Author: Bob Westal (Page 62 of 265)

The battle you’ve been waiting to see: garden gnomes vs. Vegas showgirls!

Okay, I’m feeling perverse and just putting two more or less completely random trailers together for entirely different reasons.

First, a new CGI animation from Disney is called “Gnomeo and Juliet,” which pretty much tells you the story, except the amazing cast which Pajiba was kind enough to list and the fact that there’s a lot of classic Elton John music in, for some reason.

Ugh. Not very promising. Well, since Dennis Cozzalio reminds us that today is the 15th birthday of Paul Verhoeven and Joe Eszterhas’s legendary “Showgirls,” as a cine-palette cleanser please enjoy this delightfully NSFW bare-breasted trailer. Enjoy.

I gather Dennis — whose never afraid to defend orphaned movies — thinks “Showgirls” is actually good. I don’t know because I’m embarrassed to admit I’ve never actually seen it. I’m not a fan of anything post-“Robocop” by Verhoeven or pretty much anything by Eszterhas, but still, I guess I should correct that. Besides, underclothed (naked?) Gina Gershon is enough reason to see any movie.

Pocket monsters to be pitied, pocket monsters to be despised!

Forgive my Edward D. Wood, Jr. paraphrasing above but, while I’ve had about zero interest in the whole “Transformers” thing, I’d pay money to see a feature version of “dark and gritty” Pokemon fan film below.

H/t to JoBlo.com, though I’m not sure everyone there, both commenters and blogger Paul Tassi, is really in on the joke. I was laughing through all of this. I think I was supposed to. Also, considering this was obviously made on a shoestring, I was personally impressed by the often very funny effects, too.

And one final thought, I admit I’ve never actually watched more than a couple of minutes of “Pokemon” at a time, but how is Ash really any different from Michael Vick?

RIP Irving Ravetch

The noted screenwriter and producer, whose parents were respectively an  immigrant rabbi and a Hebrew school teacher, passed on at Cedars Sinai on Sunday at age 89, the day after Yom Kippur ended. He and his wife, Harriet Frank, who survives him, wrote some of the best screenplays of their day set in the then-contemporary American west, including “Hud.”

The over 20 filmed screenplays by Frank and Ravetch weren’t fancy, they were just, for the most part anyway, good. A couple of scenes illustrating that point, one famous, the other less so.

If these scenes are new to you, the first clip is from “Hud” (1963) the second is from “Murphy’s Romance” (1986), Frank and Ravetch’s underrated penultimate filmed screenplay, both directed by another underrated talent, Martin Ritt.

I’m rather fond of this quote from the NYT obituary I linked to above:

“Movies can’t correct human injustice all by themselves, but they can show it, they can touch you while showing it, and they can seed ideas and wake up dormant minds,” Mr. Ravetch said. “For a medium that began — pretty much in my early childhood — as a few flickering images on a nickelodeon machine, that’s pretty powerful stuff.”

Movies news on a Monday night

Direct from the Starbucks at Pico & Robertson…

Jon Hamm in * Rumors have been circulating for at least a week that Jon Hamm of “Mad Men” and now “The Town” is being considered to play Superman. I’m a huge fan of the guy, but count me among those who think he’s a bit old to play an eternally youthful superguy, if there’s going to be more than one movie anyhow. Kal-El is not Tony Stark. In any case, apparently someone else who it appears did turn down the role of Superman director was Guillermo del Toro. Actually, if they ever make a movie set in the Bizarro world, del Toro would be the guy. Otherwise, I don’t see it at all and, it seems, neither did del Toro.

* In terms of film biz transactions, the Toronto International Film Festival surprised everyone and did rather well with numerous indie films being purchased for release. What doe it mean? Mike Fleming sees a modified return of the indie market, though with a thriftier than ever edge.

* The first casting news has come for the J.J. Abrams’ science fiction Steven Spielberg homage/collaboration, “Super 8.” Naturally, one of the stars is a young person — Elle Fanning. The other is closer to my age and is best known for his TV work. No, it’s not Abe Vigoda, but Kyle Chandler of “Friday Night Lights.”

* Speaking of people in my general age cohort who can’t escape their youth, Keanu Reeves is apparently getting colleauges like Alex Winter ready to do a middle-aged edition of the “Bill & Ted” epic. As actors go, Reeves may not be a Philip Seymour Hoffman-level thespian, but he really excels at certain kinds of comedy and I’m board for this. He does a pretty good Werner Herzog, besides.

* Tim Burton is going back to where he started as a director with a stop-motion version of his career-starting live-action short, “Frankenweenie.” The voice cast has just been announced and it will include Winona Ryder, Martin Landau, and SCTV alums Catherine O’Hara and Martin Short.

* Did anybody out there ask for a “Timecop” reboot? Simon Brew is game.

* Re: l’affaire du Hulk back in July, Edward Norton continues to kill Marvel’s Kevin Feige with perhaps not kindness, but civility. Ouch.

* I beg to differ with Sarah Silverman, her “full frontal” nude scene will be pretty. Very pretty.

sarah_silverman

* I’ve seen movies in some mighty small “shoebox” multiplex theaters and screening rooms, but if you’re wondering how small a movie theater can be, this promotion for “Buried” answers the question.

* As I write this I’m getting ready to watch the multi-director documentary “Freakonomics” for free. You however, may pay as little as a penny and as much as a $100 to see it this Wednesday. It’s your choice. Still, we know there’ s no such thing as a truly free, or almost free, anything and, as with writers like myself, some effort is expected in return. Details here.

“The Dilemma” trailer

Vince Vaughn, Kevin James, Jennifer Connelly and Winona Ryder star in the latest from Ron Howard, who Dustin Rowles terms “one of the meh-est directors of all time.” He’s made some good movies and a number of very decent time-killers and in many ways has been a highly admirable figure in the business as a whole. Still, I find it kind of hard to disagree when it comes to his work as a director. And, yeah, the January release date doesn’t bode very well. Nevertheless, as Rowles’ commenters point out, Howard’s early sleeper hits, “Night Shift” and “Splash,” showed Howard could do comedy very well.

As for the premise, I’ve seen this one in about a million advice columns and I would be absolutely terrified to be in, so I guess it strikes a chord or two. As for what I’d do, all I know for sure is that I’d want to be damn sure I had my facts straight before going forward. Fortunately, my friends, and their significant others have proven to be mostly exceedingly dull — in a good way I mean. I live in un-Peyton Place.

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