Author: Will Harris (Page 109 of 261)

Will is a member of the Television Critics Association and has written for Decider.com, the Onion A.V. Club, The Dissolve, Indiewire, Rhino.com, TV Week Magazine, The Virginian-Pilot, Popdose.com, and EW.com along with writing for Bullz-Eye.com and Premium Hollywood.

Greetings to the New Show: “Gary Unmarried”

If you saw Bullz-Eye’s Fall TV Preview, you already know that the primary reason that I selected “Gary Unmarried” as one of the top 10 shows I’m most interested in watching unfold this season is that I think Jay Mohr is funny…but, c’mon, it’s about time the guy had a hit sitcom, don’t you think?

The guy did his time at “Saturday Night Live,” even writing a book about the experiences he suffered through as a featured player on the show (Gasping for Airtime: Two Years in the Trenches of Saturday Night Live). He survived the experience of playing a redneck’s brother on “The Jeff Foxworthy Show,” earned a memorably sleazy supporting role in “Jerry Maguire” which almost certainly was what led him to the starring role in the short-lived but fondly-remembered Fox sitcom, “Action.” Great show, but you can’t really call a 13-episode run a hit. And since then, Mohr’s career has mostly been an ongoing series of voiceover work, small film roles, one-off guest spots on various TV series, and…well, okay, yeah, he was a regular on “Ghost Whisperer” for the better part of two years, but serving as third fiddle to Jennifer Love Hewitt’s breasts is hardly playing to the guy’s strengths as a comedian.

Please.

Don’t make Jay Mohr beg.

Just make “Gary Unmarried” a hit.

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Greetings to the New Show: “The Mentalist”

I believe I put this out there in another post, but I think it bears repeating: “The Mentalist” is the new series that my mother-in-law is the most excited about. I can appreciate where she’s coming from. I’m pretty excited about it, too. Mind you, my reasons are different than hers – I love the concept, she thinks the show’s star, Simon Baker, is hot (and has apparently felt this way since he starred in “The Guardian”) – but, still, it means that I can count on her getting excited when I get an advance screener of any future episodes of the series.

In “The Mentalist,” Baker plays the title character. His name is Patrick Jane, and he’s an independent consultant with the California Bureau of Investigation (CBI) who has a remarkable track record for solving serious crimes by using his razor sharp skills of observation…not that that’s a direct quote from the CBS press release or anything. Jane is a guy who knows how profound his abilities are, and it shows in his every word and deed when he’s on a case.

We get an example of his trademark confidence (or possibly hubris) in the first minutes of the first episode as we watch him walk into the home of a murder victim, brew a pot of tea, and make himself a sandwich. It isn’t until the kettle whistles that the victim’s mother even knows he’s there, but he quickly offers her a cuppa and, after demonstrating his powers of observation, says with a sly smile, “I used to make a good living pretending to be a psychic. I tell you this because I want you to understand that there’s no point in hiding things from me.” After a brief conversation with the missus, he then greets the child’s father by identifying himself as being with the police, adding with no further preface, “Did you murder your daughter?”

I won’t tell you how the rest of the scene plays out, but it’s a testament to Baker’s charisma that his last line – “Honestly, it’s not as bad as it looks” – earns a laugh.

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Heroes 3.1 / 3.2 – The Old One-Two Punch

“Heroes” is back, baby…and to celebrate, NBC gave us a one-hour recap special, followed by two brand-new, full-length episodes. Rather than waste time, let’s get to talking ’bout what happened, shall we?

Episode 3.1

After a close encounter with his niece which proves that Claire is still about as dumb in the future as she is in the present, FuturePeter jumps back to the day Nathan was originally going to reveal his powers to the world at large and attempts to change history with a couple of quick gunshots. I’ve already read a few bloggers who’re asking, “Why did he only go back to a few minutes before Nathan made his revelation? Why didn’t he go farther back and, y’know, catch Nathan in a less public place?” And, really, there’s only one answer to that question: because if he’d done that, then there wouldn’t have been much of a story. And, thus, FuturePeter pops a couple of caps in his brother…and successfully, no less. Yeah, we knew the bullets connected, but who would’ve thought that he’d really die? Not that it’s a permanent situation, but, still…

It was so nice to see Hiro getting back to being the same loveably funny and hopelessly heroic guy that we saw in the first season. The guy just loves to be a hero, and he can’t resist that instinct, no matter how many times Ando may plead with him to do otherwise. It was great when Hiro decided to open the safe despite his father’s posthumous order, only to meet with a second message from him. (“I asked you not to open the safe!”) So who has the purity of blood…? I loved the special effects used to designate the motion of the new speedster hero – c’mon, Hollywood, let’s get that “Flash” flick fast-tracked now, shall we? – as well as the way she cold-cocked him. (“But I am on my feet.” BAM!)

Sylar’s dialogue when he paid a call on Claire was deliciously villainous and comic-book-y, though I could’ve done without his awful description of his time spent south of the border. (“It’s all behind me now, like a long night after a bad taco”? Really?) The sequence with Claire wandering through the dark house, trying to avoid capture, was straight out of a grade-B thriller, but it was still effectively creepy, particularly when he finally succeeded. Okay, when he was first poking around in Claire’s head (literally), all I could think of was the scene at the end of “Hannibal,” when Dr. Lecter popped the top off Paul Krendler’s skull, but Sylar definitely got my attention…and Claire’s…when he said that she could never die. What, never…? (Well, hardly ever…)

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Old Show, New Season: “The Big Bang Theory” / “How I Met Your Mother”

Monday night TV sucks.

No, wait, hear me out: it sucks because there are now officially too many good shows being broadcast on Mondays.

Haaaaaaaave you checked out the schedule for 8 PM? Starting next week (Sept. 29), the following shows will be competing against each other: “The Big Bang Theory” and “How I Met Your Mother” on CBS, “Terminator: The Sarah Connor Chronicles” on Fox, “Chuck” on NBC, and “Gossip Girl” on The CW. Even if I had a splitter for my TiVo – note to self: get a splitter for my TiVo – I’d still be out of luck, since it’s not like my system is capable of recording four shows at the same time…and, geez, it’s not like there are enough hours in the day to keep up with this much programming, anyway!

Good thing, then, that CBS was kind enough to give me the hook-up on the premieres of “The Big Bang Theory” and “How I Met Your Mother,” so I could scope them out and give you a bit of a preview without fear of missing tonight’s episodes of “Sarah Connor” or “Gossip Girl.” Mind you, I still don’t know what I’m going to do next week, when “Chuck” premieres, but I’ll cross that bridge when I come to it…

I don’t think I could’ve been more pleased with the Season 2 premiere of “The Big Bang Theory.” It was one of my favorite new series last year, but given the way it ended, with Penny (Kaley Cuoco) sharing a moment with Leonard (Johnny Galecki), you couldn’t help but worry that things were moving a bit too fast between the unlikely couple. Sweet or not, it’s just really hard to imagine a relationship between a physicist and a Cheesecake Factory waitress working out for the long haul…and, fortunately, Penny has the same concerns at the conclusion of their first date.

Unfortunately, however, she makes the mistake of sharing those concerns with Sheldon (Jim Parsons), who reacts about as well to her suggestion that he not tell Leonard about her worries as he reacts to everything else.

In short, he freaks out.

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Ten comments about the 2008 Emmy Awards

1. Call him a dick for saying it, but Jeremy Piven’s dismissal of the opening of this year’s ceremony during his acceptance speech was right on the money. After that brief montage of stars quoting classic TV catchphrases, Oprah killed the show stone dead with her opening remarks, and the never-ending sequence by the reality-show hosts was downright painful. It was the worst beginning to an Emmy broadcast that I can remember.

2. I liked “Recount” as much as the next guy, but Tom Hooper was robbed. He totally deserved to win the award for Outstanding Directing for a Miniseries, Movie, or a Dramatic Special for his work on “John Adams.” That said, Jay Roach defused my anger somewhat when he thanked “my rock ‘n’ roll sweetheart, Susanna Hoffs,” in his acceptance speech.

3. Don Rickles can be funnier with one motion of his eyebrow than Kathy Griffin is likely to be in her entire career…and, indeed, he proved this tonight.

4. Bryan Cranston, God love him, only won his Emmy for Outstanding Lead Actor in a Drama Series because of the split-vote phenomenon.

5. I’m not saying Josh Groban’s TV-themes medley was great, but hearing him screech Cartman’s lines in the “South Park” theme was worth the price of admission.

6. Ricky Gervais’s bit where he demanded that Steve Carrel return his Emmy was brilliant…but with that said, I went to see “Get Smart” at the local discount theater this weekend instead of paying full price to see “Ghost Town.” I’m just saying.

7. As happy as I was to see “Mad Men” win Outstanding Drama Series, I think I was just as psyched that “Damages” got the love it did in the acting categories. I might’ve picked Ted Danson to win over Zeljko Ivanek, I admit, but I’m sure as hell not complaining. Season 2 of that series can’t get here soon enough.

8. It was totally an industry joke, but when Tom Hanks thanked Chris Albrecht during his acceptance speech for “John Adams,” then cupped his ear to see if anyone would applaud, I laughed out loud.

9. Although way too much was made of the whole Outstanding Reality-Show Host award (and giving the Outstanding Reality-Show Competition award to “The Amazing Race” for the sixth consecutive year was abso-fricking-lutely ridiculous), Jimmy Kimmel’s waiting until after the commercial break to announce the winner was truly inspired.

10. Tommy Smothers is my hero.

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