Category: Interviews (Page 44 of 69)

“Watchmen” week

Get ready for the most anticipated movie event of 2009.

Bullz-Eye’s Ross Ruediger has an excellent preview of the film after his set visit from last year.

An unquestionable highlight of the set visit was getting to stand smack in the middle of Karnak, the enormous Egyptian-themed palace that serves as the setting for the film’s climax. Painstakingly constructed to appear nearly identical to how it’s shown in the comic, the set was roughly the size of a gymnasium, with marble floors, an elaborate staircase, a lengthy dining room table and giant, awe-inspiring pillars and statues. (They were actually made of Styrofoam, but you’d never know it by looking at them.) Standing in the middle of it all, it was so easy to picture the core characters of the novel squabbling amongst themselves as they do in one of the scenes set in that massive room. On the flip side of Karnak, was the slightly smaller yet equally impressive Owl Chamber, Nite Owl’s underground lair. If Karnak was sleek and expansive, this set was the opposite: intimate and cluttered. Much to my delight, I was allowed to wander around and just poke around the laboratory as if it were my own. It was here that I first saw the now-infamous picture of the movie’s original superheroes, the Minutemen, behind glass in a case amongst the rest of the little details. Being in the Owl Chamber actually felt like leaving the set altogether and finding myself transported to an actual superhero lair. The attention that had been paid to “getting it right” was mind-boggling, and it was as if I’d stepped directly into the book itself. Now if only the Owl Ship could actually fly

ScreenCrave has an exclusive interview with Jackie Earle Haley who plays Rorschach.

The reviews are already coming in at Rotten Tomatoes.

If Patrick Warburton’s going to Hell, he’s taking a lot of viewers with him

Bullz-Eye was fortunate enough to score an opportunity to speak with Patrick Warburton on the occasion of his CBS series, “Rules of Engagement,” returning to its 9:30 timeslot within the network’s Monday night comedy line-up.

We did not, however, limit ourselves to discussing that particular show.

In addition to conversations about Warburton’s roles on “NewsRadio,” “The Venture Brothers,” in “Get Smart” and “The Emperor’s New Groove,” and, of course, as the title character of the live-action TV version of “The Tick,” we also asked him about his long-running role on “Family Guy” as Joe, the paraplegic cop whose wife, Bonnie, finally gave birth.

“You know, my mother actually thinks my soul is in peril for being on that show, and after I watched last Sunday’s episode, I thought, ‘Geez, maybe she’s right. Joe’s getting his diaper changed…and I am going to hell for being on this show.’ You know my rationalization is that it is just absurd, crazy humor, and…what the fuck. It is a deplorable show. It’s horrible.”

Well, it’s all a matter of opinion.

Check out the rest of Bullz-Eye’s chat with Patrick Warburton by clicking here…or, of course, by clicking the big graphic below:

A Chat with Lance Henriksen

In the midst of our discussion with Lance Henriksen, I unabashedly called him out for having carved himself a career as a “that guy” in Hollywood. You know what I mean. He was part of the supporting cast of the original “Terminator” flick, he played Bishop in two “Alien” movies (and even turned up in one of the “Aliens vs. Predator” films), and he played Frank Black…not the one who fronts the Pixies but, rather, the lead character in “Millennium.” And, yet, when I told people I was talking to Lance Henriksen, only a handful knew who I was talking about before I started numbering off the items on his resume…and as soon as I did, they immediately said, “Oh, right: that guy!” On a related note, if you’re a fan of “Screamers,” then you might already be aware that there’s a sequel to the flick – “Screamers: The Hunting” – that’s on video store shelves at this very moment, so when you see Mr. Henriksen’s name on the cover, try to remember this discussion, so you don’t have to wait until he appears on screen to say…well, you know.

Bullz-Eye was fortunate enough to score the opportunity to talk to Henriksen on the occasion of “Screamers: The Hunting” hitting video, and in addition to asking about his experiences on the film, we also did the requisite quizzing about his latest projects (did you catch him on “NCIS”?), his work on “Millennium” and the chances of seeing any new adventures of Frank Black, what it’s like to be under the direction of James Cameron, and how he came to appear in – of all things – a Brazilian soap opera.

Sit back and stay tuned for…

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“Leverage” finishes strong

I wrote back in early January that “Leverage” seemed to be getting better, and then Will Harris had a chance to spend 10 minutes interviewing Christian Kane (who plays Elliot Spencer on the show), just before the two-part season finale aired.

After watching the finale, I think it’s safe to say that the show finished strong. The two-parter focuses on Nathan Ford (Timothy Hutton) and his obsession with taking down the head of the insurance company (that he used to work for) that failed to pay a claim that might have saved his son’s life. We meet Nathan’s ex-wife, Maggie (Kari Matchett), and Nathan’s rival at the insurance company, Sterling (Mark Sheppard), makes for a good foil.

Sure, the gang relies on a house-of-cards type progression to get through most of their jobs, but if you don’t spend too much time thinking about how ridiculous some of these plot points are, the show can be quite enjoyable. (I especially like the budding romance between Parker and Hardison.)

The series definitely has an “Ocean’s Eleven” and “Hustle” (BBC) feel to it, though I think that it would work better as the occasional two-hour movie than it does as a television series. (However, I do applaud TNT for limiting the season to 13 episodes — I would be frightened to see what kind of filler we’d get if it ran 22+ episodes.) TNT already greenlit a second season, so new viewers can dive in without fear that it will be canceled.

10 Minutes and 10 Questions with Christian Kane

Tonight brings the first of the two parts of the first-season finale of TNT’s “Leverage.” We’ve commented on the show in the past here on Premium Hollywood, but after a slight false start in the early days of the series, it’s become an enjoyable blend of action, drama, and comedy that allows the viewer to escape into a world where the little guy actually gets to win once in awhile. We had a chance to talk to Christian Kane, who plays the rough-and-tumble Eliot Spencer on the show, and quizzed him about how the show’s gone for him. (We also snuck in a quick “Angel” question and checked on the status of his music career, too.)

1. If you can approach “Leverage” as a viewer rather than a fan for a second, are you surprised that “Leverage” was able to find an audience? Because a lot of series are in, out, and done in just a couple of episodes, but you guys found an audience quickly.

Yeah, we did, man. Y’know, it’s always surprising to me what works and what doesn’t work. I mean, I can’t believe that some of the stuff that’s on right now is on, and I can’t believe that “Arrested Development” ever went off the air. (Laughs) But it wasn’t surprising to know the track record of the people behind it. I mean, it was Tim (Hutton)’s first series (since “Kidnapped”), and I felt comfortable with that, but also John Rogers is an unbelievable writer, and Dean Devlin has had unbelievable success in the entertainment world, so we came in with a couple of big guns pulled out, unlike maybe some of the other people. So I felt confident in that. And then I started watching, and I got more confident. But then I remembered that, with the economy the way it is and the way the entertainment business is going… (Laughs) …it got a little bit scary for awhile, y’know, because you start thinking of stuff. But then when I went back to the economy stuff, and I went, “Y’know what? In this day and age, when The Man is sticking it to everybody, I think people are really going to want to sit back on the couch and really be part of the team and watch some people go out and stick it back to The Man.”

2. The “Ocean’s Eleven” comparisons that were being thrown around in the beginning were obviously really, really apt. Do you think the series has found its own identity yet, or is it still finding it?

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