Category: 24 (Page 13 of 25)

24

It’s time to set your TiVos…

There are a number of new (and returning) shows making their season debuts this month. Here is a list of the scripted shows that premiere in the next two weeks (through 1/19):

SCRUBS (ABC)
1/6/09 at 9:00 PM & 9:30 PM
8th season premiere

NIP/TUCK (FX)
1/6/09 at 10:00 PM
5th season winter premiere

10 ITEMS OR LESS (TBS)
1/6/09 at 11:00 PM
3rd season premiere

DAMAGES (FX)
1/7/09 at 10:00 PM
2nd season premiere

FLASHPOINT (CBS)
1/9/09 at 9:00 PM
2nd season premiere

MONK (USA)
1/9/09 at 9:00 PM
7th season winter premiere

PSYCH (USA)
1/9/09 at 10:00 PM
3rd season winter premiere

24 (FOX)
1/11/09 at 8:00 PM
7th season premiere – special night and time

KYLE XY (ABC FAMILY)
1/12/09 at 9:00 PM
3rd season premiere

THE BEAST (A&E)
1/15/09 at 10:00 PM
(from A&E’s press release, November 2008) A&E Network will premiere the original scripted drama series, “The Beast” on January 15th at 10PM ET/PT. “The Beast,” starring Patrick Swayze and Travis Fimmel, centers on an unorthodox but effective FBI veteran, Charles Barker (Swayze), who takes on a rookie partner, Ellis Dove (Fimmel), to train in his hard-edged and psychologically clever style of agenting. In the premiere episode of “The Beast,” the mischievous Barker hazes Dove as they go undercover on their first case to infiltrate a weapons smuggling ring. Barker brilliantly manipulates situations, constantly tests his new partner’s abilities and pushes him to delve deeper into the roles of the undercover characters he creates. Although Dove takes a liking to Barker, the new job takes its toll on him. The stress and danger of being an agent quickly makes him realize that he can no longer maintain normal relationships outside of work. Yet that’s not the worst of it. The rookie is confronted with a larger challenge: An FBI Internal Affairs team feels Barker may have gone rogue and they try to enlist Dove as a double-agent in the bureau’s investigation of his mentor.

FRIDAY NIGHT LIGHTS (NBC)
1/16/09 at 9:00 PM
3rd season premiere
(Note: I’ve been watching this season and it’s as good as it has ever been.)

BATTLESTAR GALACTICA (SCI-FI)
1/16/09 at 10:00 PM
4th season winter premiere
(Note: Be sure to check back for our weekly blog of the final season.)

THE L WORD (SHOWTIME)
1/18/09 at 9:00 PM
5th season premiere

BIG LOVE (HBO)
1/18/09 at 9:00 PM
3rd season premiere

FLIGHT OF THE CONCHORDS (HBO)
1/18/09 at 10:00 PM
2nd season premiere

THE UNITED STATES OF TARA (SHOWTIME)
1/18/09 at 10:00 PM
(from Showtime’s press release, June 2008) Showtime Networks has fast-tracked the pickup of THE UNITED STATES OF TARA, a new 12 episode half-hour comedy series starring Academy Award(R)-nominated actress Toni Collette (“Little Miss Sunshine”) as a wife and mother who suffers from disassociative identity (formerly multiple personality) disorder, it was announced today by Robert Greenblatt, President of Entertainment for Showtime. The comedy series, a co-production of Dreamworks Television and Showtime Networks, will delve into how a dysfunctional family, including Tara’s working husband played by John Corbett (“Sex and the City”), copes with the various identities that may appear on any given day and range in age, temperament and even gender.

SECRET DIARY OF A CALL GIRL (SHOWTIME)
1/18/09 at 10:30 PM
2nd season premiere
(Note: I’ve seen the first few episodes of the second season and there was no fall off.)

Check back on 1/19/09 and we’ll have another list of debuting shows for you. If you can’t wait, the Futon Critic has a complete list of January premieres.

24: Redemption: Escape 2 Africa

Somebody on the “24” staff is clearly a music fan. The first sign of this was when a sinister corporation was named McLennan & Foster, after the leaders of the late, great Go-Betweens. (A moment of silence, please, for Grant McLennan, who passed away in 2005. Thank you.) In “24: Redemption,” tonight’s bridge episode between Day 6 and the long-gestating Day 7, the President-elect’s son is named Roger Taylor (double word score, as the drummers for both Queen and Duran Duran share that name), and Roger’s trader friend is named Chris Whitley. You’ll appreciate the irony of that one later. And now that we think about the music references, this might explain why Jon Voight’s evil schemer has the first name of Jonas. Roger’s wife, meanwhile, is named Samantha. Pity her last name isn’t Fox.

Anyway, the story begins in Afrika-ka-ka-ka-ka – hey, if the show’s producers are throwing in musical references, I may as well throw in a shout-out to the Chemical Brothers – where Jack is helping out Carl Benton, a former soldier buddy, run a state-funded school in Sangala as a means of doing penance for his many, many crimes against humanity. The problem is that the brutal Colonel Juma (played by Tony Todd, and henceforth known as Colonel Candyman) is planning a coup, thanks to a generous donation by the aforementioned Jonas brother (Jonas Hodges, technically). Candyman is stealing children and “enlisting” them to fight for him. He catches two kids from Benton’s school and comes a-calling for the rest. Jack had just been served with a subpoena by Frank Tramell (Gil Bellows, sporting a tragic widow’s peak) and was about to go dark again – this is at least his third stop since he left Big Dick Heller’s house at the end of Day 6 – when the Colonel’s men show up. Benton tells Jack where the dynamite is. Sweeeeet.

I’m gonna blow shit up! Mama said blow shit up!

After singlehandedly killing half of the henchmen sent to abduct the boys, Jack is naturally captured and tortured – the show maintains its one-torture-per-hour requirement, don’t worry – and while that red-hot sword to the ear had to hurt, we were surprised that the guy didn’t just cut off one of Jack’s arms. He was planning to kill him anyway, and even said he would make it as painful as possible. Jack has four limbs, just sayin’. Jack ultimately used two of those limbs to snap the guy’s neck…and they weren’t his arms. I have to learn how to do that.

The most important things to take away from this episode as we head into Day 7 is that newly inaugurated President Allison Taylor has one hell of a mess waiting for her, and it’s quite possible that Senator Roark (outgoing President Noah Daniels for newcomers) is in cahoots with the mysterious Jonas brother, because one of his last Presidential orders was to evacuate Sangala, rather than call in some nearby troops and fight the insurgence. Jonas brother, meanwhile, saw to it that Chris Whitley, the trader assigned to erase Jonas’ ties to Colonel Candyman but suspected something was amiss, was thoroughly examined (read: tortured) and then buried in cement. I will admit that I do not know the real Chris Whitley’s music very well, but he surely deserved a better fictional death than that.

The other thing to remember is that Jack agreed to surrender to authorities in order for the boys in Benton’s school to gain entry into Sangala’s US embassy, which serves as the redemption part of the episode title and the reason that Jack was seen in those teasers a year ago explaining his actions to an indifferent, if not hostile, government committee. Damn paper-pushing bureaucrats. They have no idea what it means to be Jack freaking Bauer. Maybe they’ll get some perspective when they realize that their next supervillain is…Tony Almeida? Whaaaaaa? Yeah, we’re just as curious as you are as to how they explain that. See you in January.

TCA Press Tour, Day 7: Fox, Pt. 2

We’re returning to Day 7 of the TCA Press Tour…and the second part of Fox’s first day of panels…with a moment or two of unabashed bitching.

The recipient of this bitchfest…? “24.”

See this picture of Kiefer Sutherland?

See all those microphones and tape recorders surrounding him? This was the only access any of us had to him or the other members of the “24” cast and production team who were in attendance at the press tour…and let me assure you that not pictured here are probably at least 47 other microphones and tape recorders that were just outside of the range of the camera. (As it is, I’m forced to wonder if the photographer was either standing on a chair or hanging from a chandelier to get this shot, since he couldn’t possibly have gotten close otherwise.) Instead of doing a proper panel for what’s ostensibly the most talked-about show returning to Fox’s line-up, the network opted to provide a casual affair, where we all mingled about the lobby of the ballroom during lunch together and struggled to get anywhere near Sutherland. They used the same methodology for “Prison Break” during the breakfast period (“Prison Break”-fast, get it?), and though it was a slightly less frantic affair, possibly due to the early hour, it was still less effective than a proper panel would have been, to be certain. I realize that Fox had a bit of a scheduling crunch due to the TCA swiping half of one of their two days for a luncheon with “The Bonnie Hunt Show” and a set visit to “Mad Men,” but I’d much rather have had a “So You Think You Can Lunch” function with Cat Deeley and company and gotten a proper “24” panel instead. Not getting proper time with the “24” folks after such a long time between seasons made for easily the biggest disappointment of the TCA tour to date.

Okay, moving on…

Secret Millionaire: I’m going to fall back on the press release again, lest I fall into snark mode while discussing this well-intentioned series, then I’ll speak more of it afterwards.

Here goes:

“‘Secret Millionaire’ is a dramatic unscripted series that takes America’s wealthiest individuals away from their lavish lifestyles, sprawling mansions and private planes and places them undercover into some of the most impoverished neighborhoods in America. The inspirational series reveals the dramatic personal return that the participating millionaires receive when they leave their fortunes to invest in those less fortunate. Challenged with living on minimum wage, the millionaires will immerse themselves in situations beyond their comprehension. They will work side-by-side with community members and befriend those in need to decide who should ultimately receive their extraordinary gifts of a lifetime. The millionaires will be touched by the people they meet. Some will inspire with their dedication to helping others, while others will relay stories of overcoming tremendous odds. On the final day, the Secret Millionaires meet with the chosen recipients and reveal their true identity and intention: to give them at least $100,000 of their own money and to change their lives forever.”

Okay, so the rich folks learn how the other side lives, right? Fair enough. The millionaires sounded like nice enough guys, aided in no small part by the fact that a couple of them were self-made millionaires, so they know at least a little bit about struggling through an ordinary life (as opposed to be handed everything on a silver platter). The cynic in me, though, can’t help but view this as Fox finally getting around to doing a well-intentioned reality show long after just about everyone else has gone this route. I’m probably wrong. But I also probably won’t watch even if I am.

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TCA Press Tour, Day 7: Fox’s Executive Session

You know how these executive sessions work, so I’ll just do a quick run-through of the tidbits offered up by FOX’s President of Entertainment, Kevin Reilly:

* On the origins of “Fringe” coming to Fox: “We knew J.J. (Abrams) had made his new deal at Warner Bros. last year. We knew he was coming out with a show. Before he even started, Peter Liguori and I talked about who’s at the top of our list. We made the call, like, day one. We offered him a series day one. We knew the logline, that it was sort of an ‘X-Files’/’Indiana Jones’ kind of thing. Sounded good to us. And, you know, he was going to write it with Alex Kurtzman and Bob Orci. We brought Jeff Pinkner in now to run the show. And I’m happy to say that this show just feels right. You know, sometimes with these big showrunners, it’s all hype and no delivery. I actually am very happy to say that I think this one is going to deliver the goods.”

* Coming to Fox sooner than later: “Lie To Me,” created by Sam Baum and starring Tim Roth, “Courtroom K,” created by Paul Attanasio (executive producer of “House”), and “Boldly Going Nowhere,” a sitcom from Rob McElhenney (creator of “It’s Always Sunny in Philadelphia”).

* On Joss Whedon coming back to Fox, even though he’s been burned before: “Joss was a gift. The only reason Joss wasn’t on my list is because I thought there was no way he was coming back. And every time I’ve called about him, they said, ‘He’s busy. He doesn’t want to do it.’ Joss will tell you himself that he got hit in the head with a lightning bolt of an idea. He’s respected Eliza Dushku as an actress. He’s wanted to work with her. They got together. He left that lunch and said, ‘Dammit, I’ve got an idea. Now I’ve got to do it.’ And he just showed up, and the answer was yes. And I have not seen any skittishness. In fact, I’m really enjoying working with the guy. His reputation is well-earned. We’re having a good time.”

* The upcoming “24” movie – not the theatrical one that’s been rumored for awhile, but a TV movie – will be a self-contained entity which encompasses a separate day’s events…specifically, the day of the swearing in of America’s first female President. It will, however, help to set the scene for the upcoming season.

* On the controversy about there originally being no black voice actors on “The Cleveland Show” (and the subsequent addition of three black voice actors): That was the intention going in. I mean, the Cleveland character pre-existed, you know. They’ve been doing that…Mike (Henry’s) been doing that character for a long time, so we knew going in that was a fix: we’re going to have a white guy. But clearly, the idea was just to make an ethnically diverse show in front of and behind the camera, which we are. We’ve got a diverse writing staff. We’ve got an African-American guy playing a redneck character in the show. So the whole intention here was just to cast it, you know, with the best people we have, but clearly to create a largely African-American cast for the family.”

* On the negotiations with the writing staff of the new animated series, “Sit Down, Shut Up”: “I don’t mean to be evasive because I can’t really comment on it because I was hoping to have 100 percent finality on the thing by this meeting today. There are still T’s being crossed. It’s been a very, very tricky situation trying to resolve a deal on this. My presumption, what I believe is going to happen…? I know that Mitch Hurwitz is going to stay with the show. A couple of writers will probably exit the show. A couple of new writers will join or remain with the show. I’m very hopeful that, even by today, we will be moving forward with a writing staff and resolve this.”

That was the 14th, and today’s the 16th. Since there’s been no formal announcement as of yet, it seems that hope alone was not enough to score a resolution…and, frankly, I’m getting more and more depressed about it. Hurwitz’s name is, thanks to “Arrested Development,” an instant mark of quality; as far as I’m concerned, Fox should do everything in its power to get this thing wrapped up quickly, so we can see this show!

UPDATE: Nikki Finke just broke the story at Deadline Hollywood Daily that some – but not all – of the writers on “Sit Down, Shut Up” have indeed signed off on the Animation Guild’s offer, with the others “holding out for the ability to have their pension contributions applied to the WGA plan.” Hey, it’s a start, anyway…

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