Category: Actresses (Page 87 of 258)

Christmas mish-mosh at the box office

I have to keep this fairly short tonight, but suffice to say that things are going to be very busy over this long Christmas holiday weekend and just how it will shake out is anyone’s guess. I’m certainly not going to try, though I think it’s safe to say the battle for the #1 spot will be between the second weekend of the Fox-released “Avatar” and Guy Ritchie’s action/comedy oriented “Sherlock Holmes” starring Robert Downey, Jr. and Jude Law as Holmes and Dr. Watson. It’s getting pretty decent reviews as well, though the Rotten Tomatoes “Top Critics” are split down the middle. Not that that’s likely to mean one less dollar in Warner Brothers’ coffers.

There is another strong commercial contender, it actually opened today, and it’s reviews are anything but decent. I speak of “Alvin and the Chipmunks: The Squeakquel” from Fox, which was excoriated by our own David Medsker and 75% of critics in general. Still, La Finke reports that online sales are unusually strong and one should never underestimate the power of kiddie appeal. At the same time, it goes a lot better when parents don’t leave the theater angry and making a mental note to keep up with their birth control regimen — and Disney’s “The Princess and the Frog” is still relatively fresh and it seems a lot more parent-friendly.

Also, there’s plenty of action in grown-up/awards-movie-ville. Nancy Myers’ rom-com, “It’s Complicated” with Meryl Streep, Alec Baldwin, and Steve Martin, might get a boost from older moviegoers, particularly women, happy to see folks their own age actually still having sex and stuff in movies. However, the Golden Globe nominations it garnered may be a flash in the pan as the critics are not especially impressed. This looks like a case of the Globes living up to their rep and being notably star-struck.

In somewhat fewer theaters, major Oscar contender “Up in the Air,” finally goes into the releasing big leagues for Paramount, expanding into 1,895 theaters according to Box Office Mojo. The Rob Marshall-directed “Nine” is going into 1,412 theaters. The flashy Broadway musical adaptation with a cast that includes Daniel Day Lewis, Penelope Cruz, Marion Cotillard, Kate Hudson, Nicole Kidman, the eternal sex goddess/great actress Sophia Loren and, for all I know, the reanimated corpses of Greta Garbo and Clara Bow, has long been touted as an Oscar contender but, looking at the disappointed reviews, I seriously have to wonder. A poorly reviewed musical hasn’t been a hit at the Oscars since the badly bloated “Oliver!” and “Hello Dolly!” were released in 1968 and 1969. “Nine” might do okay because of its sexy/smart ad campaign and star power, but it’s hard to imagine a critically unloved Fellini-derived musical having any kind of staying power at the box office and even harder to imagine it having a more than token showing at the Oscars — but then I’m forgetting those ten best picture slots.

Fashion designer Tom Ford’s directorial debut, “A Single Man” starring Colin Firth, has been racking up a lot of acclaim and awards heat, and is opening in 46 theaters. It’s a probable art house hit, and Firth is one of those actors who just keeps getting more interesting.

Finally, Box Office Mojo isn’t saying how many theaters it’s opening in, but Terry Gilliam’s semi-surrealist fantasy, “The Imaginarium of Dr. Parnassus,” is coming out this Friday; it’s the film Heath Ledger was midway through production on when he died suddenly in early 2008, but which was completed by casting the late actor’s friends Johnny Depp, Jude Law, and Colin Farrell to play aspects of his character. My review of it is forthcoming so I’ll keep my opinion to myself for now, though it has scored an RT rating of 62%. I understand it’s done okay in Europe, but my strong hunch is that commercially it’s a non-factor here.

http://www.rottentomatoes.com/m/sherlock_holmes_2009/?critic=creamcr

2009: A Year’s Worth of Interviews – The Top 100 Quotes

Some people think that the life of a work-at-home entertainment writer is one of the most lax jobs out there, since the perception is generally is that all you do is sit around and watch DVDs, occasionally venture out of the house to see movies or concerts, and then sit in front of the computer and write about them. Okay, it’s a fair cop. But when you throw interviews into the mix, there’s a bit more work involved. First, you’ve got to get the interview (they aren’t always handed to you on a silver platter), then you’ve got to do the research to make sure that you can ask some halfway knowledgeable questions, and after you conduct the interview, let’s not forget that you’ve got to transcribe it, too. In other words, yes, there really is work involved…and when I went back and discovered that I’d done well over 130 interviews during the course of 2009, I suddenly realized why I’m so tired all the time.

For your reading enjoyment, I’ve pulled together a list of 100 of my favorite quotes from the various interviews I conducted for Premium Hollywood, Bullz-Eye, Popdose, and The Virginian-Pilot this year, along with the links to the original pieces where available. As you can see, I had some extremely interesting conversations in 2009. Let us all keep our fingers crossed that I’m able to chat with just as many fascinating individuals in 2010…

1. Pamela Adlon: “In the first season (of ‘Californication’), when we had the threesome with the nipple clamps, I was, like, ‘I don’t get this, I don’t know how you’re gonna do it.’ And then, all of a sudden, there’s a crane with a camera hanging over our heads, and you’re, like, ‘Okayyyyyyy. But how are you gonna sell this? How are you gonna make it work?’ And they ended up shooting it brilliantly, cutting it together, and it just all ended up working without me having to compromise my own personal morals.”

2. Jonathan Ames: “After my first novel, my mother said to me, ‘Why don’t you make your writing more funny? You’re so funny in person.’ Because my first novel was rather dark. And I don’t know, but something about what she said was true. ‘Yes, why don’t I?’ Maybe I was afraid to be funny in the writing. But since then, seven books later, almost everything I’ve done has a comedic edge to it.”

3. Ed Asner: “I loved journalism until the day my journalism teacher, a man I revered, came by my desk and said, ‘Are you planning on going into journalism?’ I said, ‘Yeah.’ He said, ‘I wouldn’t.’ I said, ‘Well, why not?’ He said, ‘You can’t make a living.’”

4. Sean Astin: “When somebody brings up a movie (of mine) that I haven’t heard about in a long time, I feel like a 70-year-old pitcher at a bar somewhere, and somebody walks in and says, ‘Oh, my God, I was in St. Louis and I saw you. You pitched a shutout.’ It’s real. I really did do that, because someone today remembers it.”

5. Darryl Bell: “The legend of ‘Homeboys in Outer Space’ has become much more incendiary than the actual show. It’s funny how I usually challenge most people who talk about how much they disliked ‘Homeboys’ to name me five episodes. Most of them can’t, because they just bought into the ‘oh, it’s awful, just the title. Oh, it’s terrible.’ What’s interesting is that I had a great conversation with Chi McBride, who was doing ‘The Secret Diary of Desmond Pfeiffer,’ which, if you want to talk about in terms of the imagery of what was wrong, that show was much more infamous than ‘Homeboys.’ Yet it’s not remembered in the same way because the title didn’t grab you in the same way. I remember Chi pulled me aside and he was, like, ‘Look, everyone who is criticizing what you’re doing would take your job from you in two seconds. All of them. So all I can tell you is that this is one blip on both of our careers, and we are moving on.’”

6. Adam Campbell: “For some reason, people always pick on the British sensibility, and we always come across as stupid, but remember: we used to run this country!”

7. Nestor Carbonell: “Let me make this perfectly clear: I do not wear make-up, and I do not wear eye-liner. This is something I’ve had to deal with my whole life. I remember I was in college in Boston, I had a commercial agent, and they sent me out for some print commercial stuff. And they called me into the office and said, ‘Look, we called you in to talk to you because we just want you to know that…well, we don’t think you need to wear eyeliner.’ And I’m, like, ‘What?’ ‘Yeah, it’s okay, you don’t have to wear it for print ads.’ ‘No, I’m not wearing eyeliner!’ And I kept dabbing my eyes and saying, ‘Look! No eyeliner! I’m not wearing any!’”

8. Elaine Cassidy: “The last two days of shooting (‘Harper’s Island’) was probably the most hardcore, the coldest anyone has ever been. It was like your head was freezing, and my motivation for most scenes was, ‘The minute this scene is over, I’m heading straight over to that heater to get warm.’”

9. Chris Cornell: “I started as a drummer, so I sort of took on singing duties by default. I had sung backgrounds and some lead vocals from behind the drums in different bands that I’d been in, and I’d gotten great responses for the songs I would sing. I really started pursuing the possibility of being a lead singer based on the fact that I was working a full-time restaurant job and then playing gigs at night, hauling drums around. One day, it just dawned on me that, ‘Hey, I could be in a band and be the singer, and it would be a lot easier!’”

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TV/media in the 2000s: 10 (or so) key voices in left/right political media

Politically speaking, the aughts have been one long, strange trip. Just think about what we’ve seen this decade: a disputed presidential election in 2000, the largest terrorist attack in world history occurring on U.S. soil in 2001, followed by two wars, the partial erasure of New Orleans and much of the Gulf Coast, a congressional changing of the guard, the election of the first African-American president as well as the first with a foreign-sounding name, and the probable passage of a health care package which, depending on your point of view, is either historic, a mystery, a bit of a sham, or the first step on the road to a Stalinist U.S. of A.

Bubbling beneath all of this has been a series of remarkable changes in the world of media — television, movies, radio, and this thing we call the Internet — that have had a fairly profound impact on politics and, therefore, on real life. What follows are my choices for the ten most interesting and/or influential figures in the realm of political media. To try and slightly compensate for my obvious liberal bias (my side is far more facty, I tell ya!), I’ve got five spots each for conservative and liberal media figures respectively and I’ll be alternating and counting down from the bottom.

#5 Conservative

Trey Parker and Matt Stone — It’s possible that most regular viewers of “South Park” have little idea that Parker and Stone are self-described Republicans and I’m sure most of you don’t think of it as that much of a political show, even though rather subtle and often quite penetrating and/or infuriating thoughts about politics run through many, if not most, episodes. That’s because, like all great satirists, they are just as good at poking holes in the pretensions of their own side as that of the opposition, and their social liberalism puts them so at odds with the increasingly extremist faction that now controls much of the Republican party that some could easily mistake them for liberals. Actually, right now it’s easy to imagine them ditching the party indefinitely, along with any number of smart fellow conservatives who have already done so publicly.

parker-stone

Still, conservative and/or anti-liberal messages are often found on episodes of “South Park,” including attacks on such personal friends of the pair as George Clooney. Indeed, as early as 2001, famed blogger Andrew Sullivan described himself as a “South Park Republican.” (Sullivan is now one of those smart conservative ex-Republicans I mentioned above.) And, of course, there was no stronger, and certainly no funnier, attack on the antiwar efforts of the American left than “Team America: World Police” which had marionette versions of Michael Moore, Alec Baldwin, Matt Damon, and Janeane Garofalo working in tandem with North Korean madman Kim Jong-il in his plans to destroy Western civilization.

Since the film’s release in 2004, more doctrinaire conservatives have tried to follow suit with such liberal-bashing comedies as “An American Carol” and “The 1/2 Hour News Hour,” a truly wretched attempt to craft a conservative alternative to “The Daily Show,” but only Parker and Stone have been able to bash liberals and their ideas and make targets like Alec Baldwin love it.

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Celluloid Heroes: Eight Musicals of the 21st Century

A funny thing happened this decade — the once dying genre of live-action movie musicals seems to have returned to the movie repertoire. As the decade closes, I can think of exactly two major westerns, but I keep remembering musicals that I should consider for this piece (including the mostly well-regarded French musical “Love Songs,” which I forgot to see before writing this, je suis désolé).

As a lifelong fan and a nearly lifelong tough critic of musicals, I love most of these films. However, this list is not so much a traditional “best of” and I’ve included one choice I definitely don’t like. (It won’t be hard to guess which.) These are musicals that I think contributed to the development of this polarizing and hard to pull off genre. They don’t hark back to times gone by or try to recapture a past glory that will never return, but actually take us into the future. That’s important now that musicals seem to have a future.

“Dancer in the Dark” (2000)

Earlier this year, the brilliant but often irritating Danish director Lars von Trier shocked hard-to-shock European festival audiences with graphic sexual violence in “Antichrist.” Back in 2000, all he needed to divide audiences was some really intense melodrama and an approach to making dark musicals partially borrowed from TV creator Dennis Potter (“Pennies from Heaven,” “The Singing Detective”).

Featuring a literally once-in-a-lifetime lead performance by singer-songwriter Björk as a young mother ready to sacrifice everything to save her son’s failing eyesight, “Dancer in the Dark” is maybe the most emotionally potent story of parental love I’ve ever seen. As a musical, it’s strange and arresting.

Like the Potter television shows and movies and “Chicago,” further down the list, the musical numbers take place in the mind of the lead character. In this case, however, it is particularly poignant as our heroine is a fan of musicals who, though she is gradually going blind, is attempting to appear in a community theater production of “The Sound of Music.” Below, she musically confesses her situation to a smitten Peter Stormare (yes, the guy from “Fargo”). Lumberjacks or not, “Seven Brides for Seven Brothers” sure seems like a long time ago.

Moulin Rouge” (2001)
As the non-musical Pixar films became the dominant template for animation and the musical form lost its last apparent movie bastion, big studios began to experiment with musicals starring humans. Unfortunately for me, the first and still one of the most popular of this decade’s high profile film musicals was Baz Luhrmann’s beautifully shot, amazingly designed, dull-witted, and over-edited “Moulin Rouge.”

Yes, this musical fan is not a fan of the musical that’s been credited with resurrecting the genre. Why? A couple of sequences work, but on the whole I expect the funny parts of a movie to make me laugh and, even more important, I like to see the movies I’m seeing. As far as I can tell, Luhrmann simply doesn’t have the confidence in this film to allow us time to view the arresting images he’s worked so hard to craft, nor does he permit time to actually see the hard work his dancers and actors put in. Editor Jil Bilcock is expected to do all the performing instead.

As for what Luhrmann and his arrangers did with the various classic songs they threw into a musical Cuisinart, the less I say about it the better. At the risk of sounding like a fogey (or a member of an 18th century Austrian court), too many notes. Way, way, way, too many notes. See if you disagree.

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OMG! WTF!! NSFW!!! New Ultra-Red Band “Kick-Ass” trailer lives up to its name

There’s really not much more to say about  definitely the most profane and insanely brutal — in a fun, “Kill Bill” via “Watchmen” kinda way — trailer I might have ever seen. If you’re of age and don’t mind very rough talk and a bit of souped-up painfully funny comic-book ultra-violence, take a look, for sure.

Just in time for the holidays! Chloe Moretz and Nicolas Cage are quite a pair, don’t you think?

If you’re not familiar with “Kick-Ass,” you might want to refer to this earlier post for a bit of background on the movie and its marketing.

Thanks to Trailer Addict.

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