch yet.

* I just had a bit of snafu/disappointment in terms of getting some good stuff for later on “Green Lantern” but the folks in Hall H had their geek buttons well pushed, it appears. (Not among them, a friend of mine here, who waited 2.5 hours in line and didn’t make it in, six people from the front of the line. He should have made it three hours.)

* An item having nothing to do with Comic-Con. According to a sexual harrassment suit, Casey Affleck appears to have a problem. I hope it’s only a legal one.

* Meanwhile, back in the real world where people pay to see movies, “Inception” is ruling the roost but sharing some of the wealth with the Angelina Jolie action vehicle, “Salt.”

Angelina Jolie in an arresting moment in

A refreshing cine-breather

If you’ve been noticing a bit of a lack of action on the online cinematic front today, and not just at this site, that’s probably got something to do with folks getting ready to get the heck out of  Dodge (or more specifically, Las Dodgeles) and heading for this year’s completely sold out Comic-Con in beautiful San Diego and starts in less than 48 hours if you count Preview Night. Seeing as I’m not only attending Cannes-for-Geeks once again this year and will be participating in a few movie-and-TV plugathons — most of which you’ll be seeing evidence of right here at Premium Hollywood, I’m going to take a little break from my usual twice daily film blogging through this week and possibly going into the following week  a bit. I will probably break my silence, however, at at least one point during the ‘con, logistics and schedule permitting, and also talk a bit about what I see there afterward.

Also, in what’s become a yearly tradition for me akin to opening the door for Elijah at Passover, I’d like to encourage any readers attending to stop by my very good and very talented friend Randy Reynaldo‘s booth this year in the Small Press area (K1) where I’ll occasionally be (though probably less this year than some past ones — I’m being kept pretty busy). One of these days some smart TV or movie producer is going to snap up the rights and make “Rob Hanes” the next “Scott Pilgrim” and then you’ll all be sorry you didn’t stop by and say “hi.”

Anyhow, until my return, enjoy these moments of geek cuteness I have pilfered off of Rob Bricken.

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Monday night movie news: filmmakers gone wild, again

It’s crazy-time in Tinseltown.

The Incredible Hulk

* I’ll get to some actual criminal matters below, but to me Kevin Feige of Marvel Productions is being criminally weird and unintelligent in how he’s handled the issue of the re-casting of the Hulk for “The Avengers” superhero-team flick being written and directed by Joss Whedon.  Whether or not the issue that led to the parting of the ways was strictly the failure of financial negotiations or some kind of fight between Feige and Edward Norton, there was simply no earthly logical reason for Feige to allude to that in a statement given to Hitfix with some rather nasty coded language, to wit:

We have made the decision to not bring Ed Norton back to portray the title role of Bruce Banner in the Avengers. Our decision is definitely not one based on monetary factors, but instead rooted in the need for an actor who embodies the creativity and collaborative spirit of our other talented cast members. The Avengers demands players who thrive working as part of an ensemble, as evidenced by Robert, Chris H., Chris E., Sam, Scarlett, and all of our talented casts. We are looking to announce a name actor who fulfills these requirements, and is passionate about the iconic role in the coming weeks.

Given the fact that writer-director Whedon has a famously strong creative vision and is not known for loving it when his stuff gets rewritten, and Norton’s status as a strong-willed actor who often rewrites his films (and is pretty good at it), it would be easy to imagine that there was some kind of creative tussle predating this. However, that only creative conflicts appear to be mishegas that happened on Norton’s Hulk movie. According to an understandably angry response from Norton’s agent, the meeting between him and Whedon was a success and, as far as I know, no one has contested that point.

Edward Norton is beautiful when he's angryRegardless, even if the meeting had gone very badly indeed and even if Norton had made unreasonable demands, you still don’t talk about that stuff in a public statement. You simply say that an agreement was not in the offing, but that Norton is a fine actor and film-maker and you’re very sorry you won’t be working together this time around.

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Late night/early morning movie news

I need to keep it brief tonight, but there are a few items tonight that I want to catch up with.

* It nice to lead with some good news. Jailed Iranian director Jafar Panahi has reportedly been released on bail from his imprisonment. The director, who was supposed to sit on the Cannes jury, had been on a hunger strike. The acclaimed film-maker appears to be in trouble because of a documentary about the Iranian protest movement.

Shrek Forever After* The lower than expected box office performance for “Shrek Forever After” had an effect on Wall Street. Moreover, Patrick Goldstein wonders if those inflated 3-D ticket prices might already be starting to backfire. I tend to agree. People may not mind paying a little extra for something that feels like a real event, but 3-D is already starting to feel old hat and, as Goldstein reminds us, there’s a lot more coming.

* This story fell between the cracks a few days back — and Louis Black doesn’t work for me — but Morgan Spurlock (“Super Size Me“) really is doing that comicon documentary that was rumored sometime back. It was originally plugged as a collaboration of some sort with Joss Whedon, but it turns out Whedon is just one of a few geek superstars who will be executive producing. That’ possibly the most elastic job title in show business, so his involvement could be fairly minimal though I’m sure he’ll appear on screen. Accompanying Whedon in backing the film are none other than Stan Lee and Harry Knowles.

* A long time ago, I found the novel, Less Than Zero, oddly compelling reading in that it was a vivid portrait of a human train wreck. That being said, Brett Easton Ellis is certainly not dispelling the widespread opinion that he might be a jackass with his pronouncements about female directors. May he shortly be visited by the ghost of Ida Lupino.

* The real winner at Cannes: Eliot Spitzer.

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