Author: David Medsker (Page 11 of 65)

24 8.1-2: Fairytale of New York

Man in room: “Hi, my name’s Farhad.”
Rest of room: “Hi, Farhad.”
Man in room: “And I’m a villain.”

Hiding in plain sight: it’s the new twist ending.

From the moment they set up the white she-devil reporter Meredith (who, of course, is blonde) as the supposed inside person that will take out Slumdog President – they even had her doing the shifty-eyed thing, gawd – I’m thinking, “Nope, it’s the brother.” And that’s fine: there have been several transparent baddies in the past on “24.” But how many of them were revealed in the second hour? Seriously, we’re only two hours in, and we already know that Slumdog’s brother (official 24 blog nickname: George Harrison) has brought in the Russian hit man Davros (nickname still pending, though I’m leaning towards Moscow Mike, after watching him slip into New Yorkese without a moment’s hesitation when he took that cop and his wife hostage) to kill his brother, and he plans on using Slumdog’s indiscretions with said white she-devil as leverage to keep him in line. That’s usually a late reveal, isn’t it? They might spend the next 22 hours fleshing out the story in colorful ways, but I feel as though they’ve already played their biggest card.

Unless…

Perhaps Slumdog’s wife is Sherry Palmer in disguise, and she’s the driving force behind George Harrison’s plot. The Hassans are as estranged a couple as you’re likely to find, so it’s safe to say that Slumdog’s death would not crush her. She was just a little too still, too calm. I don’t trust her any farther than I can throw her. And that’s good; the show could use another villainess along the lines of Sherry Palmer and the late, great Lady MacBeth that was Shohreh Aghdashloo. Does anyone have a better voice than Shohreh Aghdashloo? Seriously, they should make a computer program that enables people to speak like her. It would end war.

24-Ep801_Sc155_0175

“I’m Jack Bauer.” “That’s nice. My wife kills vampires. You’re picking up the check.”

So let’s take a look at the fast-talking clowns that call themselves CTU New York. They’re led by two guys, CTU director Brian Hastings (nickname: Bubba) and ex-Marine Cole Ortiz (nickname: Buffy) who are clearly in over their heads. Their head systems analyst Dana Walsh (nickname: Starbuck) is hiding some shameful past that, from the looks of her country bumpkin blackmailer, might involve tube tops and pole dancing. Lastly Arlo Glass, the man in charge of the drones, or something, uses satellite feeds to spy on hot women (nickname: Merv the Perv). Stuck with these idiots is Chloe, who is having a hard time adapting to their “Minority Report” technology, but seems to be the only one who knows a trap when she sees one. The lack of field experience and instincts with this crew is galling. How many useful leads will Jack and Chloe have to provide before they’re deemed helpful?

Speaking of Chloe, I love Mary Lynn Rajskub as much as anyone, but she has been terrible so far, reading her lines like she has a plane to catch. There is no rhythm or real emotion behind what she says – it’s just chatter. Elisha Cuthbert, on the other hand, has turned in her best work yet in these first two hours. She also looks fabulous.

Madame President didn’t play too large a role in these first two hours, other than being the level-headed, middle-of-the-road President that we will never see in real life. Her new chief of staff Rob Weiss is a pushy little fucker though, and I wouldn’t be at all surprised to see Ethan Kanin throw a roadblock or two his way.

For as much hype as the season premiere of “24” generates, this was not their best first step. Bad guys busting off shots in the middle of the street, but there are no witnesses. (It’s New York. Someone is always watching.) A compromised CTU employee, a la Samwise Gamgee from Season 5. On the plus side, the writers appear to be playing the ‘damn it’ drinking game again, so that’s fun. Still, hours three and four, to quote Hard-Fi, better do better than this.

And, in a new wrinkle to the 24 blog, I’m including a video to the song that inspired each week’s title. Take us home, Shane and Kirsty.

Your “24” Season 8 refresher guide, damn it

As we ponder which pop culture reference to use as our opening to the return of Season 8 of “24” – would ‘We love the smell of terror in the morning’ work, or should be go musical and simply say ‘Welcome to the terrordome, again’? – we realized that the seven-month layoff between seasons produces some rather large gaps in memory when it comes to the previous day’s events, and this is coming from the person responsible for blogging the damn show. As a means of getting everyone (especially me) up to speed with both the returning characters and the new ones in anticipation of the upcoming two-day premiere – once again competing with the Golden Globes, ugh – we’ve prepped this handy little refresher guide on what you can expect this season. And as a precaution, we’ve included a SPOILER ALERT! warning when appropriate. Man, IMDb is helpful and all, but sometimes it blatantly gives the game away.

RETURNING FOR DUTY
Name: Jack Bauer (Kiefer Sutherland)
Last seen: In a coma, finally succumbing to the nerve agent that he inadvertently exposed himself to while trying to stop a major attack in Day 7.
Present whereabouts: Seemingly cured of any and all ill effects of the nerve agent and preparing to relocate back to Los Angeles to be closer to his daughter and granddaughter, who’s named after Jack’s dead wife.
Likelihood of surviving to final clock tick: 1,000,000,000%. If they kill Jack Bauer, it won’t be on the small screen. And even if they did decide to kill him on TV, they’re sure as hell not going do it the same year as the final season of “Lost.”

Name: Chloe O’Brian (Mary Lynn Rajksub)
Last seen: using a laptop, which was practically still smoking from the fire that it was pulled from, to pinpoint the location of Season 7 baddie Alan Wilson.
Present whereabouts: Working her tech magic for the newly reinstated CTU office in New York.
Likelihood of surviving to final clock tick: 90%, though we suspect that should Chloe die, Jack would just fall to the ground like a marionette.

Name: Kim Bauer (Elisha Cuthbert)
Last seen: Going against her father’s wishes and consenting to the doctors’ request to use her stem cells to save Jack.
Present whereabouts: Still on the east coast with the intent to move back west. The mother of an infant at the end of Season 7, her daughter is now roughly four years old, even though we believe only 18 months have passed since this season and last.
Likelihood of surviving to final clock tick: 100%. Like cockroaches, Keith Richards and U2, Kim Bauer cannot be killed.

Name: President Allison Taylor (Cherry Jones)
Last seen: Sending her treacherous daughter to the slammer for a laundry list of grotesque offenses, thereby guaranteeing that her husband never has sex with her again.
Present whereabouts: New York, where she will sign a landmark treaty with President Omar Hassan. Or at least that’s the plan.
Likelihood of surviving to final clock tick: 95%. She’s damn tough, and even some of the Presidents that die on camera don’t really die. Take, for example…

Name: President Charles Logan (Gregory Itzin)
Last seen: Flatlining in an ambulance after being stabbed by his wife, former First Lady of Crazy Martha Logan.
Present whereabouts: Unknown, but word has leaked that Logan will return at some point this season.
Likelihood of surviving to final clock tick: 100%. Hey, if Martha couldn’t kill him…

Name: Renee Walker (Annie Wersching) (SPOILER ALERT!)
Last seen: Sneaking into the holding room of Alan Wilson, with the intent to make him squeal like a pig for orchestrating the day’s events, not to mention the death of her boss, Larry “Dudley Do Right” Moss.
Present whereabouts: Unknown, but we’re guessing it’s somewhere dark, cold, and ratty.
Likelihood of surviving to final clock tick: 5%. We already had a sneaking suspicion that Renee, a.k.a. Jacqueline Bauer, was destined to fill that ‘dead/damaged lover’ slot in Jack’s life, but then IMDb revealed this, um, revealing fact: as of press date, Wersching was credited for appearing in 47 episodes of “24.” You do the math.

THE ROOKIES
The re-opening of the New York office of CTU will serve much like the introduction of the FBI in Season 7. New bosses, new agents, new techies, and most likely, new moles. But damned if this bunch doesn’t appear to be squeaky clean. For now.

Name: Omar Hassan (Anil Kapoor)
Title: President of the fictional Muslim nation of Kamistan and assassination target.
Potential 24 Blog Nickname: Slumdog President
Likelihood of surviving to final clock tick: 100% Swear to God, I got in a conversation with two Indian men at a local liquor store about Anil Kapoor (an ad for “24” appeared on the TV behind them), and they both proceeded to recite a laundry list of Chuck Norris-type facts about Anil Kapoor. Apparently, Kapoor can do seven lengths in an Olympic swimming pool…underwater. I was going to inquire about Kapoor’s roundhouse kick, but thought better of it, grabbed my booze, and left.

Name: Dana Walsh (Katie Sackhoff)
Title: Director of IT, CTU New York
Potential 24 Blog Nickname: If I don’t call her Starbuck, all hell will break loose.
Likelihood of being mole in disguise: 20%. She appears to be more of a Nasia Yassir (the lovely Marisol Nichols) type. Which is fine with us. After all, why bring in someone like Katie Sackhoff and ask your audience to root against her?

Name: Brian Hastings (Mykelti Williamson)
Title: Director of CTU New York
Potential 24 Blog Nickname: Sorry, Mykelti, but you’ll always be Bubba to us.
Likelihood of of being mole in disguise: 10%, but I’ll bet dollars to donuts he’s dead before the day’s over. Directors of CTU have a higher mortality rate than Jack’s girlfriends. (*pours out 40 in honor of Bill Buchanan*)

Name: Cole Ortiz (Freddie Prinze Jr.)
Title: Agent, CTU New York
Potential 24 Blog Nickname: There is surely a Mr. Buffy Summers joke in there somewhere, but man, that seems too easy.
Likelihood of of being mole in disguise: 15%. He’s an ex-Marine (that’s right, Freddie Prinze Jr. is playing an ex-Marine), so the odds of him betraying his country are highly unlikely. It would be a nice play against type, but “24” doesn’t really play that way. They tend to cast former weasels to play current weasels. See Sean Hillinger, a.k.a. Billy Walsh, from Season 7.

Name: Arlo Glass (John Boyd)
Title: Systems Analyst
Potential 24 Blog Nickname: TBD. Considering his relatively skint resume, including such roles as Drunk Guy and One-Eyebrow Smoker, we’ll need some time together before a nickname presents itself.
Likelihood of of being mole in disguise: 10%, though we wonder if he’ll produce trouble for Chloe and Morris.

That’s all we know for the moment, but the “24” blog will be back open for business Monday morning to discuss the first two hours. Fox, though needs to be slapped silly for scheduling the premiere opposite the Golden Globes, again. Yes, yes, moving the premiere to Monday and Tuesday would mess up “American Idol’s” schedule, blah blah blah. Nobody cares. Heck, the stars of “24” will be at the Golden Globes, for crying out loud. Jeesh.

Celluloid Heroes: David Medsker’s Top Movies of 2009

Let’s not mince words, because our very lives depend only upon truth: 2009 was not a great year for movies. It was the most profitable, but how much of that was driven by quality versus 3D and IMAX surcharges? And at the risk of sounding like one of those cranky critics who’s never satisfied, let me state that I did indeed find several movies that I enjoyed at the theater this year; I’m just not sure how many of them will stand the test of time.

This was very much a disposable entertainment kind of year, where movies were built to serve like a meal (consumed once), rather than a piece of furniture (stays with you for decades). Having said that, there were some damn good meals served up this year. Here are my ten favorites.

zombieland
10. Zombieland
The single best time I’ve ever had at the movies. It was at a theater that served beer, and the crowd was eager to have some fun. Needless to say, we did. I still think the death of the actor who turned in a brilliant cameo performance was cheap and illogical, but based on the woooooot! that it received when it happened, I am clearly in the minority.

avatar
9. Avatar
It’s not great storytelling – we’d actually pony up the dough for someone to punch up James Cameron’s dialogue if he’d allow it – but “Avatar” is extraordinary filmmaking. The landscapes of Pandora are so rich and unique that it’s easy to forget that none of it is real. To put in perspective just how huge “Avatar” is, the RoboCop-type battle weapon was the big showstopper in “District 9.” Here, there are dozens of them, and they’re just part of the scenery. People dog Cameron for his admittedly monstrous ego, but for God’s sake, look at this movie. Who else could make this? Nobody, that’s who. Love him or hate him, James Cameron makes sure every one of his movies gives you something you’ve never seen before, and holy cow, does he do that here.

district 9
8. District 9
That slapping sound you heard is Paul Verhoeven hitting his forehead for not thinking of this first. Neill Blomkamp’s aliens-as-Apartheid-victims story is the kind of art-imitates-life metaphor that makes Verhoeven involuntarily drool (and, sometimes, demand that an all-nude shower scene be written in somewhere), and Blomkamp works CGI miracles on a relatively miniscule $30 million budget.

basterds
7. Inglourious Basterds
It is such a treat watching Quentin Tarantino grow up. His stories are infinitely simpler, but they’re better because of it. “Basterds” is his simplest one yet, and while the movie is mostly dialogue, it’s not overly chatty. The scene in the sub-level German bar is worth the price of admission below, but Tarantino goes one better by delivering an over-the-top finale that is revisionist history at its most sublime.

coraline
6. Coraline
We love “The Nightmare Before Christmas” as much as the next Goth kid, but “Coraline” is Henry Selick’s best stop-motion feature yet, by a country mile. It has all of the spooky/funny elements of “Nightmare,” but the story, courtesy of Neil Gaiman, is ten times better. Most importantly, this movie is actually scary, as in ‘pay attention to that PG rating before deciding whether to show it to your kids’ scary. Unless you want to be awaken by your six-year-old’s night terrors for the next nine months, in which case we say go nuts.

hurt locker
5. The Hurt Locker
This has to be the front runner for Best Picture at this point, and it’s a most worthy candidate. Kathryn Bigelow’s been playing with the big boys for a while now, but even when she had big names (Keanu Reeves, Patrick Swayze) or big budgets (“Strange Days”) behind her, she never had a story as gripping as “The Hurt Locker” at her disposal.

fantastic fox
4. Fantastic Mr. Fox
So delightfully odd that it’s almost impossible to describe. The animals, while incredibly well spoken, are still animals at heart – stay away from Mr. Fox when he’s eating – but Wes Anderson makes sure they’re also as human as can be. Bonus points for recruiting Jarvis Cocker to write the movie’s campfire song.

up 2
3. Up
It took repeat plays with my son to see just how bold and nontraditional this movie was. If the directors at Pixar are parts of the body, Pete Docter is unquestionably the heart, and his tale of a lonely widower and the little boy unfortunate enough to be on his porch when he sails his house for South America tugs the heartstrings like no other movie in Pixar’s catalog. When I interviewed Docter earlier this year, I told him that the “Married Life” montage brought me to tears…but not before I called him a bastard for making me cry. (He thought that was hilarious.) I’ve now seen the movie another five or six times, and damned if I don’t cry at that scene every single time. Fuck you, Pete Docter. You’re awesome, but fuck you.

500 days
2. (500) Days of Summer
The story of a guy who’s prone to fugue states, likes sad British pop music and singing karaoke, and spends years in the work force doing a job he has no business doing, and then he falls for the girl that is both the end-all-be-all and bane of his existence? Let’s just say that this movie spoke to me. Joseph Gordon-Levitt and Zooey Deschanel are too cute for words as Tom and Summer, and director Marc Webb stages one of the simplest but most brilliant scenes of the year with Tom’s expectations of Summer’s party playing out side by side with the reality. Also had the best musical number of the year.

up in the air
1. Up in the Air
Director Jason Reitman taps into into George Clooney’s effortless, endless reservoir of cool and uses it to make his protagonist, the terminally single, travel-happy hatchet man Ryan Bingham, a likable guy. Clooney has never been better, and Anna Kendrick (props to EW’s Owen Gleiberman for his pitch-perfect description of her character as a ‘bottom-line chipmunk’) goes toe to toe with Clooney from start to finish. Just when I thought I knew where Reitman would go next, he veers off in a different, much better direction. He’s only made three full-length movies, and he’s already a better director than his father.

Honorable Mentions
Moon
Anvil: The Story of Anvil
Cloudy with a Chance of Meatballs
Star Trek
Harry Potter and the Half-Blood Prince

Celluloid Heroes: David Medsker’s Top Movies of the 2000s

For better or worse, every decade has a couple of unique characteristics that serve as a convenient description for the period as a whole. The ’70s had disaster movies and the explosion of auteurs like Scorsese and Coppola. The ’80s had Spielberg, John Hughes, and the rise of the cheap slasher film. The ’90s were all about the indie explosion (and more disaster movies). What will history remember about the 2000s? If I had to guess, I’d sum it up in four words: Attack of the Fanboys.

Take a quick look at the top ten grossing movies of the decade (using worldwide box office numbers): There are four “Harry Potter” movies, two “Lord of the Rings” movies, two “Pirates of the Carribean” movies, “The Dark Knight,” and “Shrek 2.” And don’t forget the three “Spider-Man” movies, the two “Transformers” movies, the last two “Star Wars” movies, “300,” or “Iron Man.” Put them all together, and you have one mondo pile o’ fanboydom, right there. The first movie on the list to feature an original screenplay is Pixar’s “Finding Nemo” at #15, which brings us to the unofficial subtitle for the 2000s: The Decade When Everyone Ran Out of Ideas.

Ah, but let’s not get ahead of ourselves. There were some original ideas out there, and on the flip side, some of those fanboy movies made as much money as they did because they were phenomenal pieces of work. As we continue our series of reflections on the decade that was, I submit to you for your snarky dismissal approval, my top ten movies of the 2000s.

return of the king
10. The Lord of the Rings: The Return of the King (2003)
I’ve still only seen this movie once, but so much of it is still imprinted in my mind. The final fight between Frodo and Gollum. Samwise kicking orc ass while carrying Frodo at the same time. That hellacious battle of Minas Tirith. And then, just when you think that Peter Jackson will let you take a breath, he unleashes another horrific shriek from those damn Fell Beasts. Yes, I admit that when Sam and Frodo had their tearful goodbye at the movie’s end, I wanted to scream, “For God’s sake, just kiss him already!” But there is a reason this movie won every single Academy Award it was nominated for. It’s an extraordinary piece of work.

king of kong
9. The King of Kong: A Fistful of Quarters (2007)
What began as an innocent look at the classic video game circuit slowly morphed into a tale of David vs. Goliath proportions, as unknown Donkey Kong wizard Steve Wiebe encountered a political shitstorm that would give Machiavelli pause. Billy Mitchell is my pick for movie villain of the decade, and worse: he’s real.

wall-e
8. WALL·E (2008)
Only Pixar could turn a story about a lonely robot into the most heartfelt movie Hollywood’s made in years. The fact that this didn’t win a single Academy Award for its sound work is disgraceful.

hot fuzz
7. Hot Fuzz (2007)
There’s no other way to say it: this movie makes me giddy. Self-aware without being self-congratulatory, Simon Pegg and Nick Frost deliver a smart and sincere love letter to American action movies while getting their Michael Bay swerve on at the same time. And you’ll never hear the words “for the greater good” the same way again.

prestige
6. The Prestige (2006)
Not to be confused with “The Illusionist” – which, for my money, was vastly inferior – Christopher Nolan’s tale of dueling magicians is an embarrassment of riches, from the characters to the scenery to the dangerous game of ‘top this’ that Hugh Jackman and Christian Bale perform up until the bitter (and I mean bitter) end.

kill bill
5. Kill Bill, Vol. II (2004)
“Kill Bill Vol. I” was an orgy of blood, and enjoyable though it was, I’ll take the level-headed back half of the story any day of the week, which shows the Bride fighting to give her daughter the childhood she deserves – a normal one. This also contains one of the biggest ‘holy shit‘ moments of the decade when the Bride squares off with Elle Driver

children of men
4. Children of Men (2006)
Forever redefining the possibilities of a tracking shot – twice. How this movie failed to find an audience or the love of its peers is positively lost on me.

requiem
3. Requiem for a Dream (2000)
If there is a more devastating movie about addiction than this, I haven’t seen it. Darren Aronofsky perfects that quirky blend of hyper-editing and sound – I love when he shows the sun before cutting to Ellen Burstyn and friends tanning, and all you hear is the sound of eggs frying – while coaxing four unforgettable performances from his leads. If this doesn’t scare the loved one in your life off of drugs, nothing will.

eternal sunshine
2. Eternal Sunshine of the Spotless Mind (2004)
The heart wants what it wants. There is no arguing or reasoning with it, and even if you could erase someone from your memory, odds are you’re going to fall for them all over again, so don’t bother fighting it. What a perfect backdrop for Michel Gondry to work his bizarro magic.

The Dark Knight
1. The Dark Knight (2008)
Fanboy wet dream or not, “The Dark Knight” is the superhero movie to end all superhero movies. Whip-smart, ruthless (he killed Rachel Dawes!), and relentless, “Knight” is literally a breathtaking experience. And God help Christopher Nolan when it’s time to hash out a follow-up; from here, I’m not sure it’s even possible.

Celluloid Heroes: Funniest Death Scenes of the 2000s

John Donne once said that death be not proud, but history appears to have misplaced his opinion on whether it can be funny. Fortunately, Hollywood has given us an answer on his behalf: hell, yes. Yes, we’re positive that’s exactly how the religious poet Donne would feel about it if he had seen the movies we’ve seen this decade. Even the dogs get in on the action at the movies this year: in “Up,” Dug’s favorite joke is, “A squirrel says, ‘I forgot to store acorns for the winter and now I am dead.’ The joke is funny because the squirrel is dead.”

One word of caution before proceeding: as you might imagine, there are SPOILERS galore here. Heck, some of these movies haven’t even been released on DVD yet. Ready to laugh at man’s last, most undignified act? Read on, fellow sickos, and of course give us your suggestions for the list in the comments section.

10. Shaft (2000): Back alley view to a kill
shaft
Yes, it seems like an inauspicious way to begin the list, but hey, it was a free screening, and I love Samuel L. Jackson. There is a reason that there was no sequel to John Singleton’s blacksploitation remake – what was up with Edgar Wright taking a shit in the middle of a meeting? – but Singleton did set up one fantastic death of a bad guy, and better yet, it’s clean enough for network television. John Shaft is being chased by baddies, so he jumps through the window of a New York apartment building onto the fire escape. Bad guy is a few steps behind him, so he peeks his head out of the window to see how much of a lead Shaft has. Ha ha, muthafucka. Shaft is right there outside the window, gun in bad guy’s face. Boom, dead.

9. Friday the 13th (2009): Shoot that poison arrow through my heeeeeeead
friday 13th nolan
Easily the best scene in the wholly unnecessary 2009 remake of the legendary (though itself not very good) 1980 slasher movie. Nolan is driving a ski boat, his topless cheesecake girlfriend behind on a wakeboard. From out of nowhere, THWACK! Nolan gets an arrow straight through his head, killing him instantly. This scene is awesome for two reasons: the obvious one is the sheer surprise of it all, the instant death in a movie series built on slow, creeping deaths and boo! noises. The really awesome part about it is that for this to happen, it means that Jason Voorhees, a mentally impaired, hockey mask-wearing lunatic (you can’t say that the mask doesn’t affect his depth perception), had to shoot an arrow at a fast-moving boat while standing on the shore, from a distance of at least 50 yards. Anyone who’s done archery on “Wii Sports Resort” knows that that, friends, is fucking ridonculous.

8. Saw IV (2007): Ice ice, baby
saw iv
For a series that started out with such promise – before that whole ‘torture porn’ phrase was bandied about, everyone just thought of “Saw” as a grisly thriller, which it was – the “Saw” movies became self-parody by the third installment, trying to have their cake and eat it too with traps that the victims had absolutely no chance of surviving, then wagging a finger at the misguided Amanda (and by extension, the American public) for setting them up, thinking they could have it both ways. When the fourth one came along, I was understandably jaded, especially after they revealed that Detective Eric Matthews is not only alive but stuck in a noose and slipping on an ice block while two gigantic blocks sit suspended in the rafters on both sides of his melon in the event an electrode is triggered. One of Matthews’ friends on the force has been looking for him since he disappeared, and since the police chief is working with Jigsaw, the chief knows just how to manipulate him. He even warns the guy earlier not to go through an unsecured door, and it is that impulsive move later that causes Matthews’ awesome, awesome death, where those 100-pound blocks of ice create a brain smoothie that the residents of Zombieland would kill for. Speaking of which…

7. Zombieland (2009): Fatty on the windscreen
zombieland banjo
One of the most beautifully grotesque pieces of photography I’ve seen in years. The scene just before this was funny enough, with the little princess zombies going after the suburban hausfrau, but when she takes her eye off the road, hits the back of the flat bed truck, crashes through the windshield and skids 30 feet across the street, well, that’s just comedy gold, right there. Those of you who have seen the movie are probably wondering why I included this over the much-ballyhooed cameo death scene by Bill Murray. Well, I’ll tell you: because that was as cheap a laugh as there is in “Zombieland.” Come on, do you really think Tallahassee and Wichita never thought, “Wait, don’t jump Columbus; he’s a jumpy little bitch and shoots everything twice”? That scene required a massive lapse of logic on the part of all concerned. Except Columbus, of course; he was totally within his rights to take Zombie Murray out.

6. Final Destination 2 (2003): Keep off the glass
final dest 2 glass edit
Considered by many to be the best of the franchise (though I’ll confess that I prefer the third one, and you’ll soon see why), there are some spectacular deaths in “Final Destination 2,” but only one had me reaching for the rewind wheel, and that is when young Tim (James Kirk) foolishly chases after some pigeons outside of the hospital, and runs underneath a giant plate of glass, which doesn’t just kill him but turns him into vapor. Later, for an added laugh, they show the body bag that carries his “remains” into an ambulance, but it has no form, since there was only blood left behind.

5. Kill Bill Vol. I (2003): Cutthroat business meeting
kill bill 2
The next time you’re thinking of calling out your new boss’ Chinese or American heritage as a symbol of weakness or corruption, make sure your new boss isn’t barefoot and carrying a samurai sword. You won’t hear her coming, and the last thing you’ll see is up her kimono after your severed head lies motionless at her feet. Bad call, Boss Tanaka.

4. Final Destination 3 (2006): Sorry, I really lost my head
final dest 3
I laughed so hard at this one that three women from a couple rows in front of me turned and looked at me like I was a ghoul. Apparently, they didn’t know that these movies are supposed to be funny. After the initial crash takes place, smarty pants Wendy tries to warn Lewis the gym rat that Death is after them. Instead, he mocks her, even after he was nearly decapitated by two swords on the wall. (Hands up: anyone been to a gym that has swords on the wall? Didn’t think so.) He then does one more rep on his triceps machine, unaware that the free weights behind him are really, really free. On the plus side for him, he literally had no idea what hit him, because whatever brains that would have formed that idea were in pieces on the floor. And Wendy. Mostly Wendy.

3. Law Abiding Citizen (2009): I just called to say…you’re dead
law abiding citizen
It doubled its budget at the box office, but “Law Abiding Citizen” is a pretty silly movie. Man loses wife and daughter in home robbery, man feels wronged by system, Man extracts brutal revenge on everyone, and we mean everyone, he feels is responsible. There is one scene, however, that makes the entire film worth watching, and it is when attorney Nick Rice is in the judge’s chambers, and the judge, who is one of the ‘everyone’ supposedly responsible for this miscarriage of justice, answers her cell phone. “Hello?” BAM! Dead. Man somehow wired her phone to deliver the equivalent to a bullet in the head. The whole thing takes less than a second, and it’s one of the funniest less-than-a-seconds of the you will ever see.

2. Spider-Man (2002): Death scene, interrupted
spider-man goblin
Leave it to Sam Raimi to assemble a vicious, bloody fight to the death between hero and villain, and end it with the funniest scene in the movie. After beating Peter Parker nearly senseless in the tried and true standard that is the abandoned building, Peter comes roaring back with a vengeance until the Green Goblin surrenders and reveals himself to be Norman Osborn, Peter’s best friend Harry’s father. Norman then attempts to literally and figuratively stab Peter in the back with his hoverboard, but Peter’s spider sense tingles just in time for him to backflip out of the way while the hoverboard impales Norman to a brick wall. That alone would make for a pretty cool scene, but it’s not enough for Raimi; in a trick straight out of the “Evil Dead” series, he includes a score-free, quick-shot close-up of Norman saying “Oh,” and then jumping back into the action of Norman getting killed by his own weapon. He may have made his bones in horror, but that scene is a textbook lesson in comic timing.

1. Star Wars, Episode II: Attack of the Clones (2002): The face of death is near, and so, I flail!
clones shmi 1
She had nearly 25 years of acting experience under her belt when the Sweden-born Pernilla August signed on to play Anakin Skywalker’s mother Shmi, and somewhere along the way, you would think that she would have learned how to die on screen. But then again, after 30 years of making movies, you’d think that George Lucas would know a thing or two about directing, so there you go. The “Star Wars” movies were never shining beacons of thespian genius, but Shmi Skywalker-Lars’ death is the kind of work that you’d expect from the understudies to the group in “Waiting for Guffman.” Shmi’s last words aren’t even tear-filled confessions or reluctant farewell; they’re the acts of someone with Alzheimer’s, someone so forgetful that she doesn’t realize she’s about to die. And for the piece de resistance, the open-mouth head flop. Even Hayden Christensen could do a better death scene than that. And he’s a robot, fer crissakes.

Honorable Mentions
The Dark Knight (2008): The disappearing pencil trick
Van Helsing (2004): Werewolf Helsing howls over lover’s death
District 9 (2009): The bullet grenade
Ninja Assassin (2009): Just a little off the top…half of your head

« Older posts Newer posts »

© 2026 Premium Hollywood

Theme by Anders NorenUp ↑