Author: Jason Zingale (Page 29 of 154)

Planet Hulk

For as much as Marvel utilizes him in their animated films, you’d think that the Hulk was the company’s flagship character. “Planet Hulk” marks the fifth appearance of the Not So Jolly Green Giant (including all three Avengers films and last year’s double feature, “Hulk Vs.”), and quite frankly, it’s starting to get a bit out of hand. While the Hulk deserves his share of the spotlight just as much as the next Marvel superhero, the decision to follow up one Hulk-centric feature with another only risks alienating those who aren’t fans of his comics. Based on the miniseries of the same name, the story begins with the Hulk awakening to discover that he’s been shipped to an uninhabited planet by the Illuminati after being deemed too dangerous for Earth. When Hulk causes the shuttle to malfunction and crash land on the planet of Sakaar, however, he’s forced to partake in the gladiatorial games by the planet’s leader, the Red King.

What follows is essentially “Gladiator” lite, with the Hulk teaming up with his fellow contestants to overthrow the Red King and earn their freedom. The problem with this formula is that the Hulk isn’t exactly leading man material, and although the writers try to remedy that by giving him more to say than just “Hulk smash!,” it feels terribly out of character. The story itself is plagued with flashbacks for supporting characters that draw attention away from the titular hero, while the action scenes are fairly bland when compared to the far superior “Hulk Vs.” Fans of the Hulk will still enjoy seeing one of Marvel’s most recent mini-events come to life, but next time around, they’d be better off choosing a bigger crossover event that appeals to a larger audience like “Civil War” or “Secret Invasion.”

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Give ‘Em Hell Malone

Director Russell Mulcahy may be responsible for bringing the “Highlander” franchise to the big screen, but he’s fallen pretty far since working with the likes of Sean Connery. After a long stint in the music video business and some terrible sequels to other film franchises like “Resident Evil” and “The Scorpion King,” Mulcahy’s career doesn’t show any signs of improving with his latest B-movie, “Give ‘Em Hell Malone.” Thomas Jane stars as the title character, a hardboiled detective type who finds himself in hot water with the local mob boss after he fails to turn over the case he was hired to retrieve. What’s inside the case, you ask? You don’t want to know, but it’s pretty stupid considering all the crap that Malone has to go through to keep it safe. At the top of that list are the bad guys hired to take him down. Ving Rhames looks annoyed he agreed to even appear in the film, while Doug Hutchison goes a little too far over the top as a sadistic arsonist who calls himself – wait for it – Matchstick. (Did they just use a random villain name generator for that one?) Not even Jane seems completely up for it, and he’s starred in movies far worse than this, because although it’s a fun nod to the pulp noir genre, “Give ‘Em Hell Malone” is every bit deserving of being dumped direct to DVD.

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Pontypool

It’s no secret that the zombie genre has experienced quite the renaissance over the last decade, but with that kind of overexposure, it was only a matter of time before the well began to run dry. If you look hard enough, however, there are still a few undiscovered gems lurking about, and the Canadian horror-thriller, “Pontypool,” is proof of that. Set almost exclusively inside an abandoned church-turned-radio station, the film stars Stephen McHattie as Grant Mazzy, a former big-city shock jock who now hosts the morning show in the small town of Pontypool, Ontario. When reports start coming in of locals exhibiting strange behavior and brutal acts of violence, Grant and his fellow co-workers (Lisa Houle and Georgina Reilly) hole up in the building relaying news updates over the air. To say what is actually causing the infection would ruin the tense atmosphere that director Bruce McDonald has created, because even though it offers a unique spin on the genre, the very thing that makes the story so original is also what undoes the film in its final minutes. Audiences will still enjoy the ride thanks to some great performances from its three leads, but the clumsy ending prevents “Pontypool” from living up to its full potential.

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Lost: Season Six – A Preview to the Beginning of the End

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Just as it became a pop culture phenomenon during its first season, “Lost” will once again be on everyone’s radar as the island drama builds toward its inevitable end with the Season 6 premiere on February 2nd. Though Carlton Cuse and Damon Lindelof have done an incredible job over the years of juggling all the different storylines and mysteries, it’s asking a lot to think that they’ll be able to end the show without criticism from some of its fans. With that said, however, I cannot wait to see what they’ve cooked up for the show’s sixth season, because after last year’s head-scratcher of a finale, there’s plenty at stake.

The biggest question of all revolves around Jughead. Did Juliet succeed in detonating the hydrogen bomb, and if so, will it really reset time like Faraday led Jack to believe? Early indicators certainly point to that being the case, with several former cast members returning for an unspecified amount of episodes. This includes everyone from minor players like Charlotte (Rebecca Mader), Libby (Cynthia Watros) and Boone (Ian Somerhalder), to more influential characters like Faraday (Jeremy Davies), Juliet (Elizabeth Mitchell), Michael (Harold Perrineau) and, of course, Charlie (Dominic Monaghan). No word yet on whether Mr. Eko, Ana-Lucia, Shannon or Walt will also find their way back into the “Lost” universe, but rumor is that Cuse and Lindelof are bringing back everyone they possibly can, and that extends to many of the supporting characters as well.

Of course, there’s also a chance that Juliet hasn’t changed the past, but merely created an alternate reality that branches off the one we know. Don’t forget, “whatever happened, happened,” so no matter what may have sprouted as a result of Jughead’s detonation, that particular timeline will always exist. Granted, even if we are treated to a look at how the survivors’ lives would have turned out if Oceanic Flight 815 never crashed, you can be sure that we’ll still be seeing plenty of the island throughout the season. There’s no way the Losties are done just yet, because there are still a number of questions left unanswered, such as…

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Halloween II

Rob Zombie promised he would never make a sequel to his disastrously bad remake of John Carpenter’s “Halloween,” so why couldn’t he just keep his word? Zombie picks up the story where the last one left off, with Michael Myers (Tyler Mane) shot dead by his long-lost baby sister, Laurie Strode (Scout Taylor-Compton). Apparently, death didn’t suit him, because Myers somehow survives, and after two years wandering the great outdoors as a hobo, he returns to Haddonfield to finish the job. There’s really no explanation as to how Myers was able to walk away with no apparent injuries after a coroner pronounced him dead, but Zombie’s first film didn’t make a whole lot of sense either. In fact, Myers isn’t just invincible, he’s also a trained ninja who’s capable of walking around a creaky old house without making any noise. Either that or he’s received the power of teleportation from his ghost mommy (Sherri Moon Zombie), who appears in a series of dream sequences seemingly designed to allow Zombie’s wife to reprise her role. The whole charade is not only incredibly lame, but quite boring as well, especially now that Laurie is supposed to be this devil-may-care anarchist with her own psychological issues. She’s probably the most unlikeable lead protagonist to ever grace a horror film, but “Halloween II” is such a bloody mess that it’s the least of its problems.

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