Month: May 2009 (Page 2 of 19)

Your Weekend Movie Choice: “Up” in the Heavens, Or Dragged to “Hell”

Yes, we’ve got a weekend of strong contrasts and a real rarity, two critically lauded films that each have a chance of doing some seriously good business.

Of course, the big movie this week is Disney/Pixar’s “Up” which is already, predictably enough, a huge hit not only with our own David Medsker, but with critics across the board, rating a mondo-boffo-socko 98% “fresh” rating at Rotten Tomatoes. As I write this, only two critics have seen fit to turn thumbs down — and one of those two is the increasingly mindless contrarian, Armond White, who, I gather, loathes us all. (See David Hudson at IFC for more review excerpts and a concise reaction to the ever-more self-parodying White.)

It seems logical to expect something like the money that past smashes from the studio have made (Variety is saying about $60 million for the weekend), but there is always the possibility of audiences turning contrarian themselves, mindlessly or otherwise. If people were concerned that a gourmet rat or a wordless robot might turn off audiences, then a crochety and rather uncute 78-year-old lead could bring out latent movie ageism. Though, as others have pointed out, it doesn’t seemed to have harmed Clint Eastwood much. In any case, the experts seem convinced that the Pixar name, and the fact that this is the very first 3-D production from the amazingly reliable studio, will ensure that the Emeryville studio’s unprecedented track record of critical and commercial success should continue for one more film. (For more on “Up” you are commended, if not commanded, to read Medsker’s interview with director Pete Doctor — at least until the place where David suggests that maybe you should stop.)

As if that weren’t enough, this weekend brings that rarest of all cinematic creatures: A PG-13 horror film that not only is not drawn from an Asian hit, but was actually shown to critics in advance, and got a Pixaresque 96% positive RT rating. I speak, of course, of Sam Raimi’s return to his humor-spiked pulp horror roots with “Drag Me to Hell.” Now, this seems to be less of a sure thing in that the conventional wisdom has been that audiences don’t trust the cinematic chocolate of comedy — even in relatively small doses — combined with the peanut butter of actual scary horror, but Raimi’s name and some credible frights will perhaps cause filmgoers to decide these are two great tastes that go great together. All in all, this could be a canny bit of counterprogramming for teens looking to avoid the wholesomeness of “Up” and the still potent “Night at the Museum” sequel. Besides, Bloody Disgusting gave it 4 and a half skulls.

Also, cinema-chicken though I be, emboldened by that PG-13 rating, I personally, as well as world famous, horror-lovin’ cinephile blogger Dennis Cozzalio of Sergio Leone and the Infield Fly Rule, and, I’m told, numerous friends and filmic potentates, will be pumping up the grosses of “Hell” in the place where, some say, pulpy horror movies may best be viewed. I speak of the Mission Tiki Drive-In in Montclair, California. If you’re in the area on Saturday, 5/30, there may be more hellish things to do, though if you stay for co-feature “Angels and Demons” all bets may be off.

2009 Summer Television Preview

TV.com put together a nice preview of what’s in store for us this summer on the tube.

“Weeds,” “Eureka,” “The Closer,” “True Blood” and “Leverage” are returning, while “Nurse Jackie,” “Hung,” and “Dark Blue” are just a sampling of the new shows that are debuting this summer.

Pete Docter looks back, ahead, and “Up”

Pete Docter header

Pixar’s 10th full-length feature, “Up” — which critics have, unsurprisingly, dubbed another in the studio’s long line of critical winners — lands in theaters this weekend, and to celebrate the occasion, “Up” director Pete Docter set aside a few minutes for a chat with Bullz-Eye’s David Medsker.

What’s on the Pixar vet’s mind these days? Of course, there was much discussion of “Up,” but the conversation covered plenty of other ground, from the studio’s overall philosophy to Docter’s thoughts on other companies’ animated output, and what makes a good movie:

“You have to think about good storytelling and characters first. Then hopefully, the rest of that stuff will follow, some more than others. But if you don’t have a good film and strong characters, then you don’t have anything down the road.”

To read more of the interview — and to find out why Medsker kicked things off by addressing Docter as “you bastard” — just click here. And don’t forget to follow Bullz-Eye’s coverage of “Up”!

Walter White did a bad, bad thing

It should go without saying, but I’m going to say it anyway: If you’re a “Breaking Bad” viewer and haven’t yet seen last Sunday’s episode, then you may want to just skip to the next post, because there are serious spoilers ahead.

Are they gone? Yeah? Good.

Chemistry-teacher-turned-drug-kingpin Walter White has done some sketchy things in his day, but facing imminent death with no financial safety net for his family, it wasn’t too difficult to give him a pass. But over the course of the second season, this has changed. Walter’s cancer is in remission, and he’s scheduled for a surgery that could cure him completely. But instead of winding down his life of crime, he insists on expanding it. Part of the problem is that he’s realized how boring his life is without it. His marriage is teetering on the edge of disaster, and producing meth is the one thing in his life that he has mastered.

In last week’s episode, “Mandala,” Walter chose to make a huge transaction (~$1.2 million) instead of rushing to the hospital to be with his wife as she gave birth. But in Walter’s mind, it was no choice at all. If he didn’t make the deal, he would miss out on any future opportunities with one of the biggest (and most careful) drug runners in the Southwest. You see, for Walter, it’s no longer about the money or providing security for his family. It’s more about his being a success, despite what his friends and family think.

Continue reading »

Sacha Baron Cohen’s “Bruno” goes green

…Green band, that is — as in the trailer for the July 10 comedy, which takes Cohen back to his guerrilla comedy roots as he pretends to be a loudly gay reporter in order to surprise, offend, and humiliate…well, everyone, really; Ron Paul and Paula Abdul are just a couple of the famous names that have added themselves to the “fooled by Bruno” list. The red band trailer hit first, but Universal has just released a green (read: safer for work) version that you can watch below. And don’t forget to follow Bullz-Eye’s coverage of the movie!


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