Month: May 2009 (Page 4 of 19)

Scripps unveils “Man Kitchen” on Food2.com

Scripps, the parent company of Food Network, has launched Food2.com, an interactive, video-centric website with lots of shows, blogs and other content. One of their new shows is “Man Kitchen,” a show hosted by former NFL tight end Keith Neubert, who played just one-plus full season for the Jets in the late ’80’s, but is a natural in front of the camera and in the kitchen.

The episode clips online have Neubert cooking up dude-friendly items such as salmon burgers (might not sound like dude food, but the one he makes is literally the size of his own head), pizzadillas, sloppy joes, and beer can chicken among others. His favorite side? Tater tots.

And when Neubert seasons his creations, someone throws him the salt and pepper shakers and he hurls them back, informing the other person to “go long.” Yeah, it’s goofy but it’s the kind thing guys, especially novice cooks, will love. And how about the show’s tag line, which really says it all: “Knives. Flames. Alcohol. What could go wrong?”

For more information or for other Food2 shows and content, please visit Food2.com

“Fringe” star NOT fired

According to executive producer Jeff Pinkner…

“like all things on Fringe, there is more to this story than meets the eye.” In fact Pinkner not only confirms to TV Guide Magazine that Acevedo “was not fired,” he hints that we’ll see more Agent Francis in season 2. Literally.

“We have already seen two of him on the show,” teases Pinkner. “We have already met the second Charlie. He had a scar on his face.”

They did a wonderful job of casting “Fringe,” and it would be sad to see any of the regulars go. I could have lived without Agent Francis on the show, but I am happy to hear that he’ll be back next season.

But what was the deal with that Facebook update of his? Maybe the actor was fired from the show in a parallel universe…hmm…

Weekend at the Multiplex (Updated)

Christian Bale contemplates his eyelineHey folks. Now, if anyone out there remembers the series of “Multiplex Mayhem” posts I was writing back in the dark days of the late, late Bush Administration, I’m returning in a different, and briefer form. For this week and next, I’ll be covering the weekend box office, and then, starting next month, there will be more from me on movies in general here, and that’s all I’m saying for the time being.

This big movie Memorial Day weekend, though no longer the official start of summer movie season, brings us too major tentpole releases from the big studios: Warner’s “Terminator Salvation” and Fox’s “Night at the Museum: Battle of the Smithsonian.” The PG-13 Terminator reboot attempt is directed by McG, who Bullz-Eye’s Jason Zingale (who kinda sorta liked the movie) terms a “poor man’s Michael Bay.” Other critics were less charitable, and the film is getting easily the worst reviews in the entire history of the “Terminator” franchise, with the Rotten Tomatoes crowd giving it an underwhelming 35% “fresh” and generally seeming a little angry with star Christian Bale for walking into their collective eyeline. Not that any of that will matter to weekend grosses — and I do expect this to be the big winner of the long holiday weekend. However, if audiences agree that it really is inferior to prior “Terminator” flicks, it’s possible there will be a bigger drop-off later than expected. Still, at last night’s midnight’s screenings, it raked in a cool $3 million from the Red Bull drinking legions.

The sequel to 2006’s entirely unacclaimed “Night at the Museum” should also do well regardless of notices because it combines the only sure formula for box office success — a kid-friendly production that offers something, anything, to parents as well. In this case, Ben Stiller and a very strong supporting cast, even if the result had Roger Ebert squirming in boredom and remembering one of the truer critical refrains of all time:

I found myself yet once again echoing the frequent cry of Gene Siskel: Why not just give us a documentary of the same actors having lunch?

Still, the parents I know are mostly grateful for any movie that doesn’t involve CGI rodents eating their own feces, and at least this one encourages kids to go to museums.

And there is another option, that is the latest, at this point entirely unreviewed Wayans Brother’s spoof film from Paramount and MTV, “Dance Flick,” which at least has a reasonably funny trailer and Amy Sedaris (sister of writer/public radio superstar David Sedaris, frequent comedy companion of Stephen Colbert, before he was having portions of space stations named after him). Carl DiOrio says it will do well if can break out of the euphemistic “urban market”? Young folks looking for a comedy will likely go if they can’t get into something else, but something tells me that both “urban” people and their paler “suburban” friends will have other films to watch considering that, new releases aside, “Star Trek” and “Angels and Demons” are still very strong at the multiplex.

In limited release, we have Steve Soderbergh’s “The Girlfriend Experience” starring thinking man’s porn star Sasha Grey in a sexy but non-porn role which makes it something of a must for cinephile horndogs the world over. And because I’m the retro-guy who occasionally likes the same movies your grandma does, I feel compelled to mention both “The Boys: The Sherman Brothers Story,” about the guys responsible for the vast bulk of the pre-“Little Mermaid” Disney songs, and the Noel Coward adaptation “Easy Virtue,” which looks like it would go down very well with a nice dry martini made with a good, dry English gin. But you’ll want to see Sasha, won’t you?

UPDATE: Apparently some disagree with what I thought was a conventional-wisdom friendly guess about the weekend’s winner, since “Terminator” is such a time-tested franchise. Nikki Finke says it will be neck and neck but those famed “insiders” are predicting immense numbers for “Museum.” We’ll see.

The CW: The Fall Schedule

Although I’m as cautiously amused about the idea of a “Melrose Place” reboot as I was with “90210” last year, and I’m sure my “Twilight”-loving wife will be into the network’s new Thursday night drama, I really only have one observation to make about The CW’s fall schedule: instead of pairing “Smallville” with a third season of “Reaper,” they’ve canceled the latter and are wasting an hour of their schedule re-running the episode of “America’s Next Top Model” from earlier in the week.

Are you kidding me?

Okay, that’s all I’ve got. I’m just really pissed off about that and needed to get it out of my system. Read on to see what else The CW has in stores for “the kids” this season…

MONDAY

8:00 PM – Gossip Girl
9:00 PM – One Tree Hill

TUESDAY

8:00 PM – 90210
9:00 PM – Melrose Place

In an elegant Spanish-style apartment building in the trendy Melrose neighborhood of Los Angeles, a diverse group of 20-somethings have formed a close-knit surrogate family. Sydney Andrews (Laura Leighton) is the landlady, still beautiful at 40, and a central figure in the lives of all her tenants, especially handsome and rebellious David Breck (Shaun Sipos). Sydney started an affair with David despite her turbulent history with his estranged father, Dr. Michael Mancini (Thomas Calabro). Both father and son learned through experience that Sydney was not above using blackmail to control people. Another tenant, high-powered publicist Ella Simms (Katie Cassidy), once considered Sydney her mentor, but their friendship was destroyed by betrayal, and Sydney threatened to evict Ella and ruin her career. Sydney also played a pivotal role in the career of Auggie Kirkpatrick (Colin Egglesfield). After they met at an AA meeting, she became Auggie’s sponsor and encouraged his dream to become a chef. Now a successful sous chef at the trendy restaurant Coal, Auggie has been avoiding Sydney since she began drinking again. The other tenants include Lauren Yung (Stephanie Jacobsen), a medical student in desperate need of money to pay her student loans, and Jonah Miller (Michael Rady), an aspiring filmmaker who has just proposed to his live-in girlfriend Riley Richmond (Jessica Lucas), a first-grade teacher. The newest tenant, 18-year-old Violet Foster (Ashlee Simpson-Wentz), has just arrived in LA with her own secret connection to Sydney. When a bloody body is found floating in the courtyard pool, David is the leading suspect. However, as the police are soon to discover, almost everyone living at Melrose Place had a reason to want the deceased out of the way.

WEDNESDAY

8:00 PM – America’s Next Top Model
9:00 PM – The Beautiful Life

The life of a high-fashion model appears glamorous and sexy, but as every new model quickly learns, behind the beautiful façade is a world of insecurity and cutthroat competition. Two teenage models who are about to discover this world for themselves are Raina Collins (Sara Paxton), a stunning beauty with a secret past, and Chris Andrews (Benjamin Hollingsworth), a strikingly handsome Iowa farm boy. When Raina makes an unforgettable impression at a show introducing the new line from designer Zac Posen, she steals the spotlight from her friend Sonja (Mischa Barton). Sonja has been out of the country for mysterious reasons and is now desperate to reclaim her standing as the reigning supermodel. While Raina and Sonja live at the top of the fashion food chain, Chris is starting at the bottom, having just been discovered by agent Simon Lockridge (Dusan Dukic) of the Covet Modeling Agency, which is owned by former supermodel Claudia Foster (Elle Macpherson). At his first photo shoot, Chris’ inexperience almost derails his career until Raina comes to his rescue, showing him how to relax and work the camera. That afternoon, Raina brings Chris to the “models’ residence” where she lives along with other young hopefuls, including Marissa Delfina (Ashley Madekwe), Egan (Jordan Woolley), Issac (Corbin Bleu) and the current alpha-male-model known as Kai (Nico Tortorella). At an exclusive industry party that night, Chris is again impressed by Raina’s generosity when she steps aside to make sure Sonja lands a job that will resurrect her career. However, after an ugly scene with Simon, Chris is left to question whether he can survive in this world of dangerous excess and fleeting fame.

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