Author: Jason Zingale (Page 47 of 154)

Dragon Ball Z: Fusion Reborn / Wrath of the Dragon

If you’re one of many people who feel that “Dragon Ball GT” hurt the integrity of the “Dragon Ball” franchise more than it helped it, you probably also consider the final episode of “Dragon Ball Z” as the official ending point of Akira Toriyama’s beloved anime. Of course, you’d be wrong to think that. While “Dragon Ball GT” is quite the abomination, Toriyama and Co. released two more “Dragon Ball Z” films that take place after the end of the series, and believe it or not, they’re actually quite good. The plot of “Fusion Reborn” will probably sound familiar to fans (something about the inhabitants of Hell wreaking havoc on Earth while Goku fends off the latest, greatest evil supervillain), but thanks to a nice mix of action and comedy, not to mention the first appearance of Gogeta, it’s actually pretty entertaining. (Bonus points for Hitler’s comment about Trunks and Gohan: “Blonde hair, blue eyes, super strength. I should be recruiting them.”) “Wrath of the Dragon,” meanwhile, is perhaps the best “DBZ” movie of the lot because it actually feels like the writers put some thought into creating an original story. This one involves the unleashing of an ancient monster, and though the monster itself is defeated rather easily, it’s the relationship between Trunks and Taipon (the hero in charge of trapping the monster) that really makes the film feel like it’s more than just one, long 40-minute fight sequence. It’s too bad the other movies don’t adhere to the same set of rules, because while “Fusion Reborn” and “Wrath of the Dragon” feature a similar checklist (action, comedy, and more action), they go the extra mile in making the actual stories satisfying as well.

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Blu Tuesday: Friday the 13th, Dr. Strangelove and Morning Light

Those who saved up a little extra pocket change from the lack of Blu-rays released over the last few weeks will probably want to grab a hammer and break open the piggy bank, because there are a slew of must-own titles hitting stores today. Even better is the variety, from new horror films and old classics to cult television shows and HBO mini-series, this week features one of the best HD line-ups that you’re likely to see all year.

“Friday the 13th” (Warner Bros.)

The new adventures of Jason Voorhees may just be the latest in a long line of mindless sequels (in fact, one might even argue it’s little more than a compilation of greatest hits from the first three films), but it does serve as an excellent reboot of sorts that horror fans should appreciate. While Jason’s ninja-like stealth is a bit ridiculous, it’s but a minor obstacle in an otherwise entertaining slasher flick. The kills are just as inventive as they were 30 years ago (there’s even a Blu-ray exclusive featurette that takes an in-depth look at the seven most memorable ones), and at the end of the day, that’s all anyone really cares about. Whether or not it truly revitalizes the franchise is a whole another matter, but at least Warner Bros. is willing to stand behind their product. The Blu-ray release is one of the studio’s best yet, and includes an extended (but still R-rated) cut of the film, as well as a making-of featurette, deleted scenes and a picture-in-picture video track.

“Dr. Strangelove” (Sony Pictures)

Stanley Kubrick’s 1964 Cold War satire isn’t exactly the kind of film that benefits from high definition, but it still looks remarkably good for its age. Though I’ve never really been a fan of black-and-white cinema, “Dr. Strangelove” is one of the few exceptions. It’s probably because the movie would seem absolutely ludicrous in color. Not only are many of the characters (like George C. Scott’s General Turgidson and Peter Seller’s Strangelove) already so outlandish that they’re practically cartoons, but the monochrome effect lends a certain seriousness to the film that only makes the events that follow even funnier. The “Inside Dr. Strangelove” retrospective included on the disc – which covers everything from Kubrick’s original idea of making a serious political thriller to an 11th hour legal coup designed to delay the release of the similarly-themed “Fail-Safe” – should be of particular interest to fans of the film, while the addition of never-before-seen pages from the screenplay sheds new light on the infamously deleted cream pie fight ending.

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Baccano!: Volume Three

The third volume of “Baccano!” is decidedly less plot-heavy than the two that came before it, but what it lacks in exposition, it more than makes up for with a relentless supply of bloody, bloody violence. Though the series has certainly featured its share of bullets, knives and soul-sucking immortals in the past, Volume Three goes into overdrive as the Flying Pussyfoot literally transforms into death on wheels. The bloodbath isn’t just the work of the Rail Tracer, either, but he does figure heavily into the story this time around due in part to the fact that he’s finally properly introduced. As it turns out, the Rail Tracer isn’t much of a demon at all (at least, not in the traditional sense), but rather Claire Stanfield (now going by the name Vino), who’s adopted the persona of the Rail Tracer for his own amusement. Meanwhile, Ladd gets into a fight with Chane on top of the Flying Pussyfoot; Rachel (the mysterious woman seen on the outside of the train in Volume Two) is revealed to be working as a spy for the Daily Days; and Czeslaw is killed several times, only to be revived by the powers of the elixir. This might just be the craziest batch of episodes yet, but with tensions at an all-time high and plenty of questions still left unanswered, the fourth and final volume should easily trump that.

Click to buy “Baccano!: Volume Three”

Blu Tuesday: Gran Torino, The International and Fired Up

It may be another slow week in the world of Blu-ray, but while you won’t find too many titles worth owning on the New Release shelf, there are a few movies that are at least worth a rental. Today’s catalog selection is also pretty lackluster (“Predator 2,” really?), so just consider this week another welcome opportunity to save up for the months to come.

“Gran Torino” (Warner Bros.)

Of course, one movie definitely worth purchasing is Clint Eastwood’s no-frills drama about a Korean War veteran whose neighborhood has become overrun by a community of Asian refugees called Hmong. Easily one of the best films of 2008, “Gran Torino” also managed to become a surprise hit at the box office. I’m not sure how (it’s a great movie, but it doesn’t exactly scream “mainstream”), but it’s just nice to see audiences embrace such a low-key drama. The movie also features Eastwood in one of his best performances to date – somehow making an unapologetic racist seem remarkably charming – but is biggest contribution is in casting of Bee Vang and Ahney Her, two relative unknowns who do an incredible job standing toe-to-toe with the acting veteran. The Blu-ray is pretty low-key itself, but fans will enjoy “The Eastwood Way,” an exclusive featurette about the making of the movie.

“The International” (Sony Pictures)

Though I still have yet to actually see the lukewarmly received crime thriller, it’s hard not to recommend “The International” based solely on the involvement of Clive Owen and Tom Tykwer, director of the cult film “Run Lola Run” and the hugely underrated “Perfume: The Story of a Murderer.” Though it’s been called anti-climactic by many, it’s hard to deny the appeal of both men, not to mention the inclusion of Naomi Watts as Owen’s partner in crime. Still, movies don’t just get delayed or divide critics for any old reason, so you might want to approach “The International” with caution. If nothing else, at least you’ll get a decent collection of extras to browse through including a director/writer commentary, a making-of featurette and a look at recreating the Guggenheim for the film’s climactic shootout.

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Is Charlie coming back for more “Lost”?

That seems to be the new rumor going around the ‘net today following the release of a new ABC promo featuring Patrick Dempsey, Ed O’Neill, Courtney Cox-Arquette and ex-Lostie Dominic Monaghan. While TV spoiler guru Michael Ausiello has received word from a network insider that “There’s obviously a lot of ABC talent in the promo… It doesn’t necessarily mean that Dominic is returning to Lost,” it’s hard to argue otherwise considering the promo ends with Dempsey telling Monaghan “You’re so dead,” and Monaghan coyly replying, “Actually, I was.”

The fact that fellow cast member Emilie de Ravin was just announced as returning to series regular status for the final season, it would certainly open up the opportunity for Monaghan to return as well. Whether it’s as a ghost or a real person (what if Juliet really did change the past?) is uncertain, but whatever the case, I know that lots of fans (myself included) would just be happy to have him back. We’ll have to wait until January 2010 to find out, but for the time being, it’s definitely worth speculating about.

UPDATED: As it turns out, the rumor was just that — an unfortunately untrue rumor. Mr. Ausiello has gotten the real scoop, and it involves Monaghan joining another hour-long show on ABC. Any guesses? Ausiello’s comment section is already filling up with suggestions, including one I like (“V”) and one I don’t (“Grey’s Anatomy”).

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