Author: Jason Zingale (Page 150 of 154)

DVD shuffle: 11/29/05

Out on DVD this week:

1) Mr. & Mrs. Smith – RENT: There’s not much in the way of special features on this single-disc release, but knowing the way Fox operates, there should be a Special Edition of the film in the very near future. That said, the audio comentary by director Doug Liman is more than enough to satisfy the following months until the updated disc hits stores.

2) March of the Penguins – RENT: You’d find yourself hardpressed to recommend this film to DVD aficionados, since there really aren’t many special features, but the film has garnered enough attention to make this something worth adding to your Netflix queue.

3) Sky High – RENT: Disney’s family-friendly superhero movie is actually a lot more enjoyable to adults than their children, thanks mostly to a sharp cast of veteran actors including Dave Foley and Bruce Campbell. The DVD looks like it’s packed with bonus material, but it won’t take more than an hour to get through. Bummer.

4) Murderball – After “March of the Penguins,” this was the most talked about documentary in theaters this year, and for good reason, too. The bonus material is also much better, with two audio commentary tracks, a behind-the-scenes featurette, and deleted scenes that are all worth checking out.

Also out on DVD this week is the third volume (fourth season) of “Family Guy,” the summer comedy flop “Deuce Bigalow: European Gigolo,” and a special edition release of Peter Jackson’s “The Frighteners.”

Brendon Small and his “Home Movies”

Of all the animated shows on Cartoon Network’s Adult Swim, the one that’s managed to fly almost completely under the radar – despite being one of the funniest series in recent years – is “Home Movies.” The show’s lead character is eight year old Brendon Small…who is voiced, in what can only be described as an eerie coincidence, by a very funny man who’s also named Brendon Small. “Home Movies” has, season by season, eased its way onto DVD thanks to the fine folks at Shout! Factory. Small took some time to chat with Bullz-Eye about his time at the Berklee College of Music, how the improv nature of “Home Movies” sent many an editor to an early grave, and what’s going on in his life these days. Here’s a clip.

Bullz-Eye: So, getting back to “Home Movies,” you first met up Loren Bouchard when he was working on “Dr. Katz, Professional Therapist,” on Comedy Central.

Brendon Small: Yeah. “Dr. Katz” was kind of wrapping up – I think everyone was kind of ready to let it go, they’d done 4 or 5 seasons, maybe 6 – and that was kind of winding down. And Loren had the opportunity to produce his own show. And I was in the right place at the right time. The odds of getting a show on the air are about a billion, jillion to one, and, luckily, we got one on the air. And that was on UPN, during what I call The Cartoon Boom of ’99, where, like, “Family Guy” came out and all that stuff…a bunch of shows that went away. But we snuck over to Adult Swim (on Cartoon Network) and kept our heads down and nobody noticed us and we got to do four seasons without anybody kind of noticing anything. And we were, like, “They keep on ordering seasons! I don’t know what we’re doing, but somebody likes it!”

BE: Was it hard to get into the mindset of playing an 8 year old…or was it, in fact, surprisingly easy?

BS: You know, it was easy because I didn’t play him as an 8 year old. I think that, in the first few episodes, it was a little bit cutesier. And I was ashamed of that. So I wanted to not play him as cutesy, because that made me sick to my stomach. But it wasn’t difficult. The hard part with me and Bill Braudis when we were writing for “Home Movies” was trying to figure out what to do with Brendon, because we would have to put the story on his back for the most part, and he was kind of a straight man for McGuirk, but we found that we could make him funny and stuff. So, basically, our M.O. was to make him a wise-ass. Always. It’ll be easy. It’ll be fun. And I’ll just play him as whatever age I am at the time, as a wise-ass. Which is kind of what I am, anyway, so it’s incredibly easy.

BE: The feel of the show…the improv feel of the show…is decidedly unique compared to other animated series. How did that come about?

BS: Those are techniques borrowed from “Dr. Katz.” So Loren, being a writer and producer on “Dr. Katz,” brought his know-how from that, and we all kind of tried to make that work for a different show, with more of an ensemble feel, a lot more action, and just trying to tighten up the screws and make it go a little bit faster than Dr. Katz. So that was the whole thing. Dr. Katz used a script, but, when given the opportunity, they would choose improv over the script…though I recall the scripts being terribly funny. Doing a 22-minute episode, we wanted to just make sure that we had a lot of funny jokes there, just in case we weren’t feeling that funny, or we were hung over and couldn’t think that quickly, so we wanted to make sure we had a solid script to work off of…but we also wanted to be able to preserve the conversationalisms that we liked about Dr. Katz during those early seasons of “Home Movies”. So I think you’ll see that come together a little bit more during Season 3. And the ratios of improv versus script are always different…sometimes 70/30, sometimes 50/50…

Click here to read the rest of the interview with Brendon Small.

There’s a reason holiday films get 5 days to shine

There are just too many films released these days… especially bad ones… especially during the holiday season, and this year isn’t any different. This weekend’s films got an early jump on the box office by opening in theaters the Wednesday before Turkey Day, a pointless move considering that all of the new releases are still going to get trounced by “Harry Potter & the Goblet of Fire.” Still, if you’re looking for something new to check out this weekend, you’ll have plenty of choices with three comedies and two dramas opening nationwide. The films with the best chances of making a lasting impression have to be the politically charged “Syriana” and the musical “Rent” – based on the Tony-award-winning Broadway act – but “The Ice Harvest” may just interest enough people to land a spot in the Top 3. And if you still haven’t seen “Jarhead” or “Walk the Line,” this may be the perfect chance to do so before December’s killer line-up.

All aboard the pity train

Does this mean we have to feel sorry for Ana Lucia too? The creators said that they would find a way for her character to regain trust back from the viewers, but that had to be the biggest cheap shot in the history of television. After finding out that Ana Lucia used to be a police officer back in Los Angeles, it was also revealed that she lost her pregnancy during a shooting that curbed her for several months. It doesn’t surprise me at all that her pre-crash career had something to do with pushing people around, because she does it so darn well, but the ghost of that baby will definitely be floating above her head for the rest of the season, and there’s something about that I just don’t agree with.

And while Ana Lucia keeps Sayid bound to a tree, the rest of the survivors make their way back to camp, led by Mr. Eko and a near-dead Sawyer. The call for help steals both Jack and Kate from their “friendly” three-hole game of golf, and after Jack sees the way Kate reacts to Sawyer’s gun wound, I think it’s safe to say that the kind doctor is most certainly the odd man out. He does have Ana Lucia to think about, but if the latest interview with the show’s writers is any indication, the person that she hooks up will be the least expected.

I’m going to go out on a limb here and say it will either be Sayid or Michael, only because those two are the least likely out of the bunch. Then again, the latest interview also indicated that we would be surprised when Ana Lucia’s past job was uncovered, and I wasn’t at all. Next week looks to get back on track with some more of Kate’s past. Let’s all hope the second season finally takes off from here…

Even good eggs go bad

Well, it’s offical: “Alias” is no more. That is, after this season, which ends its run in May 2006. The news was announced today by president of ABC Entertainment, Stephen McPherson, and couldn’t have come soon enough. With the series suffering from ridiculous plot turns and star Jennifer Garner’s pregnancy, it’s nice to see that the network wasn’t afraid to axe the show before it got out of hand. Then again…

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