Author: Will Harris (Page 42 of 261)

Will is a member of the Television Critics Association and has written for Decider.com, the Onion A.V. Club, The Dissolve, Indiewire, Rhino.com, TV Week Magazine, The Virginian-Pilot, Popdose.com, and EW.com along with writing for Bullz-Eye.com and Premium Hollywood.

NBC continues the dumbing-down of America in earnest with…”A Very Gilly Christmas”

First, David Medsker sent a public memo to “Saturday Night Live,” pleading with them to stop Kristen Wiig from playing the most annoying characters imaginable, and although the show’s producers ignored him, the posting has received 76 comments to date, many of them completely behind Mr. Medsker’s position, so it clearly struck a nerve with readers. Then, two months later, John Paulsen got specific and called out Wiig’s then-new character, Gilly, as the unfunniest returning character ever. No word from the Wiig camp yet, but 65 readers have responded to it thus far, and while many of them are in full-on defense mode, it takes no more than a cursory glance at the comments to see that Mr. Paulsen is onto something with his premise.

* “Gilly should be put in juvenile detention.”
* “OMG, I want to break the TV when I see that stupid skit!”
* “Gilly keeps coming back for more and more and more and more and more. And it gets worse every time.”
* “The Gilly skits – and indeed, pretty much all the characters that Wiig does – are appealing to those lowbrow people who find catch-phrases funny.”
* “I know ‘to each his own’ and everybody’s taste is different, but I’m shocked that people are defending this really, really bad, really, really unfunny recurring character.”

And, of course, there’s my personal favorite:

“Like a fool, I kept watching, hoping the sketch could redeem itself somehow, that a punchline or a line delivery would come in making it somewhat funny. I mean, this is a comedy show, right? Right? But, alas, it was just painful. I have no idea what the audience was laughing at or why. Maybe SNL installed a live laugh track, or maybe they do pump in laughing gas. But what I saw no one could honestly find funny. NO ONE. Stock footage of starving children has equal comedic value as the Gilly sketch.”

To these discerning individuals, NBC is offering up the comedic equivalent of a lump of coal in their stocking on December 17th from 8 – 10 PM EST, when “Saturday Night Live” presents…wait for it…“A Very Gilly Christmas”!

The good news is that the two-hour special will include brand-new material with Alec Baldwin and Steve Martin, along with favorite holiday-themed sketches from the 35-year history of “SNL,” including “NPR’s Delicious Dish and the Schweddy Balls,” Martin’ famous “Holiday Wish,” and Justin Timberlake and Andy Samberg’s “D**k in a Box.”

The bad news: it will also include new Gilly material.

TV of the 2000s: 15 Sci-Fi Series That Deserved A Longer Run

It’s always been a rough go on network television for series which require viewers to think and suspend their disbelief at the same time, but despite this, many brave producers and writers have tried to capture the imaginations of couch potatoes. Sometimes it works, as evidenced by the long runs of such shows as “Battlestar Galactica,” “Lost,” “Smallville,” and “Supernatural,” but more often than not, it doesn’t, which is why IMDb is littered with listings for sci-fi series that lasted for only a single season. Looking back at the decade (which, if you hadn’t noticed, is what we’re doing with all of these TV of the 2000s features), you can also find way too many shows which survived into the second season, proved that their first season wasn’t a fluke, sometimes even improving on it, and then got canceled…and, man, does that hurt. Heck, I even included three- and four-season wonders in this list, one because it had scored such a huge upswing in quality, the other mostly because it seemed like such a gyp when it got the axe. But, then, you could say that about all of these shows, really…

WARNING! LIST CAVEAT! – To be included within this list, the show cannot have started at any point prior to Jan. 1, 2000. Without that caveat, you can bet that “Angel” would’ve been included…and, yes, probably “Farscape,” too. But definitely “Angel.”

15. Masters of Science Fiction (ABC): As an anthology series in the 2000s, it’s not like it ever had a chance in Hell of surviving, anyway, which is why it comes in at the bottom of the list. Still, it deserves mention here, partially because it was really good, but mostly because it got an even bigger shaft from ABC than “New Amsterdam” got from Fox.

Masters of Science Fiction

Get this: during ABC’s executive panel during the TCA Press tour of summer 2007, someone asked Stephen McPherson, the network’s president of entertainment about the origins of the series, and he responded, “It was a low-cost initiative that we tried. We did this series of movies to see if there was a way to spark something different at a really low cost point. You know, I think there is some good work done there, but it’s very unseen. So it’s just been…it’s been a little bit problematic.” Okay, now, to be fair, he’s acknowledging that there’s “good work” inherent somewhere in the series, but to put these comments in a better perspective, they were made before the show had even premiered. And how did he decide to remedy this problem of the series being “unseen”? By premiering it at 10 PM on Saturday night. Hey, way to get behind your programming, Steve!

In fairness, I’m sure no one, not even the series creators, ever expected “Masters of Science Fiction” to be anything other than a short-lived midseason entry, but it’s not like it had to be. The series harked back to classic dramatic anthologies like “The Twilight Zone,” “The Outer Limits,” and the like, and while its budget might not be through the roof, the performances – including turns from Malcolm McDowell, Anne Heche, Sam Waterston, Judy Davis, Terry O’Quinn, Elizabeth Rohm, Brian Dennehy, and John Hurt – were top-notch. But, then, that’s what happens when you bring in directors like Mark Rydell (”On Golden Pond”), Michael Tolkin (”The Player”), and Jonathan Frakes (”Star Trek: First Contact”) to helm adaptations of stories by Robert Heinlein (”Starship Troopers”), Howard Fast (”Spartacus”), and legendary sci-fi writer Harlan Ellison, who actually adapted his own story, collaborating with Josh Olson (”A History of Violence”). If any of this sounds like it might be up your alley, you can at least take comfort in the knowledge that the entire series is available on DVD, including two episodes that ABC couldn’t be bothered to air.

14. Dark Angel (Fox): Nowadays, it’s best remembered for the fact that it introduced the world at large to the assets of Jessica Alba (which, by the way, look damned good in black leather), but when “Dark Angel” premiered, its high profile came from the fact that it was the first thing that it was produced by James Cameron. What not nearly as many people remember, however, is that the show also starred Michael Weatherly, who would get a much longer running gig a few years later when he took on the role of Anthony DiNozzo in “NCIS,” and Jensen Ackles, now better known as Dean Winchester on “Supernatural.”

Dark Angel

But I digress. The slightly-futuristic (it took place in 2019) “Dark Angel” was predominantly about Alba’s character, Max Guevara, a genetically enhanced super-soldier who has escaped from the government that created her and is using her job as a motorcycle courier to cover for the fact that she spends most of her time searching for her brethren, i.e. the other 11 super-soldiers who escaped with her. She does this with the help of Logan Kale (Weatherly), a.k.a. cyber-journalist “Eyes Only,” whose unparalleled computer skills go a long way toward making up for the fact that he’s paralyzed from the waist down. The series looked great, and having John Savage serve as one of its primary villains (Colonel Donald Michael Lydecker) was inspired, but trying to get the general public to embrace the cyberpunk movement – even the highly diluted version of it that “Dark Angel” offered – was a lost cause. Truth be told, we’re probably lucky that we got as much of the show as we did. If Cameron’s name hadn’t been on it, it probably would’ve been over at the end of Season 1.

13. Kyle XY (ABC Family): Ironically, I’m writing this mere moments after getting word that a copy “Kyle XY: The Final Season” has just been sent my way. Even if you aren’t familiar with the series, you’ll nonetheless have deduced from the appearance of the word “final” in the set’s subtitle that this isn’t a show that came and went within the span of a single season. Yes, “Kyle XY” actually lasted for three seasons, but it was still going strong creatively when ABC Family decided that it just didn’t match up well enough with their other content, like “Greek” or “The Secret Life of the American Teenager.” Now, look, I dig those shows as much as the next thirtysomething who wants to vicariously relive his youth through semi-realistic TV characters, but is that any reason to kill off a great sci-fi melodrama like “Kyle”? No, sir, it is not.

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Greetings to the New Show: “Men of a Certain Age”

As I settled in to watch TNT’s new series, “Men of a Certain Age,” starring Ray Romano, Andre Braugher, and Scott Bakula, I was struck by a thought: when’s the last time TV offered us an hour-long about guys that was just about guys? The last one that leaps immediately to my mind is ABC’s “Big Shots,” which came and went within the span of a few months in the fall of 2007, but that series springboarded off the premise that all four guys were CEOs. Not bad a concept, perhaps, but by upping the income bracket of the characters, you’re significantly cutting into the number of people who can relate to it. How about a series that’s just about average guys doing average guy things? When was the last time we got one of those?

Beats me, but we’ve got one now…and it’s good.

The press release for “Men of a Certain Age” kicks off with the classic John Lennon lyric, “Life is what happens when you’re busy making other plans,” and although it’s been quoted plenty of times, it’s decidedly apropos for this series, which explores the lives of three guys in their 40s – one single, one married, one separated and likely headed for divorce – as they begin to examine who they are, how they got where they are, how the future looks, and what they can do to change it. If the acknowledgment that there are indeed things in their lives that need changing sounds like a spoiler, think about your own life and consider whether or not there’s anything you might like to change about. If there isn’t, then I envy you, but I can’t say the same, and I seriously doubt if I know anyone who can. At the very least, none of these men of a certain age can’t.

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TV in the 2000s: 5 Animated Series That Deserved A Longer Run

There was a brief period in the early 1990s when, as a result of “The Simpsons” hitting it big for Fox, the big three networks – ABC, CBS, and NBC – decided that they wanted to try their hand at replicating the same kind of success with their own prime-time animated series. It didn’t work. (Two words: “Fish Police.”) Once we got into the 2000s, however, the sting of the previous decade’s failure had faded, and they decided to try it again. And again. And again. During the course of the decade, however, we did manage to get a few new animated series that were worth watching. Unfortunately, in most cases, we weren’t allowed to watch them long enough, and these are a few that deserved more of a shot than they got.

1. Clerks: The Animated Series (ABC): During Super Bowl XXXIV, ABC aired a teaser for the animated adaptation of Kevin Smith’s black and white ode to slackerdom, giving viewers a brief glimpse at Dante, Randal, Jay, and Silent Bob, then offering a vague assurance about when the series would premiere. (“Coming this spring. Summer. Whatever.”) The total lack of idea about what to expect from “Clerks: The Animated Series” left fans nervous, but the mere fact that the network was offering some promotion for the show during the Super Bowl surely implied that they were 100% behind the series. Right?

Not even fucking close. The show finally premiered on May 31, 2000, and it was canceled one episode later. You can blame many things for its abrupt demise, but near the top of the list would have to be the fact that ABC decided to kick off the show’s run with its fourth episode, then air the second episode. It wouldn’t have been such a big deal if the entire plot of the second episode hadn’t revolved around the guys getting locked in the freezer of the Quick-Stop and, while waiting for someone to rescue them, reminiscing about the things that had happened to them in the actual first episode; since no one had actually seen that episode yet, the entire joke fell flat.

“Clerks: The Animated Series” may not have thrilled fans of the original movie, given that it had to be tempered to broadcast network standards (Jay and Silent were now fireworks dealers), but if you check out the six episodes of the series that were produced and subsequently released onto DVD, you’ll see a show that loved poking fun at TV and movie cliches at every turn. Bonus: the show’s resident villain, evil billionaire Leonardo Leonardo, was voiced by Alec Baldwin, offering a performance in which you can hear many echoes of Jack Donaghy from “30 Rock.”

2. God, The Devil, and Bob (NBC): For most individuals, when you imagine what the face of God looks like, it’s hard to get George Burns out of your mind, but after watching a couple of episode of “God, the Devil, and Bob,” you’ll find that it’s pretty darned easy to imagine Him speaking with the voice of James Garner.

This series from the Carsey-Werner company kicks off with God (Garner) and the Devil (Alan Cumming) having a chat, with the former admitting that, although he isn’t necessarily excited about, he’s been having some serious thoughts about chucking everything that he’s created and just starting all over from scratch. God decides, however, that he’s going to give humanity one more chance…and, for the sake of propriety, he’s going to let the Devil pick one human being that will have to prove to God that the world is worth saving. Meet…Bob, voiced by French Stewart. He drinks beer, he enjoys his porn, and as often as not, his first question is, “What’s in it for me?” Still, there’s something about Bob that God finds endearing, and he ends up treating him as his go-to guy, occasionally sending him on various tasks, such as getting the TV networks to cut back on the amount of sex on television.

It was a great concept, and given our world and its morality, there was always going to be plenty of material, but after airing only four of the 13 episodes that had been produced, NBC canceled the show. No, the ratings weren’t exactly huge, but we’ve always suspected that it had less to do with that than it did to do with the fact that certain loudmouthed Christian groups were up in arms about it. Hey, I don’t want to start any blasphemous rumors, but when I die, I expect to have Him ask, “Say, why didn’t ‘God, the Devil, and Bob’ last longer? I thought that show was hysterical!”

3. Clone High (MTV): If you ever meet Bill Lawrence and want to get on his good side, just remember these five words: “Dude, I loved ‘Clone High’!” Lawrence co-created the MTV series with Phil Lord and Christopher Miller, and the premise is a doozy: a government organization known as the Secret Board of Shadowy Figures is running a high school filled solely with the clones of historical figures, including Abraham Lincoln, Joan of Arc, Cleopatra, Mahatma Gandhi, and JFK. I don’t know about you, but as far as I’m concerned, concepts don’t come much more awesome than this, and the fact that these famous faces could be utilized to offer parodies of every teen drama plotline imaginable while filling the backgrounds with more historical jokes and references than you could shake a stick at made it doubly sweet.

Unfortunately, the decision to include Gandhi within its cast of characters didn’t go over well when the series made its way to the airwaves of India: nearly 150 Indian MPs and political activists pledged to fast all day in protest of the way the spiritual leader was portrayed in the series. Is that why the show never made it to a second season? Probably not entirely, but it certainly didn’t help any, either.

4. The Goode Family (ABC): We may be jumping the gun here, both in declaring the show dead (ABC kicked it to the curb, but Comedy Central is going to air the episodes, and if it does well, it’s not impossible that the network could order new episodes) and in declaring it to be a show that deserves to keep running, but given everything that Mike Judge accomplished with “King of the Hill” during the course of its lengthy run, it seems wrong to write off his first animated creation since the adventures of Hank Hill and his family and friends.

It’s easy enough to find humor in the foibles of a family of liberals trying to maintain a lifestyle of complete political and environmental correctness, though, so here’s hoping that “The Goode Family” finds an audience on Comedy Central, if only so that Judge and his co-creators, John Altschuler and David Krinsky, can have the chance to build on their initial vision in Season 2.

5. Father of the Pride (NBC): If you couldn’t hear the screaming and cursing that came from the offices of Dreamworks on October 3, 2003, then you just weren’t listening hard enough, because God knows it must’ve been loud as hell. That was the day that magician Roy Horn was mauled by a tiger, an event which put a serious damper on the excitement about Dreamworks’ first-ever prime-time animated series, “Father of the Pride,” about a family of white lions whose patriarch was part of Siegfried and Roy’s Las Vegas stage show.

One would think that, given the circumstances, someone would’ve said, “Maybe we should put the kibosh on this show. Roy’s in the hospital, and, c’mon, no one’s gonna be able to watch this without thinking about that!” Someone probably did say that, but there was a great deal of money already tied up in the show’s preproduction and they’d already started recording sessions with the actors. Add to that the fact that, even from his hospital bed, Roy demanded that the show go on, and there was no chance the plug would be yanked. So the show went on…and after 11 episodes, then the plug was yanked.

“Father of the Pride” was kind of a weird show. It wasn’t ashamed to play up the fact that it was a production by the same people who’d brought you “Shrek” (to the point of bringing Eddie Murphy on to reprise his role as Donkey), and yet it regularly went out of its way to have plotlines and jokes that were decidedly not kid-friendly, like having lions Larry and Kate – voiced by John Goodman and Cheryl Hines – go to a rave and get dosed with catnip, or having their son Hunter singing Tori Amos’ “Silent All These Years” in the bathtub, resulting in a dead silence from Larry and Kate which is only broken by Sarmoti (Kate’s father, voiced by Carl Reiner) asking, “Are we still pretending he’s not gay?” It’s hard to market a show that looks like it’s for kids but is actually for adults, and NBC pissed a lot of people off by pushing the “Shrek” connection, but with a ton of great guest voices behind the menagerie of animals that turned up in the various episodes and the mature sensibilities, “Father of the Pride” had the kind of elements that would’ve made it a hit on Comedy Central.

TV in the 2000s: 15 Shows Canceled After Appearing in Bullz-Eye’s TV Power Rankings*

*Probably Coincidentally

Back in 2005, Bullz-Eye kicked off a regularly-recurring feature that’s become a staple of our site: the TV Power Rankings, which gives us a chance to offer up our opinions once every six months on the best that television has to offer. Now that we’re looking back at the entire decade in our TV in the 2000s feature, however, it gave us an opportunity to look back at all of the shows that have appeared within the Rankings over the course of its history, and when we did, it was a little eyebrow-raising to see how many of our favorite programs bit the dust almost immediately after receiving accolades from us. We’re pretty sure their cancellations weren’t our fault…or, at least, not entirely. Anyway, take a look back through the list with us, won’t you? If nothing else, it shows that we’ve got good taste, even if the average viewer doesn’t always share our opinions.

1. Arrested Development (Fox, 2003 – 2006) – “Even if this is indeed the end for one of Fox’s all time greatest shows, it is better to have loved and lost…oh, the hell with that, Fox is freaking nuts if they cancel this show.” So said David Medsker in February 2006. But did they listen to him? They did not. “We’re not ones to buy into the whole dumbing-down-of-society thing,” Medsker added, “but if this show gets canned while ‘According to Jim’ lives on, maybe there’s something to it after all.” Oh, yeah, there’s definitely something to it: “According to Jim” stayed on the air until June 2009.

2. Deadwood (HBO, 2004 – 2006) – When it was announced that Season 3 would be the last for the semi-historical look at the wild west, there was really only one name that John Paulsen could call the folks at HBO. We probably shouldn’t use it here, but if you need a hint, it starts with a “C” and rhymes with “sock pluckers.” “Everything about the show – the language, the acting, the story, the sets and the costumes – is colorful,” Paulsen observed in February 2007, “and whether or not HBO wants to admit it, they’re going to miss ‘Deadwood’ once it’s gone for good.” They must’ve been in some serious denial, then: creator David Milch reportedly agreed to do a proper wrap-up of the series through a pair of “Deadwood” movies” for the network, but things never really got beyond the discussion stage.

3. Invasion (ABC, 2005 – 2006) – The fall of 2005 was a good time in prime time for sci-fi fans, with each of the big three networks offering up an entry from the genre, but by the spring of 2006, their cheers had turned to tears. NBC’s “Surface” was permanently submerged after 15 episodes, while CBS’s “Threshold” crossed the point of no return after only nine episodes had aired. Give ABC some credit, however, for at least sticking with their entry for the full 22. “’Invasion’ started slowly, but has steadily ramped up the creepiness,” said John Paulsen in February ’06, acknowledging that, although it gave its audience lots of questions, at least it was providing them with more answers than “Lost” was. Unfortunately, there was still plenty to be answered when the show was canceled, and things got even more depressing when Tyler Labine talked to Bullz-Eye about what might’ve been. “(Creator Shaun Cassidy) had written this bible for the show, and he had written this amazing five-season arc,” said Labine. “We were just floored. Our jaws were literally on the floor after he explained it to us. We were, like, ‘Wow, we’re on for a really great ride!’” What a shame for us all that the ride ended as quickly as it did.

4. Studio 60 on the Sunset Strip (NBC, 2005 – 2006) – Well, you can’t say that we weren’t honest about offering up both the pros and the cons of Aaron Sorkin’s behind-the-scenes look into a late-night comedy series. “The show is pompous, unrealistic and ridiculously left-wing,” admitted Jason Zingale in February 2007, “but it also makes for some damn good television.” Unfortunately, with an awful lead-in – seriously, who thought that pairing the show with “Heroes” was a good idea? – “Studio 60” didn’t develop enough of a following to earn a second season.

5. Rome (HBO, 2005 – 2007) – In its first season, “Rome” turned up at #18 in the Power Rankings, but by the time Season 2 aired, it had leapt to #6. Not that such success earned the show a third season (it was apparently ridiculously expensive to produce, which you can absolutely believe if you’ve ever seen it, but at least the news of its cancellation came in time for John Paulsen to register his annoyance within the February 2007 Rankings. “As it turns out, ‘Rome’ isn’t the heir to the throne of ‘The Sopranos,’” he wrote. “Instead, sadly, it’s a bastard stepchild, just like ‘Deadwood.’” Creator Bruno Heller was probably even more pissed than Paulsen, having mapped out his vision of the series all the way through its fifth season, but as recently as December 2008, Heller was still sounding optimistic about the chances for a “Rome” movie. “I would love to round that show off,” he told the Hollywood Reporter. Hey, we’re behind you 100%, Bruno.

6. Four Kings (NBC, 2006) – If you don’t remember this sitcom, you’re forgiven, as it premiered in January 2006 and was gone by March. Still, it made enough of an impression to earn Honorable Mention status in the February 2006 rankings. “Four Kings” was created by David Kohan and Max Mutchnick, the duo behind “Will and Grace,” and featured Seth Green as one of its cast members, so you might think it surprising that it was off the air within seven episodes (and with a remaining six episodes still unaired). Looking back, however, the fact that the greatest praise Jason Zingale could heap upon the show in his write-up was that “it’s a worthy quick-fix until NBC finds a better alternative” should’ve given us a clue that it wasn’t long for this world.

7. Jericho (CBS, 2006 – 2008) – It was the little show that could, our “Jericho.” It started with an awesomely dark premise – a nuclear bomb goes off in the U.S., and we view the repercussions through the eyes of a small town in Kansas – and, after figuring out its direction (the attempts to meld some “Little House on the Prairie” aspects to the show were soon phased out), the series found its footing, kicked some creative ass, and was promptly canceled. But what’s this…? The show’s diehard fanbase made enough noise (and sent enough nuts) to get the show a 7-episode second season which lived up to everyone’s expectations and then some. Too bad the same couldn’t be said for the ratings, but those who actually tuned in for Season 2 know how many twists, turns, and outright shocks it included. There’s still talk of a possible “Jericho” movie. We can only hope.

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