Category: Actors (Page 46 of 343)

Without Werner Herzog, it might have been called “I’m Not Here”

Okay, actually it wouldn’t have been called anything because Joaquin Phoenix might well be dead or at least in no shape to engage in elaborate hoaxes/performance art like “I’m Still Here.”

I’ve long known the remarkable only-in-L.A. tale of how world-class auteur/raconteur Werner Herzog, the actual most interesting man in the world, helped Phoenix on a windy canyon road above Sunset Blvd. However, until I saw what’s below, I’ve never heard it from Herzog’s own lips and I’ve never seen it animated. Therefore, my thanks to Roger Ebert and filmmaker Sascha Ciezata for the video below.

I’m not sure if I remember the bit about the cigarette, which is pretty crucial if you think about it. It wasn’t included in the early accounts from Phoenix. It’s also worth noting that while it’s funnier to imagine this happening with the bloated, bearded faux rapper Phoenix, this was actually back in 2006, long before he sported that look. Also, does Herzog really drive a VW Bug?

It’s your Yom Kippur Friday movie news dump

Yom Kippur is the holiday where one abstains from worldly pleasures of all kinds, including eating and drinking, and reflects on spiritual and moral values, atoning for one’s sins, and becoming a better person. In other words, just another day in Hollywood!

*  The big news right now is the bombshell, but not unexpected, admission to the New York Times by Casey Affleck that “I’m Still Here” is a fictional film. Moreover, Affleck still may not have come completely clean because he stated that David Letterman wasn’t in on the truth during the notorious interview with star/co-conspirator Joaquin Phoenix. Via Company Town, we learn that Letterman writer Bill Scheft is comparing what went on to Andy Kaufman stunts and even took credit for one of the lines.

Joaquin Phoenix in A lot of people apparently think that Affleck, perhaps more than Phoenix, has some atoning to do, including Anne Thompson. I guess I can understand her frustration at being manipulated and lied to, but ultimately, it’s only a movie and we in the show biz press have all the credibility of car salesmen. Also it is, after all, a movie. From everything I’ve heard about the film, the far greater sin would have been if it had actually been real.

* Orthodox Jewish-bred Israeli-Brit Sacha Baron Cohen seems to be well on his way to a Shana Tova (good year). He’ll be moving into the world of “serious” acting in a planned biopic about the late multitalented Queen singer/songwriter/pianist Freddie Mercury to be written by the exceedingly busy docu-drama specialist Peter Morgan. I’ve read some ethnic quibbles somewhere (sorry, lost the link) since Mercury’s family hailed from parts of Asia. It seems to me the physical resemblance tells the tale and is no more offensive than the multi-ethnic Asian-Caucasian-Native American Lou Diamond Phillips playing a Mexican-American teen in “Stand and Deliver,” despite having not a drop of Latino blood in his veins. All ethnicities are really ethnic mixes anyhow. I can’t count the number of times I assumed someone was Jewish only to find out they were actually a mix of other groups that just came out looking all Jewy or people who look Latino who are actually Eurasian, etc.

No one seems to know whether Cohen, who can sing a little, will sing his own part. Considering Mercury’s remarkable voice, I wouldn’t complain if they simply used the old recordings. If it was good enough for “The Jolson Story” it’s good enough for this.

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Not Funny, Funny — the Mamet/Gandhi edition

Every once in a while I see something that I think isn’t funny and am moved to find something that I think actually is. Since humor is so notoriously hard to quantify, I’m not going to attempt to really learn anything from my little game, I just present the contrasting videos and let you, the audience, contemplate the difference.

Today, we start with a Funny or Die video that has been making the rounds written and directed by none other than David Mamet. We’ve had our political and cultural disagreements, but I consider myself a fan and I find a lot of his stuff extremely funny. I also think Danny DeVito is pretty cool. As for this collaboration which has been making the blog rounds, however, perhaps the less I say, the better. Watch for yourself.

Okay, now I’d never compare the dramatic talents of Mr. Mamet with those of Weird Al Yankovic, but in this somewhat similarly themed clip from Yankovic’s all but forgotten “UHF,” I find that the funny edge definitely goes to Weird Al.

Weekend box office preview: dissembling teens, bank robbers, cheap looking wolves and an elevator demon (update)

Folks, you  have no idea how tired I am as I write this. Therefore, while we have four new wide releases this weekend, all interesting in their own way, I’m be keeping it as short as possible tonight/this morning.

Emma Stone in

Jolly Carl DiOrio expects the weekend winner to be the Emma Stone comedy vehicle, “Easy A.” I, an adult male, personally found the trailer and premise for this movie about a girl using a false reputation for promiscuity to various ends, which is supposed to appeal primarily to female teens, pretty amusing. Moreover, it’s getting unusually good — if slightly muted — reviews for a teen film.

Though M. Night Shymalan’s name is hard-to-spell-and-pronounce version of “mud” with hardcore fans, the PG-13 scare-suspenser, “Devil” — which Shymalan did not direct but produced and wrote the story (with a twist, no doubt) — is expected to do relatively well. It is being carefully protected from bloodthirsty critics.

Ben Affleck and Jeremy Renner in The movie I’m most looking forward to is actor-writer-director Ben Affleck’s crime thrilller, “The Town,” co-starring Jeremy Renner and marking the big-screen semi-starring debut of “Mad Men” star and Mercedes pitchman Jon Hamm. Never a critic’s darling as an actor, Affleck is turning into one critically liked auteur and the highly positive reviews are making me anxious to see this one.

The movie I doubt I’ll ever see — and which is expected to make a shockingly low amount for a 3-D animated family film is “Alpha and Omega.” The cheaply made and critically unloved animation should at least should help some kids learn what are the first and last letters of the Greek alphabet.

UPDATE: One quick thought I meant to include last night. Jolly Carl said there might be a slightly depressive effect on the box office this weekend because  Friday night and Saturday until sundown is Yom Kippur, the holiest holiday on the Jewish calendar. The interesting part of this is that we Jews are only 2% of the population — though if you live in New York or L.A. you’d never know it and some of us almost completely ignore these things. Are we that overrepresented as moviegoers that our impact is felt beyond places like NYC, L.A., and Chicago?

Trailer time: David O. Russell’s “The Fighter” is biographical, not autobiographical

Okay, so David Russell is probably most famous in more gossipy quarters for his fistfight with George Clooney and his verbal meltdown with Lily Tomlin. However, he’s actually a consistently intriguing, extremely talented writer-director. His latest film appears to be a major change of pace — an entirely non-ironic fact-based boxing tale about “Irish” Mickey Ward and his ne’er do well brother, who I admittedly had never heard of until just now — which will no doubt invite perhaps inaccurate comparisons as some kind of real-life “Rocky” or a Boston “Raging Bull.” Mark Wahlberg, Amy Adams and very different Christian Bale star. (I didn’t even recognize Bale, who I imagine got along famously with fellow video tantrum throwing Russell, until late in the trailer. Impressive.)

And, what is it with tough Bostonians in the movies lately? I mean, aren’t there any other cities full of tough guys with interesting accents? Next time, filmmakers, considering setting your tales of betrayal and redemption on the mean streets of, I don’t know, Tacoma or Milwaukee. Meanwhile, excuse while I paak the cah in Bastan yahd.

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