Month: January 2010 (Page 17 of 25)

NBC News’ Brian Williams weighs in on the Conan situation

I had a chance to chat with Brian Williams during NBC’s party at the TCA press tour on Sunday night, and as a throwaway of a closing question, I asked him what had been asked of virtually everyone else that day: do you think Conan O’Brien should stay?

I guess I shouldn’t have been surprised that, throwaway or not, he nonetheless gave me a serious, thoughtful answer.

“Oh, I hope to God he stays,” replied Williams. “We feel, I think, like east coast Irish-Catholic brothers. We came up and followed prominent people into our jobs and kind of came up at the same time. We talked about it a lot on the air. Conan’s got a great New England, almost blue-collar for a Harvard kid, work ethic. He drives himself hard, and I have just always found us to be kindred spirits. I love his sense of humor, and I hope to God he can stay with us.”

Hope may be dwindling, but Williams remains a class act.

Everybody’s talkin’ ’bout Conan…including Conan himself!

First, Dave’s take…

…and then Craig’s:

Please note how both of them find the time to bash Carson Daly, proving once again that there’s no such thing as too easy a target. Kudos to Jimmy Kimmel, however, for figuring out a way to get a laugh out of Daly’s situation without being mean about it:

Bob linked to this in the comments section of my earlier post, but here’s what Patton Oswalt had to say on the matter:

And, of course, this post wouldn’t be complete if we didn’t offer Conan’s own take on the situation:

Gee, can you tell he’s pissed?

TCA Tour: Parks and Recreation

NBC’s “Parks and Recreation” suffered through a first season which impressed only a handful of viewers and critics, only to return for its second season with everyone suddenly trumpeting it as one of the funniest shows on television. Now, this is certainly not unprecedented for shows from executive producer Greg Daniels, who endured the same fate with “The Office,” and when you think about it, every series has to endure a certain amount of growing pains. But what’s required of a show’s creative team to take a confused show and straighten it out?

“Well, I think it’s fair to say that we make some kind of change to the overall idea of the show for every episode,” said co-creator / executive producer Michael Schur. “It’s a constant process of learning what is good and what is not so good, and there is a little bit of an arbitrary pause, in that our first season is only six episodes, so that was the time that we had the most amount of time to sit around and think about what we liked and what we didn’t like. But there wasn’t, like, a ‘Eureka! Oh, here’s what we do’ moment. It’s just a constant kind of process of shooting episodes and writing episodes and cutting them together, seeing which way the characters seem to be developing and talking to the actors and getting their input. I think that…again, we had this sort of weird mini season of six episodes like ‘The Office’ did, and then we took, whatever, four months off, so when it came back, I think there was a temptation to say, ‘Oh, what has changed now?’ I would like to think that, if we had just been airing continuously, the episodes would have turned out the same way and that it would have seemed like a more gradual evolution, because I think that’s what character comedies are all about: evolution.”

I don’t know about the rest of the cast, but at the very least, Nick Offerman remembers precisely when he firmly grasped his character, Ron Swanson. “When I was originally auditioning for the role, Mike said, ‘I think this guy has a really big mustache,'” he recalled. “I think that was probably the moment. I was, like, ‘Ah, yes, I see…'”

Nonetheless, Ron has evolved a bit since then, something which Greg Daniels spoke to. “I guess it was the ethics episode in the first season where he kind of stepped up and defended Leslie,” he said. “Originally, he was more of an antagonist, I think, because he was a person who didn’t believe in the mission of the department that he was in, she was so optimistic, and they were so at odds. But then they developed a nice kind of grudging friendship, and when we saw how well that worked, we wrote towards it.”

Amy Poehler chimed into the discussion as well, adding, “What was discovered, too, was (that) Ron liked Leslie because she made his job easier.”

“It’s a very symbiotic relationship at this point,” said Schur.

“Co-dependent,” corrected Poehler. With a wink and a nudge, she added, “But we all know what those relationships are like, right?”

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Conan ain’t interested in NBC’s 12:05 AM pitch – UPDATED

Although NBC has, in the wake of their decision to cancel Jay Leno’s prime-time show, spoken openly about their desire to restructure their late-night line-up to offer a half-hour of Leno, then “The Tonight Show with Conan O’Brien” and “Late Night with Jimmy Fallon,” it’s taken until today for Conan to break his silence on the matter…with a great big “no.”

The New York Times’ Media Decoder column has offered up the full text of O’Brien’s formal statement, and you should absolutely read it in full, as it’s a ballsy missive that’ll make a whole lot of his fellow comedians (not to mention quite a few TV critics, including myself) stand up and cheer. But if you’re just looking for the highlights, here they are:

* “It was my mistaken belief that, like my predecessor, I would have the benefit of some time and, just as important, some degree of ratings support from the prime-time schedule.”

* “I sincerely believe that delaying ‘The Tonight Show’ into the next day to accommodate another comedy program will seriously damage what I consider to be the greatest franchise in the history of broadcasting. ‘The Tonight Show’ at 12:05 simply isn’t ‘The Tonight Show.’ Also, if I accept this move I will be knocking the ‘Late Night’ show, which I inherited from David Letterman and passed on to Jimmy Fallon, out of its long-held time slot. That would hurt the other NBC franchise that I love, and it would be unfair to Jimmy.”

* “I cannot express in words how much I enjoy hosting this program and what an enormous personal disappointment it is for me to consider losing it. My staff and I have worked unbelievably hard and we are very proud of our contribution to the legacy of ‘The Tonight Show.’ But I cannot participate in what I honestly believe is its destruction.”

* “I currently have no other offer and honestly have no idea what happens next. My hope is that NBC and I can resolve this quickly so that my staff, crew, and I can do a show we can be proud of, for a company that values our work.”

Okay, first of all, as I said above, this makes me want to stand up and cheer, because Conan’s getting screwed by NBC, plain and simple, and I think it’s awesome that he’s not just going to bend over and take it. But with that said, I can’t see the network doing anything other than saying, “Oh, you’re not going to do it? Fair enough, then we’ll put Jay back into ‘The Tonight Show,'” because they’re certainly not going to give Leno his walking papers.

What do you think Conan should do?

UPDATE: I just popped over to see what was being said about the matter at Deadline.com, and it seems as though there’s a meeting going down at NBC-Universal…or, at least, there was at 1:45 PM PST. According to Nikki Finke, “On one side of the room are NBCU bigwigs Jeff Gaspin and Marc Graboff. On the other side of the room are O’Brien’s reps: manager Gavin Palone, WME agent and board member Rick Rosen, and the newest member of Team Conan — Hollywood litigator Patty Glaser who was hired on Sunday and is WME’s legal shark of choice.”

Per Ms. Finke…

My insiders say O’Brien’s reps didn’t want him to do (release the statement). “They were not thrilled. They told him it would undercut his negotiating leverage,” one source revealed to me. “But Conan wouldn’t listen to them. He wanted to make it.” When Conan read the statement to the staff, “he broke up. He began to cry,” one of my insiders reveals. “Because for 17 years he was working towards The Tonight Show, and now he says he’s prepared to walk away from it. That’s an amazing thing. An amazing thing. But he takes very seriously the fact that The Tonight Show baton was passed to him.”

Here at Premium Hollywood, we can sum up our position on the matter in three words:

‘Nuff said.

Greetings to the New Show: “Archer”

archer

FX’s new comedy series, “Archer,” has a decidedly Adult Swim feel to it, and that isn’t at all coincidental. Created by Adam Reed (“Space Ghost Coast to Coast,” “Sealab 2021” and “Frisky Dingo”), “Archer” is everything you’d expect in an Adult Swim series – from its crude animation style to its adult-themed humor. Still, it might be a little too refined for Cartoon Network’s late night line-up, which is why it works so perfectly on a channel like FX. Though the basic cable network has succeeded in making several first-rate dramas over the years, they’ve yet to crack the comedy nut beyond “It’s Always Sunny in Philadelphia.” They may have finally found a worthy pairing in “The League,” but if FX hopes to create a Thursday night comedy block to compete with the big boys, “Archer” is exactly what they need.

Set at the International Secret Intelligence Service (ISIS), a spy agency where espionage and global crises are merely opportunities for its highly trained employees to confuse, undermine, betray and royally screw each other, the series stars H. Jon Benjamin as Sterling Archer, a 007 wannabe who craves the perks of the job without doing any of the work. Joining Archer at the ISIS office is his domineering mother and boss, Malory (Jessica Walter); ex-girlfriend and fellow field agent Lana Kane (Aisha Tyler); head accountant Cyril Figgis (Chris Parnell); lovesick secretary Cheryl (Judy Greer); and human resources director Pam (Amber Nash).

It’s a great cast for an animated series, but despite all the recognizable names, it’s relative unknown H. Jon Benjamin who steals the show. Anyone who’s ever watched cult classics like “Dr. Katz” and “Home Movies” are probably already familiar with Benjamin’s trademark voice, but he’s an absolute riot in “Archer” and the main reason the show works as well as it does. In fact, while I had already seen the pilot episode months before during its top secret preview on FX, it didn’t stop me from watching it again. It’s easily the strongest of the first five episodes, although “Training Day,” where Archer trains Cyril to become a field agent, and “Diversity Hire,” where Malory hires a black-Jewish agent to fill a minority quota, are good as well. There’s also an “Arrested Development” mini-reunion when Jeffrey Tambor guest stars as an U.N. intelligence officer in “Killing Utne.”

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