Category: 24 (Page 14 of 25)

24

CONTEST ALERT: 24: Season One – Special Edition

Ever since Fox announced they would be pushing back the seventh season premiere of “24” to 2009, the network has been hard at work keeping fans with their fingers on the Jack Bauer dial. That’s included a new season of their web series “The Rookie,” a news announcement revealing plans to produce a two-hour prequel movie, as well as the upcoming re-release of the drama’s explosive first season on DVD.

Packaged in an über-cool metal tin case with what looks to be a countdown clock imbedded underneath, the seven-disc set includes three hours of never-before-seen features including a season seven preview, over 25 deleted and extended scenes, two behind-the-scenes featurettes and more. This is the perfect chance to relive the series’ hit-making first season, and with Bullz-Eye running a contest in conjunction with its May 20th release, you could even pick up a copy for a free. Head on over to Bullz-Eye now and enter for your chance to win!

Bullz-Eye’s back with their latest TV Power Rankings!

NBC may not be King of the Nielsen Ratings just yet, but we know good television when we see it, and the Peacock has returned in full force with a dominating presence that includes the top three shows and five of the top six. HBO, on the other hand, is experiencing the opposite, with the departure of “The Sopranos,” “Deadwood” and “Rome.” Add to that the fact that our list features a whopping 10 new entries — five of which are freshmen — and you’ve got one heck of a Power Rankings shakeup. Much of this has to do with so many shows being on hiatus until next year, but whatever the cause, it’s nice to see some much-needed change to a usually familiar lineup. And, hey, don’t miss the list of our favorite shows which are currently on hiatus (and are therefore ineligible for the Top-20), our farewell to “The Sopranos,” and our stable of Honorable Mentions.

Check out the list here, then come back and let us know how we did…or if we missed any of your favorites!

Because “8” just doesn’t have the same ring to it…

Fox has decided to pull “24” from their schedule until the writer’s strike has concluded and the show’s remaining still-unfilmed episodes can be completed.

Okay, maybe that’s a good thing for fans of the show. Fair enough.

What I find most interesting about Fox’s revised January schedule, however, is that they have so much faith in the new Parker Posey sitcom that they’ve buried it on Friday nights and teamed it with re-runs of “‘Til Death.”

Wow. That good, huh?

I didn’t love the pilot, but, still, I was keeping my hopes up because it’s coming from the Paladino camp, a.k.a. the home of “Gilmore Girls.” Now, though, I’m starting to get worried…

Close Encounter of the Keifer Kind

As you’ve probably determined over the course of the past week or two, I’ve had a lot of close encounters with a lot of different folks thanks to this TCA press tour, but certainly one of the most high-profile of the bunch would have to be the one tonight with Keifer Sutherland. Sutherland made an appearance at Fox’s all-star party at the Santa Monica Pier, and although he pointedly hovered by himself in a corner for several minutes after his arrival, he was, thankfully, gracious enough to make himself available for a brief press scrum…

As far as the new season goes, Sutherland admits, “We’re still really working on it. We tend to do shows…well, map out ideas…eight episodes at a time. I don’t know if that’s a conscious effort or if it just happens that way, and we really are…and I say “we” kind of very generously…Howard (Gordon) and Joel (Surnow) and Bob (Cochran) have really been focused on making those eight records right. I know, because someone else said it to me, that you all know about the female president. I think one of the things that the show’s always done, even though Jack Bauer is a real apolitical character, they’ve had a really interest comment on American politics through the different Presidents, and I certainly think this is going to be a very strong one, so that’s something to expect.”

The relationship between Jack and the new President is, as far as Sutherland can speak to at the moment, relatively nonexistent. “They don’t start off…she’s not on his radar at all. Jack is starting from a very, very different place this season. You know, at the very end of Season 6, he was abandoning this as a life, and so we kick off and see not so much that it keeps drawing him back in a context that he wants to pursue anti-terrorist work but that certain things that he has done over the years that start to come back to get him. So that’s really where he starts off in the season: he’d like to let it all go, but he can’t. And then how the President and Jack Bauer will cross paths at some point in that day, I honestly can’t tell you. It’s not that I don’t want to, I just couldn’t!

The first four episodes that they write…and last year, I thought that the first four episodes of Season 6 were really four of the best episodes we’ve ever made…but (those first four episodes) inform the rest of that day. They’re also very aware that they’re seen over two nights, back to back. So they’ve all got a different context, these four episodes, than the rest of the twenty, and they have to really write and cater to those for that reason. They have to be right. We’ve been known to go to the absolute wire, and this year will be no different. But (those episodes) will also open up everything you get to do for the next twenty episodes, or it’ll shut you down, and we have learned that…and again I say “we”!…they have learned over the last six years, and every year is an effort to make fewer mistakes. Every year’s got them, we run into bumps all the time, that is the cost of trying to do something different or new. And each year, we start the season off a little slower, trying to avoid as many bumps as we can before we start.”

Sutherland says the new season will take place mere months after the previous season finale, and that it will start in the morning again, although he admits that “that’s as much a production issue as anything else. We shoot in the summer when it’s daytime and we get longer days, and we shoot night scenes in the winter when we have longer nights.” Hey, wait a minute: if it’s only a few months, then how is there already a new President? “That’s a great question,” he acknowledges. “In all fairness, they haven’t put an absolute time down.”

Sutherland is only vaguely apologetic when it comes to discussing the backlash against the show from the fans and critics after the previous season. “I felt the same about last year as I did every year,” he shrugs. “Every year, there are moments that are better than we had ever expected, and there are moments that are disappointing for us. I read a lot of the criticisms, and some of them I agreed wholeheartedly with, and some of them I did not. Again, I thought the first four episodes of last year were four of the best episodes we’ve ever done, and I felt the same way about the last four, and there are moments in-between where we settled. I think that the writers…and I don’t want to speak too much for them…but I think they had a hard time getting my storyline going without my doing a whole lot of stuff that I’d already done. So, y’know, last year was a huge learning experience for us…but, again, it doesn’t feel any different to me than any other year. I mean, all the way back to the first year, there’s stuff where all of us go, ‘What were we thinking?’ But we have done well, and we have been given so much incredible support by all of you, but you have to have your shot (at us) at some point, and last year was as good as any. And we certainly hear you. We’re always looking over our shoulder a bit! But, y’know, it is what it is. Our job stays the same. We try to do the best we can, but it’s such a complicated format to write for, with the real-time aspect, and every year, there will be struggles.”

In closing, don’t hold your breath waiting on that long-rumored “24” movie showing up anytime soon, though. “We are so focused on the show right now that I couldn’t imagine that any of the writers have even thought about that,” says Sutherland. “I think we’ve collectively agreed that that will be the first thing that we’ll do after we finish the show.”

“24,” Hours 23 and 24: You’re my favorite waste of time

A couple titles for this blog went through my head. The runners-up:

“This is my mistake; let me make it good.” That sprang to mind when Senator Roark was planning to bomb the oil rig.

“What a lovely way to say ‘I love you’.” Chloe. ‘Nuff said.

In the end, I chose the title above because, as unhappy as I am with the show this season, and as ridiculous as things got as the day progressed…I will not stop watching “24.” I mean, the day is now over, and I’m still wondering:

– What Wheelbarrow Wayne had to do in order to secure Jack’s release from Chinese custody in the first hour.
– How Jack’s hand got so horribly scarred. Yes, the torture, but through what means? By whose hand? They spent far too much time focused on his hand to just let that go.
– Who gave Mister Swank the orders to kill Assad and Palmer. They showed Swank talking to someone who was pulling the strings. Who was that man?
– Why Jack’s father was allowed to tamper with evidence at CTU and then leave after his son confessed to assassinating a President of the United States.
– If President Buck Buck Brawwwwwk actually died in the ambulance. I’m assuming so, but there wasn’t another word about him after that cliffhanger.
– Why Milo’s hair looked so drastically different in the episode where he was killed than it did in any other episode up to that point. Was his death a last-minute re-shoot?
– How our country’s counter-terrorist unit has the most hackable network in the world.
– Who Jack Jack’s real father is. That was pure speculation on my part, but I wonder if the writers got wind of the bloggers catching on to their plan and changed their tune mid-season. You gotta admit, they made it pretty obvious that Josh was not Grame’s son. Strained relationship between Jack and Heidi Petrelli, etc. Maybe they’re saving that for next season, now that Audrey’s a vegetable.

Despite all of this, I will still watch the show next year. It didn’t flick the ‘Off’ switch in my head that, say, last Wednesday’s “American Idol” did. “24,” on the other hand, can be saved. But we’ll get to that in a minute.

As Senator Roark is trying to save both his face and ass with the Russian president and American public respectively, I nearly laughed out loud at the proposition that he was giving them, his last-ditch effort to avoid a war.

“What is your proposal, Mr. Vice President?”
“Basically, I’m gonna blow everything within a quarter mile of the component sky-high. There will be no evidence that we actually destroyed the chip, but there will be no one left to confirm that we didn’t destroy it.”
“Mr. Vice President, I find your plan acceptable.”

Wow. Hey Suvarov, I have this great plan to make money quickly. First, you give me $5,000 to join our group, then find three people to give you $5,000….What a gulli-bull.

Meanwhile, Nadia gets a taste of the dark side by not following orders but ultimately doing the right thing, and the Ricker, as my wife was fond of pointing out, was blinded by science. Ow. On the bright side of life, Chloe’s pregnant, Karen and Big Balls Bill Buchanan (did I get that right, Giant Gary?) get to retire with their reputations intact, and Jack, once again, has to disappear, but not before saying goodbye to a sleeping Audrey. How many arrestable offenses did he commit today, six? Ten? More than one, no question.

So how do you save “24” from itself? Well, due to the title, there is no shortening the episode slate, like “Lost” will from now on. I do think they were on to something, though, when they shifted the focus from one villain to another. The problem was they did it too late. Had they shifted focus closer to the midway point, they may have pulled it off. Either that or have one villain, a compelling villain, dominate the whole show.

Here’s another idea: get out of Los Angeles. Spend some time on the left coast, maybe have some fun on South Padre Island (does anyone go there on spring break anymore? It was wicked popular when I was in college). Or, if you insist on staying in L.A., accept the consequences that your plot device gives you. They dropped a bomb on Los Angeles this year, yet continuously put its men in the field with little regard for the fallout. Maybe next year should be “24 Hours Later,” where the rage virus hits a major metropolitan area (don’t laugh, Fox owns the rights to that franchise), and it ends with Jack having to kill an infected Audrey.

Whatever they decide to do with “24” next season, I’ll be waiting for them, hoping that they’ve changed, like a battered spouse. Until then, I have seven sweet, sweet months of blog-free Mondays to look forward to. Sweet dreams.

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