Year: 2006 (Page 160 of 228)

Typical.

NBC, performing a maneuver not unlike the one it pulled last year at this time with “Law and Order: Trial by Jury,” is on the verge of pulling the new midseason entry, “Heist.”

Apparently, the show did really well when it premiered in the Wednesday-at-10-PM slot, so the network moved it to the 9 PM slot…against “American Idol” and “Lost,” where, shockingly, it did poorly. So instead of moving it back to 10 PM, the network is now threatening to cancel the show altogether.

I understand that sometimes you have to cut your losses…but when a story has a progressing storyline, you’d think they could at least finish the plot line before yanking it. I mean, way to reward the viewers who have been watching the show. At the very least, let’s hope they make any remaining episodes available online…

Just so we understand who’s in charge here

Man, when Tony Soprano wants to make a point, he doesn’t fuck around. Intent on showing his guys that he’s still the Alpha Male (in the words of Dr. Melfi), Tony beat the snot out of his new Mr. Olympia driver, in front of his entire crew, for “slamming the refrigerator door.” Never mind that the dude never even opened the fridge, and never mind that Tony just got out of the hospital a few days earlier. After nearly passing out at Allegra Sacramoni’s wedding (Johnny Sack’s daughter), Tony’s convinced that some of his guys think he’s weak. Now, after watching T beat Mr. Olympia down for no good reason, they’ll just think he’s fucking crazy. Of course, in Tony’s line of work, that’s a good thing.

Tony’s got a point, though. I mean, last week I predicted that Tony’s brush with death and subsequent new outlook on life would have him thinking about grandkids and retirement more than the business at hand. Obviously, I’m reconsidering that theory after this week’s episode. Still, while Tony went out of his way to prove to his guys that he’s still in charge, he also went out of his way earlier in the episode to pester Meadow about her stalled wedding plans, telling her that being able to hold his grandkids on his lap had become very important to him after all he’d been through. Maybe his spiritual awakening won’t be as extreme as I predicted last week, but there’s no way we’ve seen the last of Tony’s softer side.

Speaking of Meadow and her wedding plans, she’s obviously having second thoughts about marrying Finn. Where that’s going to lead, I’m not sure, but last week she and Jason Barone had a little moment in the hospital and she seemed uncomfortable around Finn throughout the entire wedding/reception. I’m sure this situation will somehow tie back into Vito’s secret life, since Finn happened upon Vito getting some lovin’ from a dude in a car last season. Because Finn is engaged to Tony’s daughter, Vito hasn’t yet done anything to ensure that Finn keeps his mouth shut, but that’ll change if Meadow calls off the wedding. Then again, now that a couple of guys making collections at a gay bar caught Vito all decked out in a leather outfit (hat included), who knows how this storyline is going to play out. Vito’s holed up in a hotel room, apparently waiting to see if the guys who caught him at the bar spill the beans. I’m guessing they don’t (maybe Vito gets to them before they can), and if/when Meadow breaks up with Finn, Vito takes care of Finn too.

Looking back, I talked about the feds needing a new rat after losing Gene Pontecorvo and Ray Curto in the first episode of the season, and I said that Chris would be a prime candidate. A couple episodes ago, Agent Harris, now working the terrorist beat, talked to Chris about two terrorists who used to frequent Adriana’s club. Chris said he didn’t really know them, just a couple of drug dealers. Later that episode, he talked briefly with two Middle Eastern guys at Bada Bing, and this week he gave those guys a bunch of credit card numbers. Before they left, they asked Chris if he could help them find some tech-9 semiautomatic guns, claiming they were for “a family problem.” Rrrriiight. Chris is about to find himself in some deep shit, and when Agent Harris confronts him with evidence that he supplied weapons, credit card numbers and whatever else to a couple of terrorists, they’ll offer him a deal if he flips.

Finally, I can’t close this out without mentioning this week’s funniest moment: In his first session with Dr. Melfi after the shooting, Tony says, “So let me ask you right off: Any chance for a mercy fuck?” I love it.

What’s he saying…? Something about another nail in my coffin…?

If “Joey” does, by some miracle, make it back onto NBC’s line-up, there’s a very good chance it will be without Joey’s nephew, Michael.

Paulo Costanzo has gotten himself another gig…an as-yet-untitled pilot over at CBS…and, given that it also stars Patrick “The Tick” Warburton and Megyn Price (from “Grounded For Life” and, of course, “Larry the Cable Guy: Health Inspector”) AND it’s produced by Adam Sandler’s firm, Happy Madison, there’s every reason to believe it’ll be picked up.

Matt LeBlanc, you poor, poor bastard…

Every good movie starts with a good script…

…and, then, that script is usually summarily ruined by a bunch of suits who think they know better than the guy who actually wrote it.

Fortunately, that doesn’t happen all the time, as the Writer’s Guild of America has proven with their selections of the “101 Greatest Screenplays.” Topping the list is “Casablanca,” and rounding it out is “Notorious,” the Alfred Hitchcock film. Somewhere in-between, you’ll find three Charlie Kaufman films…quite an accomplishment, given how recent all those films are…as well as some John Huston, some Woody Allen, and even my boy, Cameron Crowe, for “Jerry Maguire.” (I’d rather have seen “Almost Famous,” but what can you do?) It’s a bit premature, I think, to include “Sideways,” given how many thousands of movies could’ve made it into that spot, and “Eternal Sunshine of the Spotless Mind” showing up all the way at #24 seems pretty damned high, even if it WAS a really good movie. Still, there’s a lot of good stuff in there…

But, for the record, it says a hell of a lot about Hollywood…and speaks to the accuracy of my opening line…that, in the 1980s, the script to “Casablanca” was sent to readers at a number of major studios and production companies under its original title, “Everybody Comes To Rick’s.” Some readers recognized the script but most did not, and of those who didn’t, many complained that the script was “not good enough” to make a decent movie.

And, yet, they greenlighted “Police Academy 7: Mission to Moscow.”

Funny old world…

If you liked Sifl and Olly…

…there’s a pretty decent chance you’ll enjoy The Cheap Show…if only because it’s also a haven for sock-puppet humor.

If the names Betty Paraskevas and Michael Paraskevas mean something to you, then you probably have kids. They’ve written a ton of children’s books, including “The Tangerine Bear,” which was made into an animated TV special, as well as “Maggie and the Ferocious Beast,” “Marvin the Tap-Dancing Horse,” and “Jerolemon Street Players: Day One.” But they’re also the creators of The Cheap Show, which, until recently, had only been viewable through Plum TV…a network that precious few of us get, as it’s only available in resort cities like Vail, Martha’s Vineyard, and the like. Now, however, the show is available through Podcast…so if you can download it, you can watch it. And if you think this looks like it’ll be funny…

tcs

…then, definitely, run and download an episode right now. There’s a very good chance you’ll laugh.

I’m still not sure why it’s called The Cheap Show, though…

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