Category: Actors (Page 22 of 343)

Weekend box office: “True Grit” tops slow weekend

There’s really not all that much to say about the box office this weekend other than that it was down a worrisome 29% over last year, so I’ll keep things brief as we peruse the Box Office Mojo weekend chart together. No huge surprises, though fans of westerns have a reason to celebrate.

Jeff Bridges and Matt Damon in

As seemed likely back on Thursday night, the Coen Brothers “True Grit” edged out the star-laden filmed deal, “Little Fockers,” earning an estimate $15 million for Paramount as opposed to $13.7 for the Universal comedy. That makes for a total of roughly $110 million in three weeks for the western as opposed to $123 for “Fockers.” However, considering that the budget for “True Grit” was more than 60% lower and with a probable buoyant life on DVD, I think it may be the likely profitability winner over the long haul. In any case, this is good news for the Coen’s fans, which includes myself, as it means that they’ll have greater latitude to do something really weird next time, if that’s what they feel like doing.

Nicolas Cage contemplates the eternal box office void in This week’s unloved new releases managed to avoid complete disaster. The lackluster and horribly reviewed action-horror flick, “Season of the Witch,” underperformed even modest expectations that it might hit $12 million. However, it managed to earn double-digits for Relativity Media, newcomers to the releasing game, and didn’t come in too shy of the lowered mark. The Nicolas Cage/Ron Perlman swash-chiller earned what may be approximately $10.7 million in third place.

Released in only 1,400 theaters or so, the musical drama for country fans, “Country Strong,” managed to earn a reasonable per-screen average of $5,126 for an estimated total of $7.3 million in 7th place. It follows “Tron: Legacy” and the sleeper-esque “Black Swan.”

Oscar contenders “The Fighter” from Paramount and “The King’s Speech” from the Weinstein Company remain strong several weeks into their release. The two films, about very different personal battles, made estimates of $7 million and $6.8 million in 7th and 8th place, respectively.

Colin Firth & Helana Bonham Carter contemplate a sticky wicket in

A bootleg soft-shoe for a Sunday morning

You can always grab my attention with a musical, good, bad, or indifferent. Phil Hall, dug up an interesting case in this week’s entry in his always interesting column The Bootleg Files. “Where’s Charley” starred Ray Bolger, best known by far as the Scarecrow from 1939’s “Wizard of Oz,” starring in a film version of the Broadway musical that had revived his career from a post-Oz rut. The stage play had been a very successful vehicle and the movie was a hit but, according to Hall, the widow of songwriting great Frank Loesser, performer Jo Sullivan, disliked the movie so much she somehow managed to singlehandedly suppress it for all these years.

The sequence featuring the show’s break-out hit, “Once in Love with Amy,” goes on very long and during the later portions you may find yourself recalling Pee-Wee Herman as Bolger gets a bit too silly. With all that, this excerpt — which comes from a badly faded print — shows a nice piece of work. Bolger had real grace enough to get over the fact that he was 48 and playing an Oxford student.

In my experience about 95% of “lost” movies turn out to be disappointments and this looks too stagy and twee. So what? I think it’s high time we were allowed to see it for ourselves, complete with that score by Loesser. You can hear Jo Sullivan talk about her late husband’s work, which included such classic scores as “Guys and Dolls” and “How to Succeed in Business Without Really Trying” on this Fresh Air interview.

It’s 2011 and time for the return of the Friday night news dump

I haven’t done this in awhile and I know I’m missing a bunch of stories from early in the week, but you’ll read this and you’ll like it, damn it!

* Mike Fleming is claiming a “toldja” on the news that Elijah Wood will be appearing in “The Hobbit” as Frodo Baggins who is, I believe, not yet born during the events of Tolkien’s original children book. The rumor from earlier in the week has now been confirmed and nothing will ever be the same.

* Mr. Fleming also has the latest on speed-crazed Hollywood buying the rights to a book that has yet to be published and the remake rights on a documentary almost no one has seen. At least we know what the documentary’s about, and it does sound like material for a good movie — except, of course, it’s already a movie.

* Robert De Niro will be heading the jury at Cannes this year. This will be his third go-round in the gig.

* There’s been a ton of quibbling on why it’s not a sequel and maybe not even a spin-off, but the fact remains that Judd Apatow is building his next film around the terrific characters from “Knocked Up” played by Paul Rudd and Apatow’s real-life wife, Leslie Mann. I have to admit I find these kind of fine distinctions to be marketing-driven annoyances. Novelists cast supporting characters from past books in leading roles in newer books all the time and no one calls these books anything other than “novels.” Novelists like Sinclair Lewis and Kurt Vonnegut treat their worlds like the Marvel Universe, so why can’t there be an Apatow-verse?

knocked-up

* Ricky Gervais has apparently signed up to play Mole in an upcoming version of “Wind in the Willows.” Ordinarily, I’d be a little bit excited about this news, but this is a project coming from Ray Griggs, who I frankly wonder about for a number of reasons. I’ve written about him before, at least he had the good sense to hire WETA in on the project. Still, if I were a friend of Gervais’s I advise him to stay away. It has a funny smell about it.

* Oscar winning writer-director Paul Haggis is taking his complaints with the Church of Scientology public in an upcoming book-length expose to be written by Lawrence Wright. Haggis is a former member of the church. I’d tell you what I think of Scientology, but that’s a whole other blog post. I will say I think this will be big.

* Danny Strong played the greatest geek ever on “Buffy, the Vampire Slayer” and went on to become a respected screenwriter with his script for the Jay Roach television movie about the 2000 election, “Recount.” Now he’s back in the genre world with a gig rewriting something called “Earth Defense Force,” which Sam Raimi is producing.

* Stan the Man got his star on Hollywood Blvd. Excelsior!

* Ron Howard wants you to know that the “Arrested Development” movie is really still happening. Sure, why not?

Friday trailer: Pardon my Kutcher

I guess at this point I’ve chosen my destiny to the extent that, barring some miraculous talent infusion, I will probably never interview Ashton Kutcher. It’s not just that he’s a mediocre actor, I’m just allergic to the guy. Something about his onscreen persona — a sense of entitlement backed up by pseudo intelligence, perhaps — just sets my teeth on edge and makes me want to punch him, and I am a very bad puncher who should never be punching anyone.

Nevertheless, I present this red-band trailer for his latest rom-com, “No Strings Attached.” It’s completely NSFW because it’s a bit fuck-happy, both in terms of the act and the heavy and loud use of the word itself, and it does have some chuckles. There’s a bit of Kevin Kline as Kutcher’s father at the beginning, heretical though the thought is that one of my favorite extant actors could begat a Kutcher. Also, for those of you to whom this is an inviting or repellent thought, be advised this trailer also contains a brief moment of what may be naked Kutcher keister. Natalie Portman is, at least, underclothed in many of the shots even if no specific naughty bits are revealed.

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