Author: Ross Ruediger (Page 9 of 16)

Underworld / Underworld: Evolution

Here’s a pair of movies that are so relentlessly tedious in their presentation that it only makes perfect Hollywood sense that a franchise was born out of the simple notion that vampires and werewolves would make a kick ass combo if they were beating the crap out of one another. Admittedly, the idea has a sort of kitschy appeal on paper; in practice, however, it leads to one repetitive fight scene after another, broken up by some of the absolute worst dialogue to be heard coming out of center channels in years. There isn’t an insightful or clever word uttered from even a single fanged mouth, which is a huge shame when you’ve got fantastic actors like Bill Nighy, Derek Jacobi and Michael Sheen thrown into the mix. There’s also Scott Speedman as the male protagonist, who is the blandest leading man ever to stream through a movie projector, and yet the dialogue manages to sound quite right as it tumbles from his lips (go figure). The real star of the “Underworld” movies, however, is Kate Beckinsale’s ass covered in tight black leather, since it’s the only thing that you can’t take your eyes off of during the proceedings. That ass will unfortunately be absent from the upcoming prequel, “Underworld: Rise of the Lycans” (probably to be replaced by Rhona Mitra’s posterior, and all things considered, that isn’t such a terrible trade-off). If someone is going to drag you kicking and screaming to what’s sure to be yet another misfire, you might impress them by beefing up on your “Underworld” history by picking up this affordably priced repackaging of previous releases (or, alternatively, use your experience with the set as the reason you don’t want to go).

Click to buy ” Underworld / Underworld: Evolution”

Dallas: The Complete Tenth Season

Waking up from a season-long dream, Pam realizes that Bobby is still alive and well, and it’s quickly back to corrupt business as usual at Southfork and Ewing Oil. Season 10 appropriately sees a return to the less flashy template of Season 8, although there is one major holdover from the infamous dream. Steve Forrest was introduced as ranch hand Ben Stivers in Season 9, and he is reintroduced here as a new incarnation of the same character, only this time his name is Wes Parmalee. (Pam’s obvious psychic abilities go unmentioned.)

It doesn’t take long for the bomb to drop: Is Parmalee actually Ewing patriarch Jock, seemingly returned from the dead? While J.R., Bobby, and Clayton are certain he’s a fraud, Miss Ellie is more easily swayed. The Parmalee storyline dominates the first half of the season, and while it’s great drama, it lacks a truly satisfactory conclusion, and the season’s second half is arguably stronger. With the oil business facing tough times, J.R. hires fanatical mercenary B.D. Calhoun (Hunter Von Leer) to blow up an oil field in Saudi Arabia, thus driving up the price of Texas crude. Things don’t go as planned, the CIA starts sniffing around, and Calhoun returns to take bloody revenge on everyone’s favorite oil slick. The situation worsens when J.R.’s botched scheme is leaked to the public, and the government begins an investigation that may bring Ewing Oil down for good.

Season 10 is very traditional “Dallas,” although it clearly signifies a major shift in the series’ mythology. It is not only the final season for both Victoria Principal and Susan Howard, but also the first for Sheree J. Wilson’s April Stevens, who would last through the final season. Further, while the “Dallas” DVDs have never been gold standard, this set is unusually erratic in video quality, and the second episode has terrible audio. Here’s to hoping that Season 11, set for an April release, will at least be of the usual consistent mediocre standard.

Click to buy “Dallas: The Complete Tenth Season”

And the new “Doctor Who” is…

…really young. His name is Matt Smith and he’s a mere 26 years old, which makes him three years younger than Peter Davison was when he took over the part. Where have you seen him? Well, he’s co-starred with Billie Piper three times: twice as Jim Taylor in “The Ruby in the Smoke” and its sequel, “The Shadow in the North” and he once briefly appeared alongside her in Season One, Episode 6 of “Secret Diary of a Call Girl.” Beyond that, his credits are pretty sparse (I’ve never heard of “Party Animals”) and even in England this amounts to casting an unknown. But then again, isn’t the Doctor something of the unknown himself? I wonder if he’ll still use the alias John Smith…

This is certainly an interesting casting choice and he’s no doubt going to make for a much different Doctor than David Tennant. My first reaction was that the producers were going after the “Twilight”/teen crowd, which probably isn’t such a bad move.

You can find out more info on Smith by visiting Outpost Gallifrey.

Nip/Tuck: Season Five, Part One

At the conclusion of Season Four, plastic surgeons Drs. McNamara (Dylan Walsh) and Troy (Julian McMahon) had packed up their scalpels and headed for sunny Beverly Hills – after all, what better place for two amoral surgeons than Hollywood – so Season Five is something of a new start for the offices of McNamara/Troy. At season’s start, however, business isn’t so hot, so they agree to join a crappy TV series called “Hearts ‘N Scalpels” as technical advisors who will also briefly appear onscreen during the surgery sequences. At first, Christian is certain that this is his ticket to fame, while Sean is reluctant about the entire affair, but the tables quickly turn when the camera favors Sean, and Christian sulks away to soothe his bruised ego in all manner of seedy ways. Sean becomes the toast of the town, begins dating the show’s leading lady, Kate (Paula Marshall), and becomes party buds with the vacuous leading man, Aidan (Bradley Cooper). Then Sean’s ex Julia (Joely Richardson) shows up with kids Annie and Connor in tow, and mama’s got a new brand new bag: a girlfriend, Olivia, played by none other than Portia de Rossi! Olivia’s got a kid, too: Eden (Annalynne McCord, “90210”), a twisted little teen who sets her sights on destroying everything in her path. But an even greater evil lurks in the shadows, waiting to pounce, and perhaps there are worse things waiting in Hollywood than an attention-starved teenager.

Oddly, when this batch of episodes played on FX, I really didn’t care for them and saw a show struggling for air. If you felt at all the same, I urge you to give this set a spin, because I saw the season in a whole new light this time around and actually found myself having a lot of fun with the series, something I hadn’t really done in a couple years. As far as the whole “Season Five, Part One” thing goes, the series is gearing up another round of eight episodes which technically will finish up Season Five, although creator Ryan Murphy has said that the labeling is more of an internal thing, and that the new episodes probably won’t have much to do with what’s on this set. In other words, just think of this as Season Five and be done with it.

Click to buy “Nip/Tuck: Season Five, Part One”

2008: The Year in TV – Ross Ruediger

Unfortunately I’m the kind of guy who’s lousy at making lists, because I always feel I’m going to leave off something important. So this year, my list is the shortest so it’s obvious I left many things off. It was a pretty good year for TV, and with so many good shows bidding adieu, I worry that next year’s list will be short simply because there won’t be enough quality stuff to fill it out.

TOP 3 SHOWS

1. “Torchwood,” BBC America

Torchwood

Normally, “Doctor Who” would take the top spot on my year-end round up of favorite shows, but this year the spin-off series “Torchwood” was so strong that I’m giving it up to Captain Jack. Its sophomore season navigated an intense and fresh sci-fi vibe that was perfect for the here and now. The thing is that at this point both series (along with the more kiddie-oriented “The Sarah Jane Adventures”) have all become slices of one another. It’s the “Who”-niverse…and in order to see the bigger picture, one must be aware of every facet. The three series work apart from each other, yet gel into a whole via awareness. In any case, this year “Torchwood” delivered stronger material than Season Four of “Who,” which, while refreshing, is a trend I’d like to see reversed once Steven Moffat begins guiding the Doctor in 2010.

2. “Boston Legal,” ABC
After a somewhat tepid fourth season, the halls of Crane, Poole & Schmidt came roaring back to life for an abbreviated 13-episode final season. Nearly every installment this year has been a keeper, and David E. Kelley has done a fantastic job of balancing his usual political grandstanding with eloquent moments of character-driven drama and comedy. At the time of writing, the 2-hour series finale has yet to be unveiled, but there isn’t any reason to believe it’s going to be anything short of an ideal sendoff for James Spader, William Shatner, and Candice Bergen. The show began life as a spin-off of “The Practice“; now, if only the TV gods would allow Kelley to spin a series off “Boston Legal” that follows the relationship of Jerry Espenson (Christian Clemenson) and Katie Lloyd (Tara Summers), I’d be perfectly content to see this show ride off into the sunset.

3. “The Shield,” FX
For some reason, it almost seems easy to want to dismiss the end of the saga of Vic Mackey…but, really, that would be just plain wrong. Shawn Ryan and his cohorts have steadily delivered under-the-radar goods for 7 seasons, and the missteps have been few and far between along the way. I’m not going to miss “The Shield” like I would many a show that’s wrapping things up…like “Boston Legal,” for instance. No, this show ended at exactly the right time and on exactly the right series of corrupt, violent notes. But speaking of spin-offs, who wouldn’t want to see a half-hour cop comedy series centered around Dutch Wagenbach (Jay Karnes) and Steve Billings (David Marciano)? OK, perhaps that’s a tad over the top, so I’ll settle for a drama focused solely on Dutch, who’s had the good sense to move as far away from Farmington as possible.

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