Category: Actresses (Page 125 of 258)

The CW: The Fall Schedule

Although I’m as cautiously amused about the idea of a “Melrose Place” reboot as I was with “90210” last year, and I’m sure my “Twilight”-loving wife will be into the network’s new Thursday night drama, I really only have one observation to make about The CW’s fall schedule: instead of pairing “Smallville” with a third season of “Reaper,” they’ve canceled the latter and are wasting an hour of their schedule re-running the episode of “America’s Next Top Model” from earlier in the week.

Are you kidding me?

Okay, that’s all I’ve got. I’m just really pissed off about that and needed to get it out of my system. Read on to see what else The CW has in stores for “the kids” this season…

MONDAY

8:00 PM – Gossip Girl
9:00 PM – One Tree Hill

TUESDAY

8:00 PM – 90210
9:00 PM – Melrose Place

In an elegant Spanish-style apartment building in the trendy Melrose neighborhood of Los Angeles, a diverse group of 20-somethings have formed a close-knit surrogate family. Sydney Andrews (Laura Leighton) is the landlady, still beautiful at 40, and a central figure in the lives of all her tenants, especially handsome and rebellious David Breck (Shaun Sipos). Sydney started an affair with David despite her turbulent history with his estranged father, Dr. Michael Mancini (Thomas Calabro). Both father and son learned through experience that Sydney was not above using blackmail to control people. Another tenant, high-powered publicist Ella Simms (Katie Cassidy), once considered Sydney her mentor, but their friendship was destroyed by betrayal, and Sydney threatened to evict Ella and ruin her career. Sydney also played a pivotal role in the career of Auggie Kirkpatrick (Colin Egglesfield). After they met at an AA meeting, she became Auggie’s sponsor and encouraged his dream to become a chef. Now a successful sous chef at the trendy restaurant Coal, Auggie has been avoiding Sydney since she began drinking again. The other tenants include Lauren Yung (Stephanie Jacobsen), a medical student in desperate need of money to pay her student loans, and Jonah Miller (Michael Rady), an aspiring filmmaker who has just proposed to his live-in girlfriend Riley Richmond (Jessica Lucas), a first-grade teacher. The newest tenant, 18-year-old Violet Foster (Ashlee Simpson-Wentz), has just arrived in LA with her own secret connection to Sydney. When a bloody body is found floating in the courtyard pool, David is the leading suspect. However, as the police are soon to discover, almost everyone living at Melrose Place had a reason to want the deceased out of the way.

WEDNESDAY

8:00 PM – America’s Next Top Model
9:00 PM – The Beautiful Life

The life of a high-fashion model appears glamorous and sexy, but as every new model quickly learns, behind the beautiful façade is a world of insecurity and cutthroat competition. Two teenage models who are about to discover this world for themselves are Raina Collins (Sara Paxton), a stunning beauty with a secret past, and Chris Andrews (Benjamin Hollingsworth), a strikingly handsome Iowa farm boy. When Raina makes an unforgettable impression at a show introducing the new line from designer Zac Posen, she steals the spotlight from her friend Sonja (Mischa Barton). Sonja has been out of the country for mysterious reasons and is now desperate to reclaim her standing as the reigning supermodel. While Raina and Sonja live at the top of the fashion food chain, Chris is starting at the bottom, having just been discovered by agent Simon Lockridge (Dusan Dukic) of the Covet Modeling Agency, which is owned by former supermodel Claudia Foster (Elle Macpherson). At his first photo shoot, Chris’ inexperience almost derails his career until Raina comes to his rescue, showing him how to relax and work the camera. That afternoon, Raina brings Chris to the “models’ residence” where she lives along with other young hopefuls, including Marissa Delfina (Ashley Madekwe), Egan (Jordan Woolley), Issac (Corbin Bleu) and the current alpha-male-model known as Kai (Nico Tortorella). At an exclusive industry party that night, Chris is again impressed by Raina’s generosity when she steps aside to make sure Sonja lands a job that will resurrect her career. However, after an ugly scene with Simon, Chris is left to question whether he can survive in this world of dangerous excess and fleeting fame.

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Anna Chlumsky is all grown up and “In the Loop”

Anna ChlumskyHey, what the hell has former “My Girl” star Anna Chlumsky been up to for the last 15 years? Judging from the just-released trailer for “In the Loop,” she’s been getting ready to star in a political comedy opposite James Gandolfini — which really isn’t as strange a prospect as it might seem.

Headed for theatrical release on July 24th, “In the Loop” is described in its official synopsis as “a smart comedy with razor-sharp, truly laugh-out-loud dialogue that pokes fun at the absurdity and ineptitude of our highest leaders. With everyone looking out for number one, and the fate of the free world at stake (but apparently incidental), the hilarious ensemble cast of characters bumbles its way through Machiavellian political dealings, across continents, and toward comic resolutions that are unforeseeable.” Ready to see more? Watch the trailer below!

Sasha Grey has a “Girlfriend Experience” with Olivia Munn

Sasha GreyPorn star Sasha Grey is currently riding high on the sort of positive attention from mainstream media that goes with starring in a Steven Soderbergh picture (“The Girlfriend Experience,” available through Amazon’s Video on Demand service now), and she recently took advantage of her increased profile by showing up on G4’s “Attack of the Show” for a chat with host Olivia Munn.

How did she get the role? Who does she want to work with next? And most importantly, will she continue to, um, go both ways? For the answers to all these questions and more, watch the interview, embedded below!

Motherlover

How do you follow up an Emmy-winning hit like “Dick in a Box”? With a tribute to mothers everywhere, just in time for Mother’s Day.

Kudos to Susan Sarandon and Patricia Clarkson for signing on to play the “loved” mothers.

How “The Office” has kept the Jim/Pam romance fresh

Brian Lowry of Variety lauds the fact that the writers of “The Office” have kept the Jim/Pam dynamic from going stale.

Much of the credit goes to the writers and performers involved, and it’s a testament to their talents that Pam and Jim have recently enjoyed a relatively stable, even happy relationship — despite her impulsive decision to join boss Michael (Steve Carell) in his stand-alone business endeavor — without sending that key aspect of the show toppling into disarray.

In most instances — and “The Office” hasn’t been immune to this — taking the romantic plunge has subsequently required erecting some arbitrary impediment to again pull the same characters apart, usually with varying degrees of credibility. Mindful of the fact that happy couples are hardly the fixings for good drama (and can be equally challenging in comedy), writers thus find themselves dismantling romances that they have meticulously labored to inspire the audience to root for — as evidenced by the visceral thrill of the “Office” second-season finale, when Jim finally let Pam know how he felt about her.

Lowry mentions “Moonlighting” and “Cheers” as shows that suffered after the two leads finally got together, but doesn’t go into much detail about how “The Office” has been able to avoid the usually inevitable staleness.

To me, “The Office” is much more than Jim and Pam. I don’t know that you can say the same thing about “Cheers” (Sam/Diane) and certainly not “Moonlighting” (David/Maddie). “Cheers” featured a strong supporting cast, but Sam and Diane were still the central figures. On “The Office,” one could argue that Michael Scott is the main lead. Jim and Pam are up there, but the whole show doesn’t revolve around them. Once they got together, the writers deftly transitioned the more romantic storylines over to Michael, who continues to struggle to find companionship in his life. By doing this, the writers are able to check back with Jim and Pam from time to time and highlight the best (and funniest) things about being in a secure, committed relationship, while continuing to mine Michael’s love life — as well as the whole Dwight-Angela-Andy love triangle — for consistent laughs.

The bottom line is that, at heart, “The Office” is an ensemble comedy, and by spreading around the wealth, the writers can spread around the risk. If handled correctly, this characteristic can make a show “jump the shark”-proof (or at least “jump the shark”-resistant), which is one reason “The Office” has been so strong for so long.

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