Month: August 2008 (Page 5 of 6)

Family Ties: The Fourth Season

Now that Elyse and Steven Keaton (Meredith Baxter Birney and Michael Gross) have gone and had baby Andrew, there’s an instant temptation to say, “Whoops, ‘Family Ties’ has jumped the shark, time to call it a day and start dismissing the show.” As it happens, however, it’s just as easy to argue that Season 4 is where “Family Ties” really hit its stride, since it’s the year that Alex (Michael J. Fox) started dating Ellen Reed (Tracy Pollan, who would soon go on to become Mrs. Michael J. Fox) and Mallory (Justine Bateman) started dating brain-damaged biker Nick Moore (Scott Valentine). We also get guest appearances from the late River Phoenix as a 13-year-old genius who tutors Alex in non-Euclidian mathematics, Martha Plimpton as a teenage shoplifter, and Peter Scolari as a fellow architect who falls head over heels in love with Elyse. All in all, it’s another enjoyable season of the series, but “Family Ties” fanatics will likely be most thrilled to find that the set kicks off with “Family Ties Vacation,” where the Keaton family goes to London and, as Alex learns the ins and outs of Oxford, Elyse and Steven deal with a highly ridiculous plot involving their accidental possession of some spy film. Oh, yes, and somewhere in the middle of it all, Mallory falls for Alex’s roommate at Oxford. Series creator Gary David Goldberg has never been a fan of the film, but once you get used to the lack of a laugh track, it’s fun to see the Keatons out of their element.

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Making Of

Bahti (Lotfi Abdelli) is a talented, girl-loving, Tunisian breakdancer and pretty much the last person you’d expect to find under the tutelage of an Islamist cleric with Al Qaeda sympathies (Lotfi Dziri), begging for a chance a shot at the suicide bombing big-time. That, however, is the precise trajectory traced by Nouri Bouzid’s astute and emotionally adept, but initially slow-moving, look at the causes of terrorism.

“Making Of” starts out as pretty much a straight-up neorealist look at the issue, as we spend time observing how limited 25 year-old Bahti’s life has become and how the U.S. invasion of Iraq provides a powerful, but ideologically confused, focus for his generalized anger. Then, just as Bahti starts to be carefully schooled on the ways of hating Westerners and despising women, the film takes a sudden meta/post-modern turn as the actor Lotfi Abdelli switches from Arabic to French, goes out of character, and begins to angrily question the nature of the film to director Bouzid, and suddenly the title becomes a self-conscious double entendre. These staged segments appear to be aimed at diffusing anger among Tunisians who prefer to deny the existence of terrorism in their homeland, as well as observant Moslems who might be insulted by the film’s respectful, yet critical, look at modern day Islam. In any case, Bouzid’s film is compelling viewing, largely because of two charismatic lead performances from Abdelli as the alienated youth and Lotfi Dziri as the low-key fanatic who indoctrinates him in the ways of hate and death. With its strong stand against terrorism and outspoken humanism, “Making Of” is a thoughtful and poignant choice for Westerners curious about exactly what is being said and thought on the so-called Arab “street.”

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Secret Diary of a Call Girl: Season One, Ep. 8

The final episode of Season One begins with a sweeping shot of London accompanied by some very regal music that leads into a speech from Belle (Billie Piper) about how living in London is all about class and sex is no different. As the camera pulls back we find ourselves along with Belle in a swank apartment overlooking the Thames. She’s with a client, movie producer Mitchell Rothman (Colin Salmon) and he tells her he thinks she’s ready to move up in the world and become a courtesan for Diamond International Courtesans, a company which sounds improbable in concept, but I’ve no doubt exists somewhere. (I’m very naïve about such matters.)

She goes to meet the three women who run the place, and the interview is about as humiliating as any job interview is. They dress her down, so that they can dress her up. They explain that being a courtesan is about being a companion as much as it is anything else. She must be learned in things like skiing and languages if she is to be successful. When Belle pipes up, “In the end, it’s all about fucking though, isn’t it?,” there aren’t many laughs from the other side of the room. Perhaps she is not quite as classy as she thinks she is? She takes a quick bathroom break to compose herself, comes back and makes a very impassioned speech about how damn good she is. One of the women finally says, “I like her.” So the job is hers and the first person she visits is Stephanie (Cheri Lunghi) so that she can do the typical “I quit” scene, of course in Belle’s case such a scene is littered with all sorts of details of her career that make it incredibly amusing. Stephanie is not amused, however. The second person she visits is Ben (Iddo Goldberg), and asks him to take some classy photos of her for the clients to peruse. It’s reassuring to know that hopefully some things won’t change. Piper looks fantastic in the photography montage! The pair briefly discuss Ben’s plans for upcoming domesticity and Belle’s future, as Ben puts it, “an uber-whore.”

Ben’s dialogue dovetails nicely into a shot of Mitchell going down on Belle. He looks up, tells her she deserves everything, and then gives her the swank apartment. She flips out and screams and the action cuts to Hannah and her mother packing up everything at her old place. Of course, her parents still know nothing of her career, believing that she still works in an office. Her mother says, “I still know nothing of your world,” which cuts to Hannah and her parents in the new place and her father saying, “I’m so proud of you!” It’s an uncomfortable moment because we know that he wouldn’t be proud of her at all if he knew the truth.

The life of a courtesan doesn’t involve just taking any man that comes along. Instead, Belle must interview possible clients and choose who she thinks will work out. Mitchell tells her “no more than four.” The more men she sees, “the less prestigious a courtesan is.” He says he’s going to Scotland shortly for a film and he’d like for her to come along. She does that and he bathes her and treats her like royalty, but when it’s time for him to go to work, she’s left completely alone. It’s as if she’s on call and must simply wait until he returns – after all, he’s paying and it’s not like she can go find another john on the street corner. When he returns he’s deep in thought, committed to his work. As he sits at his computer, she tries to distract him and he tells her she’s “too demanding.” The phone rings and he jumps for it, but she grabs it first and tosses it across the room. He flips out on her, “What the hell are you doing?!?” Mitchell’s a big guy and it’s a scary moment, even though logic seems to dictate that he’s far too cultured to do her any physical harm. “So this is how it’s going to be, huh?” He storms out, and we cut to the flat in London and Belle standing with her bags, having returned from the trip alone. She calls one of the Diamond women and finds out that Mitchell has women just like Belle all over the world. Suddenly, being a courtesan doesn’t seem very special anymore. It would appear that Belle enjoys her work so much that she has absolutely no idea what to do with herself when she’s not working (which was also the point of Episode 6). Even a cool flat and wads of cash leave her bored if she’s not busy fucking. I guess that’s it for Belle. She genuinely enjoys the fuck. Everything else is just gravy.

As is to be expected, she places a late night call to Ben and he comes over. When his fiancé Vanessa calls, Hannah asks loudly from across the room if he’d like a drink. When he gets off the phone he rips her a new one and accuses her of having abandoned everyone in her life “for this.” He says that at his wedding, she’s going to get up and give her Best Man speech, and everyone’s going to wonder, “Why isn’t he marrying her?” And then there’s silence between the two. It is a good question after all. The next morning Mitchell comes to the flat and calls out for Belle – only to find a note that says, “Sorry Mitch. It’s not for me.” Back at Hannah’s old place, she’s setting up a new website with Ben, as an “Independent Escort.” Ben jokes that he can be her muscle, and she wonders if Vanessa would have a problem with that. He confesses that he broke off the engagement – after all, if he doesn’t want to marry Hannah, he doesn’t want to marry anyone. The season ends with a fairly goopy monologue from Hannah about how as long as one person knows and loves you in London, it’s the best place in the world.

Well, not the greatest season finale ever, but certainly a decent enough setup for a second season that’s more about Hannah and Ben – but I’ll be damned if I’m even willing to take a guess at what that will entail. All in all, the first season of this show felt like it was skimming the surface of a deep pond. The premise can be taken in a wide variety of directions and hopefully the powers that be will present a slightly more complex Season Two.

Bill Burr: Why Do I Do This?

Bill Burr’s brand of humor, for lack of a better word, could be called the inner workings of the mind of the angry white man. He’s not angry, of course, but he hits on topics that could be perceived that way, like when he talks about ‘white people are evil’ movies (inspired by the swimming drama “Pride”), the overexposure of pedophiles on TV, and not being allowed to hit women. One of his best bits involves the hypocrisy of humans controlling the animal population while we procreate without consequence (“Don’t you think, after three loser kids, that you don’t have the DNA to make somebody special?”), and we dare you to not think of Burr the next time your girlfriend wants to buy jewelry at a flea market. He may not have much in the way of crossover appeal, but we doubt that matters much to him, nor should it.

Click to buy “Bill Burr: Why Do I Do This?”

If you haven’t been watching “My Boys” on TBS…

…you’re missing one of the funniest sitcoms on cable.

If I’m to be honest, I have to say that I’m not really enamored of anything else within TBS’s original comedy line-up (though I’m looking forward to the DVD release of “10 Items or Less,” so I can check out more of that series), but “My Boys” is a single-camera sitcom with a solid ensemble and the kind of humor that relies less on gags and slapstick and more on the observations and conversations that come out of close friendships.

Check out this clip from the upcoming second-season finale to get an idea of what I’m talking about:

Tune in tomorrow night (Aug. 7) at 10 PM EST to see the whole episode, which serves as the show’s summer finale, and if you like what you see, be sure to scour TBS’s listings to catch more episodes, because I totally want another season of this series, and tuning in to the reruns can only help.

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