Category: Actors (Page 48 of 343)

Midweek movie news

You’d think Jewish New Year and Labor Day coming so close together would slow down the pace of movie news a little, but leisure is for suckers and Yahweh is just another bit player in this hard luck town.

* The talk of the geek-o-sphere for some time is going to be the announcement of a massive and potentially trendsetting film/television cross-over adaptation of Stephen King’s multi-volume “The Dark Tower” mega-epic. Universal, which has had some very tough times lately, is taking what I’m guessing could be a make-it-or-break-it gamble on the project, the news of which was broken by Mike Fleming earlier.  I’m not a King reader, but I am intrigued by the fact that it’s a western-science fiction-horror cross-breed. In any case apparently the plan is to start with a movie, go to a 22 episode not-so-mini-series, and then onto another movie, another series, then wrapping it all up with movie. The idea being to provide fans with both the grandeur of theatrical films and the detail and time of a television series.

the_dark_tower

It’s intriguing but laden with potential pitfalls. One is that it demands an awful lot of time and people who aren’t following the series may feel shut out of the latter two movies. The other is that, quite frankly, I feel the “A Dangerous Mind” creative team of director Ron Howard and writer Akiva Goldsman — who I gather will be writing and directing the first two films and the entire first series at least, which could be some kind of record if that’s what’s really going to happen — simply haven’t indicated they’re up to this kind of material. I hate to say it but winning Oscars can be negative indicator sometimes.

It’s not that I doubt their ability to crank it all out. Howard is obviously a very competent director who knows how to make highly professional material and I have tremendous respect for him as an individual and one of the more positive forces in Big Moviedom. However, he’s always shown a tendency to play it safe and often a bit dull when the chips are really down creatively as a director and none of Goldsman’s movies have been all that inspiring to me either. All I’m saying is that I had a good feeling about Peter Jackson taking on “The Lord of the Rings” and I have a bad feeling about it, though I’d seriously love to be wrong.  Something tells me this project needs a real lunatic and Ron Howard is one of the sanest guys in show business. Huge King fan Quint at AICN has similar misgivings. He has a more riding on this than I.

* Simon Abrams is right re: “Kick-Ass” doing a lot better than people assumed. Even though I cover the weekend grosses here, we all make way too much of those openings and fail to look at the overall picture. Calling a movie a bomb that makes nearly half its budget in its opening weekend is just idiotic anyhow. The actual success of the film may have figured in the ongoing financial struggles between Lionsgate and Carl Icahn.

Aaron Johnson is

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A cinematic wish for a shana tova from Premium Hollywood

I’m a very secular and nonobservant Jew, so there’ll be a news laden post up a bit later. However, I’m not so devoutly unobservant and secular that I completely ignore the day — even if I only figured out a couple of hours ago that Jewish New Year, aka Rosh Hashanah, began tonight.

Anyhow, I was moved to post my favorite scene from, of all films, Clint Eastwood’s “Bird,” written by Joel Oliansky. In this scene, Jewish trumpeter Red Rodney (Michael Zelniker), after traveling with the band through segregated Jim Crow states as “Albino Red,” arranges a much needed paying New York area gig for jazz innovator Charlie Parker (Forest Whitaker) and crew.

If I remember the rest of the scene correctly, afterwards,  the rabbi says something like, “Most of you boys aren’t Jewish, but you’re good.” I’m not exactly sure why, but I’ve always found this scene both a little bit funny and extremely moving. (I briefly reviewed “Bird” as part of a series of “The Eastwood Jazz Collection” a couple of years back.)

By the way, the real Red Rodney, born Robert Roland Chudnick, like his friend, Bird, and so many other jazz musicians of his era, struggled with hard drugs for most of his life before reviving his career in the late seventies and eighties. He died in 1994 at age 66.

Hard days at the office #5: Business language and Ms. Brockovich

I could have gone in a lot of different and rather obvious directions for the last entry in this series of clips from work-related movies, “Office Space” and “How to Succeed in Business Without Really Trying” being but two of the more obvious possibilities. However, when it comes to productions that really capture the feeling of struggling to get a job in the real world, and then keeping it and balancing it with other commitments, Steven Soderbergh’s deceptively modest “Erin Brockovich” is one of the very few that really seems to get it.

I would have edited this series of clips a lot differently, but it does give a feeling for the movie. (If you remember “Erin Brockovich” at all you’ll know this is NSFW. Actually, if you put up a camera in most offices and then ran it on YouTube, it would probably be NSFW.)

A bonus and a bit more commentary after the flip.

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Hard days at the office #4: But the pink actually tastes worse to me than the blue

Another Labor Day inspired clip.

It’s rare that a movie about something you’ve personally experienced actually gets something right, but then one thing a lot (but by no means all) filmmakers know well is the movie business. I never worked for directly anyone quite as powerful or as mean-spirited as Buddy Ackerman, but what I did experience was close enough. This (ironically NSFW) scene from George Huang’s “Swimming with Sharks” definitely brings up the old unpleasant goosebumps. Feel free to skip to 00:20.

Yeah, sure, Kevin Spacey is great at this sort of thing, but I tell you that no actor in the world does scared better than Frank “Check Out the Big Brain on Brad” Whaley.

So maybe “The American” f**ked with the correct Mexican

George Clooney is

Hey, we’ve got ourselves a modest surprise that diverges substantially from what I wrote back on Thursday night. Though the weekend is still ongoing, apparently, a lot of people didn’t get the memo that “The American” is a rather dry if eye-filling European-set arthouse style thriller, rather than the intelligent but plot-heavy action film a la the original “Day of the Jackal” they might have felt like seeing. That’s what the dreadful D- Cinemascore rating Nikki Finke is reporting would seem to indicate, in any case. Also, George Clooney‘s star power still counts for something. Even La Finke has stopped her bitter attacks on him.

Box Office Mojo reports that the “one last job” thriller about an assassin and gun-maker earned an estimated take of nearly $13 million. Finke has her estimated numbers a bit larger than that, and her guesses about the film’s total take including Labor Day and it’s early opening reflect that. (The estimate she has has the film making a total of 19.2 million.) Assuming all that’s true, it’s just possible that the adult-oriented thriller could outgross the roughly $32 million “Vampires Suck” has made so far, perhaps there is a movie God, but I wouldn’t bet on it.

Danny Trejo is
All of this is not to say that this weekend’s tongue-in-cheek Mexploitation geek fave starring the very cool Danny Trejo, “Machete,” did at all badly on this somewhat underwhelming weekend. It was outgrossed slightly by this weekend’s predicted #1 film, “Takers,” which netted an estimated $11.45 million in its second weekend. It’s $11.3 million really isn’t that bad, however even if it is ranked at #3. I don’t have a budget for the film, but Nikki Finke’s argumentative commenters were throwing around a $25 million figure — a bit high for Robert Rodriguez but quite cheap for a movie with this kind of all-star supporting cast, including Jessica Alba and Robert DeNiro. Considering the way movies like this tend to have a long and healthy life on DVD, that strikes me as a very good start. And that’s not counting the inevitable New Beverly Cinema double-bill with “Black Dynamite.”

“The Last Exorcism,” as predicted, suffered a large 62.5% drop in its second weekend, perhaps largely due to an ending most audience members hated, with an estimate of over $7.6 million. I’m convinced it was the vagueness of the premise that did in this week’s week’s third wide new release, “Going the Distance.” The raunch-infused rom-com came about Justin Long and Drew Barrymore having a long-distance relationship, I guess, wheezed across the finish line at the #5 spot with an estimate of slightly under $6.9 million. Yeah, I know, I wrote “6.9.” Grow up already.

Drew Barrymore and Justin Long try

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