Category: Actresses (Page 59 of 258)

Melodrama for Mother’s Day

A key scene and nice mash-up both drawn from Douglas Sirk’s great 1959 Technicolor version — a cannily updated remake, as it happens — of a racially charged classic-era soaper, “Imitation of Life.” I was bummed to miss this film, and a very rare appearance by Juanita Moore who plays the maternal paragon, Annie Johnson  — at the TCM Classic Film Festival a couple of weeks back.

Admit, that got to you just a little. That’s beautiful Susan Kohner there, passing for “passing” as it were, as the classic “tragic mulatto.” Somewhat politically incorrect casting aside, she was pretty amazing here.

Anyhow, here’s a pretty cool mom-centric mash-up from the film — and this one doesn’t mess with the aspect ratio and it features a compelling bit of music from girl-group greats, the Shangra-Las.

Something we missed…Betty White badgers Ryan Reynolds, butters up Sandra Bullock, on “The Proposal”

With Betty White at last hosting SNL tonight in just a few hours, it seemed like a good time to reach back a bit in time and present this humorous little Funny or Die viral video in which the astonishing Ms. White exercised her trademark gift for combining sweetness and brutality. I actually hadn’t seen this until just now, and also didn’t see “The Proposal,” so I could be wrong, but something tells me this is funnier than most of the movie.

Film franchises from abroad, part 1

In something like the way America caught the “Survivor”-borne reality show virus from other nations in the realm of TV, our American predilection for coming up with multiple movies based on a single character or concept seems to be happening more in other lands these days. Of course, culture is a feedback loop and we start with the first film in a franchise which looks to become a possible American franchise as well. It’s “The Girl with the Dragon Tattoo,” based on the first of three posthumously published mystery novels written by Danish writer and activist, Stieg Larsson, that have been dubbed The Millennium Trilogy.

Since this solid, actually quite conventional, though rather sordid and, for some, disturbing mystery thriller did extremely well all over the world, and it hasn’t done badly here, it’s naturally being remade. It’s being given a rather royal treatment, with director David Fincher returning to familiar murderous territory and Steve Zaillian (“Schindler’s List”) writing and producing. Currently young actresses including Ellen Page, Carrie Mulligan, and Natalie Portman‘s name are being bandied about for the title role, though an unknown is also perhaps a possibility. They do need someone very good, I can tell you that.

The male lead — a schlumpish middle-aged dude in the Danish film — has apparently been offered to Brad Pitt, who is middle-aged but very Brad Pitt-like. For it to work, he might have to put on some weight or something as it’s an oddball romance of sorts and it’s no longer so oddball if a handsome movie-star guy shows up.

An audience with the “Iron Man 2” crowd

So, a couple of weeks back, a volcano went off in Iceland. That meant that planes in Europe couldn’t fly for several days, which meant that suddenly a London press junket was canceled and rescheduled in Los Angeles, which meant that, one recent Thursday night, I wound up seeing “Iron Man 2” at the AMC Theater in Century City instead of “A Star is Born” at Grauman’s Chinese for the TCM Classic Film Festival. (The world is getting much smaller…)

Moreover, thanks to the volcano, the next morning, instead of my Crunchy Raisin Bran and 1% milk, I was instead being buttered up by with French toast and applewood-smoked bacon buffet at the Four Seasons, a free Iron Man action figure, and a theoretical chance to ask a question of the all-star cast of “Iron Man 2” — i.e., Robert Downey, Jr., Gwyneth Paltrow, Scarlett Johansson, Don Cheadle,and soon to be super-villain of the year Mickey Rourke — not to mention director/co-star Jon Favreau, writer Justin Thoreaux, and producer Kevin Feige.

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Of course, considering the 150 or so people in the room, I wasn’t surprised that I didn’t get to ask any questions, but it was a pretty entertaining event. Robert Downey may have famously given up a number of vices, but being a perpetual class clown does not seem to be one of them, and it wasn’t like he was the only interesting person in the room.

The first question, about whether Favreau or he felt any pressure in terms of living up to the success of the first “Iron Man,” set the tone. Favreau admitted he had never been involved with a sequel before, unless you count his “under five” bit part as “Assistant” in Joel Schumacher’s notorious “Batman Forever.” It certainly is a change from small independent films like Favreau’s career-making acting and writing debut, “Swingers,” which he compared to throwing a party and hoping people would come.

“…[On ‘Iron Man 2’] we knew that people were going to show up,” Favreau said. “We just wanted to make sure that everyone who showed up had a good time and that this was going to be as fun or more fun than the last party. So it’s a different kind of pressure.”

Downey then felt the need to start listing sequels others on the panel had been involved in, real and fictional. “Scarlet Johansson was in ‘Home Alone 3.’ Don Cheadle, 11, 12 and 13.”

That led to a question that was geeky in a way that anyone whose ever been a superhero comics fan will recognize, and which wound up being answered by producer Kevin Feige. It was about the “time-line” of the film. It turns out that, if viewers pay close attention, they can figure out that “Iron Man 2” actually takes place before 2008’s “The Incredible Hulk.” (Having seen both movies, I have no freakin’ clue how you’d deduce that.)

The Incredible Hulk

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Weekend box office preview — how high will “Iron Man 2” fly?

“Pretty high” is the obvious answer. As I write this, the first midnight shows are just finishing up the trailers on the East Coast, fanboys are queuing up in the Midwest, and their West Coast brethren are enjoying their pre-film burgers and Red Bull, but as far as everyone seems to be concerned, the sequel to the surprise “four quadrant” mega-blockbuster of 2008 is already a massive hit.  “Iron Man 2” has been booked into a record number of theaters, 4,380 according to Box Office Mojo.

Robert Downey Jr. in

Moreover, Nikki Finke is reporting that the film has already earned $132 million from 53 assorted countries where it has already opened. The summer solstice is more than six weeks away, but summer-time film madness is, we are informed, very much upon us. (Just btw, Anthony D’Alessandro offers a brief historical look at the outward creep of the summer movie season over the last couple of decades.)

So, the question remains, just how many millions will the second film about billionaire Tony Stark (Robert Downey, Jr.) fetch. Will it beat the record $158.4 million opening of “The Dark Knight” and crack $160 mill? Or, will it get a mere $140 million or so and send everyone to the immensely well appointed and hugely relative poor house? That seems to be the floor being offered up by the various gurus, including Ben Fritz of the L.A. Times‘ Company Town blog and THR’s jolly Carl DiOrio, who characteristically seems to be leaning slightly towards the possibility of a huge opening for Marvel and Paramount.

Nevertheless, there is a small dark cloud here and that’s the general perception, at least among us press types — who are, I remind you again, people too — that “Iron Man 2” is, while not at all bad, also not as good as the first one. This is a rare case where I’ve actually seen the week’s big movie in advance myself and, quality wise, I’m seeing this one as a glass-half-empty. For me, the story simply fails to find a strong emotional connection between Tony Stark’s troubles and the various threats he’s facing. It all feels a bit vague and disconnected despite director Jon Favreau’s way with humor, mostly good acting, and some very decent action scenes.

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