Category: Action Movies (Page 92 of 165)

Late Friday night news dump

A few more items than usual may be slipping through the cracks this week as my iMac has let me know in no uncertain terms that it’s hard drive is ready to be sent off to the digital happy hunting grounds and has been temporarily mothballed.  In the meantime, I am writing to you now, dear reader, via my trusty, if Vista-laden lap top and minus a few links I’ve been saving up over the last couple of days.

But enough about me and my choice of blogging weapon, what’s going on as Hollywood’s denizens ready for the weekend by hit the bars and/or gyms?

* MGM is officially on the auction block, and the secret word to protect against bankruptcy, writes Sharon Waxman, is “forebearance.”

* I’ve never watched “Nip/Tuck” and I couldn’t get past the first twenty minutes or so of “Fantastic Four,” so Julian McMahon is a new name/face to me. Nevertheless, Heat Vision blog wants us to know that he’s in negotiations alongside Richard Dreyfuss and 92 year-old Ernest Borgnine to join an already very impressive cast on the action-espionage comic book adaptation, “Red,” which includes Bruce Willis, Morgan Freeman, Helen Mirren, John C. Reilly, and Mary Louise Parker. Considering whose on board, director Robert Schwentke of “The Time Traveler’s Wife” really needs to step up his game. (H/t CHUD.)

* “Paranormal Activity” has past $100 million in grosses. I think Anne Thompson is correct that there are lessons here for other films. It’s true the movie is a one-off creatively speaking, but the slow roll-out and “by popular demand” tactics can definitely be transferred to all kinds of movies. It’s also silly to argue that the success of the movie was all the result of some kind of wide belief that it was “real.” In general, I’m a proponent of slow releases, except that there’s a problem — it works better with movies that are actually entertaining.

On a different note entirely, be sure to check out Ms. Thompson’s three part video interview with Michael Stuhlberg, the heretofore unknown star of  “A Serious Man.”

*Word has it that Nicolas Cage’s crappy streak appears to be ending in a big way with Werner Herzog’s “Bad Lieutanent: Port of Call New Orleans” which I’m really starting to looking forward to despite, or perhaps because, I was not a fan of the original film, much as I love Harvey Keitel. Via The Auteurs Daily, Manohla Dargis considers Cage’s career ups and downs. Good stuff, but, well, since Ms. Dargis mentions it, I can’t resist indulging in, well, you know….

“Kick-Ass” trailer kicks in

I’m not exactly the first with this but, via Anne Thompson, below we have the first trailer for the movie I declared last week to be a sure thing for the most controversial comic book film of 2010. Hey, I can remember a time when the MPAA might not have allowed this title, but it’s a new age when people say “shit” on award-winning basic cable television programs and no one even notices. Of course, a mild vulgarism in the title won’t be the reason this will be controversial, especially if any violent incidents happen to coincide with its release next April.
Kick-Ass

Trailer Park | MySpace Video

Ms. Thompson, who hasn’t seen it yet beyond the clips that were shown at Comicon last summer, says the current buzz is maybe a bit mixed on the actual film, but the response to this brief trailer is good. It certainly works for me as far as it goes, and it does a great job of setting up the premise.

You can see the trailer in high-definition at the official website.

There’s also a new poster. I tend to think most modern movie posters aren’t very good and are way too literal minded, but this one takes being literal to an interesting place. Check it out after the jump.

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“Clash of the Titans” trailers, compare and contrast

We have a new trailer for another long-awaited upcoming genre flick. This time, by way of Peter Hall at Cinematical, we have the remake of the 1981 Ray Harryhausen mythological effects showcase, “Clash of the Titans.” I’ve liked some of director Louis Leterrier’s work and disliked others. (“Unleashed” worked well for me; “Transporter II” drove me out of the theater even though the first film in the series, directed by Hong Kong stand-by Corey Yuen, was a fun guilty pleasure. I was okay with “The Incredible Hulk,” though I’m probably one of the few that actually preferred the Ang Lee attempt.) Overall, I’m not a fan of the kind of cutting and, even more so, the music, we have in the trailer, but otherwise this does look like fairly amusing. There’s a chance you’ll like it more.

And, for comparison, here’s the trailer of the first go-round, which I’ve never actually seen. I’d forgotten it’s such a star-studded affair, though in a budget-conscious kind of a way.

Blu Tuesday: Up, Monsters Inc., and Watchmen

It’s been awhile since my last proper Blu-ray column (a little longer than I’d like to admit, in fact), but it’s been really busy around here at the Bullz-Eye office, and when it comes to priorities, well, Blu Tuesday ranks pretty low on the list. Still, with the holiday season just around the corner, the studios are beginning to make an early push with plenty of great new Blu-ray titles that simply can’t be ignored any longer.

“Up” (Walt Disney)

Many people will tell you that “Up” is one of the best films of the year, but I’m not one of those people. In fact, though I did like Pixar’s latest film about a cantankerous old widower named Harry Caray – er, I mean, Carl – who goes on an adventure through the jungles of South America, it just barely cracks my Top 5 favorite films from the Disney-owned animation studio. Still, there’s plenty to love about the four-disc Blu-ray release, including three copies of the movie, the “Partly Cloudy” short that ran in front of the film, and an all-new short that details what Dug the dog was up to before meeting Carl and Russell. There are also some cool production featurettes on things like character design and the different endings devised for Muntz, as well as an alternate version of the opening montage, but the best of the bunch is a documentary about the Pixar crew’s trip to Venezuela and how it inspired the look and feel of the film.

“Monsters, Inc.” (Walt Disney)

“Monsters, Inc.” was probably the best film that Pixar had put out at the time, and though it might not seem quite as good when compared to more recent films like “Ratatouille” and “WALL*E,” it’s just as charming as you remember it. Even though its story is pretty straightforward (based on the original treatment included on the Blu-ray, it’s amazing they were even able to stretch it into a full-length feature), the movie shows hints of the raw emotion that director Pete Docter would later inject into his sophomore effort, “Up.” Because the original DVD release was already jam-packed with bonus material, however, the new Blu-ray edition is more about owning the film in high definition than the extras that come with it. As you can probably imagine, “Monsters, Inc.” looks incredible in 1080p, and even with the changes in technology, you could still hold it up to any Pixar film released in the last three years. The few new special features that have been included also serve as a nice complement – particularly a filmmakers’ roundtable that looks back at the making of the film and a sneak peek at the “Monsters, Inc.” attraction at Tokyo Disneyland.

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