Category: Action Movies (Page 99 of 165)

Another Friday night news dump

I’ve been distracted wrapping up another project, but a few things of note did transpire to cap off this doozy of a week while I was otherwise absorbed.

* Both Variety and Nikki Finke are reporting that Miramax, the once groundbreaking “mini-major” founded and eventually sold by Harvey and Bob Weinstein that was named after their parents, Mira and Max, is being downsized/restructured by Disney. Meanwhile, grinning Disney Channel head Rich Ross is apparently a near-certainty to step into the void left by the departed Mousehouse chair, Dick Cook. I’m not sure why, but I have a funny feeling about this.

* Finke also has word that The Hollywood Reporter (aka THR) may well become a weekly as well as going behind a ‘net “wall.” If so, that’s going to leave a heckuva void for someone to fill online. If Finke has any visions of empire, this could be her moment — but she can’t do that alone. Personally, I’ll miss the video versions of the box office prognostications of the man I call “jolly Carl DiOrio.” He just seems so happy when he talks how well movies are going to do each week.

* THR has details on the 1993 settlement between Roman Polanski and his now adult victim. The odd part is that the records here don’t show whether or not Polanski ever paid it. If he didn’t, the woman is one extra-forgiving lady. I suspect he did.

* I’m not quite a diehard member of his cult, but I’ve always had a soft-spot for director John Carpenter (“The Thing,” “They Live,” “Escape from New York”) since seeing the original “Assault on Precinct 13” — a clever combination of Howard Hawks “Rio Bravo” and George Romero’s “Night of the Living Dead” with gang members replacing frontier desperadoes and zombies. His latest project, reportedly called “Riot” deals with another relic of my childhood, Arnold Shapiro’s “Scared Straight.” I’ll never  forget how shocked I was to hear F-words coming from my TV set. Who knew that one day cable TV would make that a near daily occurrence.

Now, I was the kind of kid who freaked out if a teacher even looked at me in a cross fashion. Nevertheless, it definitely worked on me as I’m here to tell you that I’m pretty sure I’ve never committed a felony, even by accident, though it’s always possible I’ve forgotten something. On the other hand, my parking ticket past is thoroughly checkered.

Anyhow, the latest news on the project via Krystal Clark at ScreenCrave is that Nicolas Cage, who was at one point attached, has likely left the project and the same may also go for Carpenter. Could’ve been fun, I guess.

And now a moment of vintage Carpenter.

Weekend box office: “Zombieland” to lift horror comedy curse, apparently

zombieland-movie-image-woody-harrelson-jesse-eisenberg-abigail-breslin-emma-stone

There was a time — I think it was, I don’t know, two weeks ago — when horror comedies were supposed to be, now and forever, box office poison. “Too funny to be scary and too scary to be funny” was the not so intelligent line. Such was the Hollywood conventional wisdom, until someone went and made a horror comedy that struck a chord.

So, apparently the peanut butter of horror can be blended with the chocolate of comedy if you have lots of action and sufficient gore, the trailer for the movie in question is funny enough that audiences will be sold on it as a more or less straight comedy…and, oh yeah, almost everybody who can stomach seems to love it. Such certainly seems to be the case with “Zombieland.” The flick, which features indie stars Jesse Eisenberg and Abigail Breslin, is eliciting excitement both from industry types and critics who have graced it with an 89% “Fresh” Rotten Tomatoes rating (just two points shy of 2004’s instant zombie comedy classic, “Shaun of the Dead.”)

Still, for yours truly who loves comedy horror but has a well documented issue with gore, particularly of the zombie variety, this means a probable long period of movie procrastination followed by a small bonanza for our nation’s distillers. For top-billed costar Woody Harrelson, though, it means a comeback. Jolly Carl DiOrio of THR and Andrew Stewart of Variety guess that it will gross somewhere around $20-$25 million or perhaps further north in over 3,000 theaters. If it wasn’t such a busy weekend, I might think it could do even better.

As for the number two spot, I gather most of the prognosticators expect yet another very good weekend for the animated family hit, “Cloudy With a Chance of Meatballs,” but after that, the playing field gets a bit crowded. For one thing, Pixar is making things interesting with 3-D redoes of “Toy Story,” and “Toy Story 2” being released as a double feature. It’s a pretty awesome package of family entertainment and I could see it cutting into this weekend’s “Meatballs” take.

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Crime and punishment, Hollywood style

I’m going to defer this weekend’s box office preview for the morning because we have several fairly major breaking developments that probably shouldn’t wait. Guess who figures in the first item…

* In the case that director Marina Zenovich built in “Roman Polanski: Wanted and Desired” — that the world-class director was both a criminal perpetrator and victim of legal malfeasance — one damning element was an interview with a former D.A. who was not supposed to have been involved in the case. As recounted by the L.A. Times’s Jack Leonard, David Wells said that he suggested to Judge Lawrence Rittenband that he could effectively sentence Polanski to jail time by ordering the accused director to undergo “diagnostic testing” in Chino State Prison, overruling the determination of a probation officer.

As described in the documentary this is, to say the least, outside the bounds of what is permitted in a situation like this. (In the context of the film it comes off as almost a petty vendetta.) Now, Wells claims that he lied. I’m not sure how to take that except that it’s never a good situation to be in when something you said may get you into trouble, and you suddenly claim that you were lying. At that point, you’re an admitted liar, the only question remaining is a matter of timing.

Roman Polanski, Douglas Dalton...and Neil Diamond?

At the same time, my own position on this case could be changing to the point where I may disagree with some of what I wrote in my review of the Zenovich film. I commend you to two extremely thoughtful posts on the matter: one by Anne Thompson (who also gets a huge h/t for this item) and the other by Karina Longworth. Karina’s take on the film was quite different from mine, but all of her points are at least valid and some may well be a lot more than that.

* A horrifying story I’d forgot all about reemerged today, as if to coincide with the Polanski matter. Roger Avary, who shared story credit and an Oscar with Quentin Tarantino on “Pulp Fiction,” co-wrote the screenplay for “Beowulf, and wrote and directed 1993’s “Killing Zoe” and the 2002 Bret Easton Ellis adaptation, “The Rules of Attraction” and also used to have a pretty lively blog, has been sentenced to a year in prison for gross vehicular manslaughter and driving while intoxicated.

Although Avary previously argued he was not drunk at the time of the accident which killed one friend and severely injured another, his blood alcohol level was reportedly above the legal limit. (No stories I can find say by how much, though legally and morally, I’m not sure if it matters.) He was also reportedly driving over 100 miles per hour. I wouldn’t want to live with what he must have on his conscience. Use a designated driver, wait several hours, if need be, until you are completely sober, take a cab, drink at home, or don’t drink at all.

* On a vastly lighter note, Nikki Finke broke the news today that cinephile-bane Michael Bay will be back at the helm for “Transformers III” with a presumably chastened Megan Fox. In this case, the crime will be on the screen and the punishment will be endured by critics.

* Also another “toldja!” from the mighty Finke: Leo the MGM lion may be a shadow of his former, but he will live to roar another day.

“The Making of ‘Nation’s Pride'”

With a debt of gratitude to Dennis Cozzalio here is our belated presentation of “The Making of ‘Nation’s Pride’,” i.e., a fake promo for the movie within a movie of “Inglourious Basterds.”

It ain’t perfect. (If you thought Eli Roth’s performance as “the Bear Jew” was lacking, wait till you see him as the shades wearing Nazi director Alois Von Eichberg — oy vey!) but Sylvester Groth as producer Joseph Goebbels and Julie Dreyfuss as his, er, muse, Francesca Mondino  are great. This is just the thing for those of us who just can’t get enough of what I think is almost certainly going to be this year’s most irresistible movie.

And, as a bonus, here’s the a film clip from the film within a film, directed by Eli Roth (and, fortunately, not starring him).

Superman/Batman: Public Enemies

DC Premiere’s latest animated movie, “Superman/Batman: Public Enemies,” isn’t so much a movie as it is a really long episode of “Justice League of America.” Based on the six-issue limited series by Jeph Loeb and Ed McGuinness, “Public Enemies” finds the country in such a terrible state of distress that the people are willing to elect Lex Luthor as their new president. When Luthor begins enlisting superheroes to work for the government, Superman becomes suspicious of his ulterior motives. Using the impending arrival of a meteor from Krypton as a distraction, Luthor frames Superman for the murder of Metallo and places a $1 billion bounty on his head. Now, every villain from Silver Banshee to General Grodd is hot on his trail, and the only person willing to take his side is his good friend Batman. Unfortunately, the movie is so damn short at a mere 67 minutes that Batman is hardly given his time to shine. In fact, while he may share top billing with the Man of Steel, this is first and foremost a Superman movie. Not that Superman fans will complain, but for those hoping to see a little more from the Caped Crusader, prepare to be disappointed. The public enemies of this film aren’t the titular superheroes, it’s the suits in charge of putting together this half-assed adventure.

Click to buy “Superman/Batman: Public Enemies”

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